Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

A joyful window into rural Mongolian nomadic life

Photographer Taemin Ha reflects on a close bond formed over many months of capturing nomadic families.

On the final day of Taemin Ha’s visit to Central Mongolia at the tail end of last summer, he was hauling giant wooden poles and shepherding livestock around the edges of the Terkh White Lake. The South Korean photographer had been staying with and making pictures of a large nomadic family who were distantly related to a friend of Taemin’s from Seoul. With autumn approaching they were moving their temporary homes – called gers – to a new location.

After finding their new spot for the upcoming season and erected the large yurts that they called home, Taemin was sitting on the lush, untouched grass with two of the family’s young boys, when they suddenly got up and ran down to the stream. Playing with the water, one of the boys, named Amarbayar, lay down on the bank and started splashing and washing his face. As he did so, Taemin crouched down and flicked the shutter on his camera. 

That was a really memorable moment for me,” Taemin recalls. Unable to speak Mongolian, and likewise with the family unable to speak Korean, it was a moment of connection that transcended language barriers. And then after that photo they wanted me to take more photos of them, so they tried different things without telling me like posing or doing crazy things in the water. Since it was the last day of my summer trip, I felt like our intimacy and bond had been made.”

That picture is now part of his new photographic series The White Lake of Terkh River. Created over a series of three trips in the past 18 months, Taemin spent months living with Amarbayar’s extended family – which was separated into four smaller families – helping them farm the land and look after the livestock, while documenting his time with them. Every three months, as a new season came in, they would move their gers to a different patch of land, all centred around the Terkh White Lake in search of fresh grazing patches for the sheep and cows, while staying within easy-to-reach distance of the nearest village, where their children would attend school and they would sell their produce.

From photographing the nearest village blanketed in snow to capturing the joyful lives of the children, the pictures are an intimate glimpse into the daily lives of the pastoral, semi-nomadic family, as well as life in the depths of rural Mongolia, with the nearest city – Mongolia’s capital Ulaanbaatar – roughly 14 hours away by car. In the process, he captured how they were navigating and blending old ways of life with 21st century modernity.

When my friend told me about them, I imagined a traditional nomadic life,” Taemin explains. But when I lived with them, it was interesting because I felt like it was in between super old, traditional cultures and modern-day life – for instance they still work in those nomadic ways, but in education their children would stay in the village on weekdays and visit the family on weekends.”

While with the family, Taemin would split his time with the adults working the land and staying with the children in the village. With no one to cook or do basic chores for them, the children were forced to adapt quickly and learn how to look after one another. I was really surprised,” he says. They were really independent, not because they wanted to but because they [had] to be. Four or five children lived there on weekdays and when I expressed that I was hungry, they just started cooking for me – they already knew how to do the parenting and they really took care of me.”

The dynamic would lead to Taemin forming a close bond with them, which shines through in the photographs. In the end, spotlighting their intimacy and humanity of the children and extended family turned into the focus of the project. There are so many documentary photo series about Mongolia – landscapes, huge nature, traditional clothing, animals etc.,” he continues. When I looked back at the photos I realised I focused more on the family themselves. The traditions and Mongolia were not the first priority – I wanted to focus on the relationship between me and the family themselves.”

Photographs from The White Lake of Terkh River can be seen on Taemin Ha’s Instagram.

Follow Isaac on Twitter.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

You might like

Activism

The last days of St Agnes Place, London’s longest ever running squat

Off the grid — Photographer Janine Wiedel spent four years documenting the people of the Kennington squat, who for decades made a forgotten row of terraced houses a home.

Written by: Isaac Muk

© Mitsutoshi Hanaga. Courtesy of Mitsutoshi Hanaga Project Committee
Culture

How Japan revolutionised art & photography in the ’60s and ’70s

From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.

Written by: Miss Rosen

Culture

Artifaxing: “We’ve become so addicted to these supercomputers in our hands”

Framing the future — Predominantly publishing on Instagram and X, the account is one of social media’s most prominent archiving pages. We caught up with the mysterious figure behind it to chat about the internet’s past, present and future, finding inspiration and art in the age of AI.

Written by: Isaac Muk

Culture

The lacerating catharsis of body suspension in Hong Kong

Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.

Written by: Sophie Liu

Culture

What we’re excited for at SXSW 2026

Austin 40 — For the festival’s 40th anniversary edition, we are heading to Texas to join one of the biggest global meetups of the year. We’ve selected a few things to highlight on your schedules.

Written by: Huck

Activism

In photos: The boys of the Bibby Stockholm

Bibby Boys — A new exhibition by Theo McInnes and Thomas Ralph documents the men who lived on the three-story barge in Dorset, giving them the chance to control their own narrative. 

Written by: Thomas Ralph

Huck is supported by our readers, subscribers and Club Huck members.

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.