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Remembering New York’s ’90s gay scene via its vibrant nightclub flyers

Diverse group of people with various expressions and styles, surrounded by bold text and graphics in dark colours.

Getting In — After coming out in his 20s, David Kennerley became a fixture on the city’s queer scene, while pocketing invites that he picked up along the way. His latest book dives into his rich archive.

Journalist and historian David Kennerley arrived in New York in the late 1980s, finding an apartment in Chelsea just as the West Village queer scene started travelling north. In his late 20s at the time, Kennerley was struggling with his identity. I wasn’t out. I was confused,” he says. My roommate, who was gay would try to get me to go to the Roxy, a gay club. I was scared. It took him a year of asking before I said, I’m ready.’” 

Setting foot in the cavernous nightclub, which doubled up as a disco roller rink, Kennerley instantly felt at home. And on his way out, he gladly pocketed a wealth of brightly coloured flyers that most club patrons carelessly dropped on the ground. I thought, wait, are you crazy?! Look at this cool picture of a hot guy or a drag queen,” Kennerley says, and then adds, A lot of them had $5 off [cover charge] so I would save them because back then, $5 was a lot of money.” 

Kennerley signed up for John Blair’s legendary mailing list and regularly dropped into Rainbows & Triangles to pick up club invites as they came out, ultimately amassing an incomparable archive of an era that he stashed in Gap bags inside his closet for decades. I was just coming out, so I was like a kid in a candy store,” he remembers of the time, pointing to his contemporaneous collections of matchbooks and phone numbers scrawled on handwritten notes. 

Two individuals wearing ornate, colourful period costumes with elaborate headdresses and jewellery against a dark background.
Silhouette of a muscular male figure in black and white, "Liberation 92" text below.
Night of 1000 Gowns, 1992
Liberation 92 at Purgatory

With the passage of time, the nightclub flyers acquired the patina of artefact, recording a vanishing world that is now in the rear-view mirror. At a time when few were photographing the scene, club flyers became the culture’s de facto visual record. With Getting In: NYC Club Flyers From the Gay 90s (Daken Press), Kennerley weaves 230 flyers alongside essays and interviews with nightlife legends including Lady Bunny, Linda Simpson, Larry Tee, Susan Morabito, and Michael Musto, into a kaleidoscopic tapestry of fin de siècle New York.

Getting In chronicles the rise of mega clubs like Limelight, Palladium, Sound Factory, and the Tunnel as Chelsea came into its own with a wealth of smaller neighbourhood spots like Esculeita, Splash, and the recently shuttered Barracuda. The book also showcases circuit parties, sex clubs, and back rooms, which largely operated by word of mouth. 

Kennerley, who contributed widely to the new book, Queer Happened Here: 100 Years of NYC’s Landmark LGBTQ+ Places, will be in conversation with author Marc Zinaman on June 18 at Hive Mind in Brooklyn. Taken together, the books literally and figuratively maps New York’s groundbreaking queer scene at the height of AIDS

In a world where few had internet access, nightclubs became the lifeline of the community. These parties were benefits for organisations like ACT UP, Gay Men’s Health Crisis, and Lifebeat,” Kennerley says. The LGBTQ+ community was going through trauma, and these clubs played a big part in building community by providing a safe space, because you have to band together to fight.” 

Black and white image of a smiling man surrounded by a radial pattern of contrasting black and white stripes.
Two shirtless men posing together, showing muscular physiques.
Close-up of a person with long, curly blonde hair, wearing bold make-up and an ornate, patterned outfit.
Man in floral and metallic outfit with sunglasses, posing against orange background with text "Muusto Gussto Roxy 1991".
Magenta poster with bold text: "PRIDE Silence=Death Radio Grand". Features artists like Onyx, Hemios, and Jo Jo Americo. Emphasises the theme of "silence equals death".
Text on newspaper: "Jackie's World; Jackie 60 moves to West Coast; Virus turns egghead into a vegedata."
Three muscular, shirtless men in a black and white photo against a red background with the text "Twisted" in large white letters.
Boy Bar, 1993
Purgatory, Gore Clinton, 1992
Lady Bunny, Webster Hall, 1992
Musto Gusto at Roxy, 1991
PRIDE at The Grand, 1993
Jackie 60, 1991
Twisted at Industria, 93

David Kennerley and Marc Zinaman will be in conversation for Celebrating Lost Queer Spaces’ on June 18, 2025, at Hive Mind Bookstore in Brooklyn to discuss their respective books, Getting In and Queer Happened Here.

Miss Rosen is a freelance arts and photography writer, follow her on X.

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