A Palestinian dancer recalls Israel’s Intifada crackdown
- Text by Raed Khatab
- Photography by Theo McInnes (main image)
Long before the Second Intifada began, we knew it was coming. After all, there is only so long you can deny people their rights before they demand them.
There was a sadness and anger amongst the people, in that period leading up to the start of the Intifada, since the Israeli occupation had made it clear that they didn’t want to offer anything to us. When the protests broke out, as a Palestinian I was very happy – to see my people demanding their rights, and to see refugees refusing to let their cause be marginalised.
Life for us became about giving your all for your people – for our historically-rooted rights, for the refugees. Growing up, my grandmother would tell us stories about her family’s life in Qalunya village, before Zionist militias expelled them during the Nakba of 1948 – the land, how they lived, how Palestinian Muslims, Christians, and Jews, lived alongside each other.
In the moment of the Intifada beginning, everything for me became about the story of my grandmother. I wanted to go back to what my grandmother had told me about. I am a dancer and choreographer, not a political activist, but when the Intifada started, I saw everyone was in the streets, and I needed to be a part of the people, demanding our rights.
One day, in those first weeks, I found myself marching alongside two other people – a young man who has Down’s syndrome and his carer, an older man. As we reached the checkpoint, the Israeli soldiers started shooting at the demonstrators, and we were forced to take cover behind a building.
The soldiers were shooting indiscriminately, regardless of who had been throwing stones at the checkpoint (stone-throwing itself is no justification for using lethal violence). They were attacking everyone, because collective punishment is an ever-present part of our reality here.
So, there we were, trapped and terrified, three men from such different backgrounds, thrown together in that moment and hoping to emerge with our lives. Suddenly, the young man with Down’s syndrome was shot in the thigh. His carer held him tightly, saying: “Habibi, habibi”, over and over. The pain must have been so bad. I will never forget this moment, seeing a man who had simply been out protesting for his people’s rights shot like that.
The bullet passed through his leg and struck me below the knee. I wasn’t even able to go to hospital, since Israeli soldiers would raid medical facilities and seize patients’ records. The injured could then be targeted for even participating in protests. Two months went by before I could dance again.

Raed Khatab
As the Intifada continued, nothing was safe from Israeli repression – including culture. The culture ministry building in Ramallah was ransacked and vandalised. Entire arts and cultural groups were paralysed as a result of systematic targeting; even Palestinian cultural resistance had to be punished.
20 years on, these are feelings and moments that cannot be forgotten. Today, as an artist, I have seen how dance, theatre, and drama, can all be an intensive expression of our refusal of the occupation, a way to channel the anger and frustration we experience. I also run a puppet theatre, working with kids throughout the West Bank, in refugee camps, schools, cities, and villages, where I plant smiles and grow hope within the children’s lives.
When they get immersed in the puppet theatre, I feel how much they yearn for and believe in a new life. But when they return to their daily realities, they see the very same things I saw as a kid some 25 years ago – army checkpoints, arrests, raids, shootings.
Something else hasn’t changed, however; the power of my grandmother’s memories and stories. When she told me about the village, sharing tales of the people and their daily life, she would speak with such serenity and happiness. She recalled those times – and the feelings they evoked – with a calm smile. It was the serenity and peace of belonging, of place. This is a peace I have never experienced. This is why I need to go there.
But the longing for freedom is not just about the places stolen from us. The occupation creates fresh motivation and incentives every single day. I think of a dear friend in Jerusalem, for example, and how the occupation authorities want to rescind his permanent residency permit and expel him.
20 years on from the Second Intifada, the occupation gives us – including the new generation – reasons to fight for freedom every new morning.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
A stark, confronting window into the global cocaine trade
Sangre Blanca — Mads Nissen’s new book is a close-up look at various stages of the drug’s journey, from production to consumption, and the violence that follows wherever it goes.
Written by: Isaac Muk
Venice Biennale will not award artists from Israel & Russia due to war crime accusations
Art Not Genocide — Both countries will still be allowed to exhibit work at their respective pavilions, but be excluded from judging considerations, as they have leaders facing arrest warrants issued by the International Criminal Court.
Written by: Noah Petersons
Confronting America’s history of violence against student protest
Through A Mirror, Darkly — In May 1970, two separate massacres at American college campuses saw deaths at the hands of the state. Naeem Mohaiemen’s new three-channel film memorialises the brutality.
Written by: Miss Rosen
Kneecap, Brian Eno, Erika de Casier sign Eurovision boycott letter protesting Israel’s involvement
No Music For Genocide — It calls upon the European Broadcasting Union to ban Israel from the upcoming competition, which is set to take place in Vienna between May 12 and May 14. Other signatories include Massive Attack, Hot Chip and Nadine Shah.
Written by: Sydney Lobe
“Madness can be overcome”: Robert Del Naja releases statement after Palestine Action arrest
“Small price to pay” — The Massive Attack frontman was one of more than 500 people detained on Saturday on suspicion of supporting Palestine Action, a group that has been banned under the Terrorism Act 2000 by the UK government.
Written by: Ella Glossop
Defiant photos of New York’s ’80s & ’90s queer activists
Arresting Images — Dona Ann McAdams’ photographs document the AIDS crisis, lesbian organising and civil disobedience from one of the most fraught eras in American LGBTQ+ history. A sale of her archive takes place later this month.
Written by: Sydney Lobe