Remembering New York’s ’90s gay scene via its vibrant nightclub flyers

Diverse group of people with various expressions and styles, surrounded by bold text and graphics in dark colours.

Getting In — After coming out in his 20s, David Kennerley became a fixture on the city’s queer scene, while pocketing invites that he picked up along the way. His latest book dives into his rich archive.

Jour­nal­ist and his­to­ri­an David Ken­ner­ley arrived in New York in the late 1980s, find­ing an apart­ment in Chelsea just as the West Vil­lage queer scene start­ed trav­el­ling north. In his late 20s at the time, Ken­ner­ley was strug­gling with his iden­ti­ty. I wasn’t out. I was con­fused,” he says. My room­mate, who was gay would try to get me to go to the Roxy, a gay club. I was scared. It took him a year of ask­ing before I said, I’m ready.’” 

Set­ting foot in the cav­ernous night­club, which dou­bled up as a dis­co roller rink, Ken­ner­ley instant­ly felt at home. And on his way out, he glad­ly pock­et­ed a wealth of bright­ly coloured fly­ers that most club patrons care­less­ly dropped on the ground. I thought, wait, are you crazy?! Look at this cool pic­ture of a hot guy or a drag queen,” Ken­ner­ley says, and then adds, A lot of them had $5 off [cov­er charge] so I would save them because back then, $5 was a lot of money.” 

Ken­ner­ley signed up for John Blair’s leg­endary mail­ing list and reg­u­lar­ly dropped into Rain­bows & Tri­an­gles to pick up club invites as they came out, ulti­mate­ly amass­ing an incom­pa­ra­ble archive of an era that he stashed in Gap bags inside his clos­et for decades. I was just com­ing out, so I was like a kid in a can­dy store,” he remem­bers of the time, point­ing to his con­tem­po­ra­ne­ous col­lec­tions of match­books and phone num­bers scrawled on hand­writ­ten notes. 

Two individuals wearing ornate, colourful period costumes with elaborate headdresses and jewellery against a dark background.
Silhouette of a muscular male figure in black and white, "Liberation 92" text below.
Night of 1000 Gowns, 1992
Liberation 92 at Purgatory

With the pas­sage of time, the night­club fly­ers acquired the pati­na of arte­fact, record­ing a van­ish­ing world that is now in the rear-view mir­ror. At a time when few were pho­tograph­ing the scene, club fly­ers became the culture’s de fac­to visu­al record. With Get­ting In: NYC Club Fly­ers From the Gay 90s (Dak­en Press), Ken­ner­ley weaves 230 fly­ers along­side essays and inter­views with nightlife leg­ends includ­ing Lady Bun­ny, Lin­da Simp­son, Lar­ry Tee, Susan Mora­bito, and Michael Mus­to, into a kalei­do­scop­ic tapes­try of fin de siè­cle New York.

Get­ting In chron­i­cles the rise of mega clubs like Lime­light, Pal­la­di­um, Sound Fac­to­ry, and the Tun­nel as Chelsea came into its own with a wealth of small­er neigh­bour­hood spots like Esculei­ta, Splash, and the recent­ly shut­tered Bar­racu­da. The book also show­cas­es cir­cuit par­ties, sex clubs, and back rooms, which large­ly oper­at­ed by word of mouth. 

Ken­ner­ley, who con­tributed wide­ly to the new book, Queer Hap­pened Here: 100 Years of NYC’s Land­mark LGBTQ+ Places, will be in con­ver­sa­tion with author Marc Zina­man on June 18 at Hive Mind in Brook­lyn. Tak­en togeth­er, the books lit­er­al­ly and fig­u­ra­tive­ly maps New York’s ground­break­ing queer scene at the height of AIDS

In a world where few had inter­net access, night­clubs became the life­line of the com­mu­ni­ty. These par­ties were ben­e­fits for organ­i­sa­tions like ACT UP, Gay Men’s Health Cri­sis, and Lifebeat,” Ken­ner­ley says. The LGBTQ+ com­mu­ni­ty was going through trau­ma, and these clubs played a big part in build­ing com­mu­ni­ty by pro­vid­ing a safe space, because you have to band togeth­er to fight.” 

Black and white image of a smiling man surrounded by a radial pattern of contrasting black and white stripes.
Two shirtless men posing together, showing muscular physiques.
Close-up of a person with long, curly blonde hair, wearing bold make-up and an ornate, patterned outfit.
Man in floral and metallic outfit with sunglasses, posing against orange background with text "Muusto Gussto Roxy 1991".
Magenta poster with bold text: "PRIDE Silence=Death Radio Grand". Features artists like Onyx, Hemios, and Jo Jo Americo. Emphasises the theme of "silence equals death".
Text on newspaper: "Jackie's World; Jackie 60 moves to West Coast; Virus turns egghead into a vegedata."
Three muscular, shirtless men in a black and white photo against a red background with the text "Twisted" in large white letters.
Boy Bar, 1993
Purgatory, Gore Clinton, 1992
Lady Bunny, Webster Hall, 1992
Musto Gusto at Roxy, 1991
PRIDE at The Grand, 1993
Jackie 60, 1991
Twisted at Industria, 93

David Ken­ner­ley and Marc Zina­man will be in con­ver­sa­tion for Cel­e­brat­ing Lost Queer Spaces’ on June 18, 2025, at Hive Mind Book­store in Brook­lyn to dis­cuss their respec­tive books, Get­ting In and Queer Hap­pened Here.

Miss Rosen is a free­lance arts and pho­tog­ra­phy writer, fol­low her on X.

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