A journey inside Stalin's Siberian prison camps
- Text by Miss Rosen
- Photography by Barry Lewis
In winter 1991, British photographer Barry Lewis set forth on a journey to the Gulag. The trip to Josef Stalin’s notorious Siberian prison camps is one which few had returned from. As the Soviet Union barrelled towards its demise that December, the spirit of glasnost (openness and transparency) prevailed as the dark heart of the USSR was finally laid open for all the world to see.
On assignment for Geo magazine, Lewis was taken inside the notorious slave labour camps that housed convicts and political dissidents. Prisoners there were often imprisoned without trial, with some 18 million citizens disappeared at their peak between 1930 and 1953.
Buried in this far flung corner of the Soviet empire lay untold wealth of uranium and gold. Prisoners were forced to work in inhospitable conditions at temperatures of ‑30° C to say nothing of radiation poisoning. Some two million prisoners perished while in prison, while survivors settled into the town of Magadan having nowhere else to go. While the most dangerous camps had closed by 1991 some remained operational, and Lewis was permitted to document it all.
Now Lewis looks back on this extraordinary project in the new book, Gulag: A journey into the darkness of Stalin’s Siberian prison camps (Fistful of Books). Gulag opens with Lewis’ ominous arrival on bleak shores of this distant world, evoking a harrowing feeling that one has reached the point of no return. The book unfolds like Dante’s Inferno, leading us into deeper circles of hell.
“The writer, Peter-Mattheas Gaede and I decided to make the journey from the port to the infamous mines and camps of the Kolyma Hills, following the path thousands of prisoners had taken from 1930s to the 50s,” says Lewis. “I particularly wanted to do this journey in mid-winter to echo the pain of the prisoner’s march north along the Road of Bones.”
As a British citizen, Lewis was afforded protection on his journey, a privilege he readily understood as he faced the foreboding truth of the Gulag. “I was originally a chemist and knew the dangers of our final destination: the ruins of the Butugychag camp, not even listed in the documentation of abandoned camps, where prisoners mined and processed uranium,” he says.
Situated high in the Kolyma mountains, Butugychag camp was abandoned after Stalin’s death in 1954, but it still posed great danger to all who dared to enter. Inside the abandoned settlement, the rock-built cells continued to emit deadly levels of radioactivity.
“Ironically the place I was most nervous of, Camp AV261/4, an active prison work camp outside the settlement of Uptar, proved to be warm and interesting,” he says. “I was given permission to wander freely (with an armed guard!) amongst the inmates who showed curiosity more than hostility.”
Ultimately Gulag is a story of histories untold, erased, and lost — particularly those who survived to tell the tale. “These old people all had stories of a history that the Russian government wanted to forget and, despite perestroika, were hoping would disappear with their deaths,” Lewis says.
“They had a quiet dignity, their pain and loss, metamorphosed into a fragile radiance, the anger transformed into a tired kindness, but always needing to tell their story.”
Enjoyed this article? Follow Huck on X and Instagram.
Support stories like this by becoming a member of Club Huck.
You might like
The last days of St Agnes Place, London’s longest ever running squat
Off the grid — Photographer Janine Wiedel spent four years documenting the people of the Kennington squat, who for decades made a forgotten row of terraced houses a home.
Written by: Isaac Muk
How Japan revolutionised art & photography in the ’60s and ’70s
From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.
Written by: Miss Rosen
Artifaxing: “We’ve become so addicted to these supercomputers in our hands”
Framing the future — Predominantly publishing on Instagram and X, the account is one of social media’s most prominent archiving pages. We caught up with the mysterious figure behind it to chat about the internet’s past, present and future, finding inspiration and art in the age of AI.
Written by: Isaac Muk
The lacerating catharsis of body suspension in Hong Kong
Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.
Written by: Sophie Liu
What we’re excited for at SXSW 2026
Austin 40 — For the festival’s 40th anniversary edition, we are heading to Texas to join one of the biggest global meetups of the year. We’ve selected a few things to highlight on your schedules.
Written by: Huck
In photos: The boys of the Bibby Stockholm
Bibby Boys — A new exhibition by Theo McInnes and Thomas Ralph documents the men who lived on the three-story barge in Dorset, giving them the chance to control their own narrative.
Written by: Thomas Ralph