A riotous journey from Soho to Blackpool and back again

British summertime — Through the 80s and early 90s, photographer Barry Lewis would routinely make the trip from Blackpool to London, soaking in the sun and sand with liquid lunches, to evenings spent in Ronny Scotts and the Groucho, capturing the many characters he encountered along the way.

During the summer of ‘84, Express Magazine commissioned British photographer Barry Lewis to photograph a holiday story titled, “A Day in the Life of Blackpool” – a charming look at the seaside getaway in Northern England. 

“As a photographer, you couldn’t go wrong. Blackpool had everything: trams travelling along the mile-long waterfront, three piers, huge sandy beaches, the Pleasure Beach amusement park, a tower, thousands of classic B&Bs with accompanying landladies, loads of pubs, cafes, candy floss, and saucy postcards,” Lewis recalls. 

“My memories of this time were often the smells, lingering in the sea salt air: a mix of suntan lotion, mint rock, stale beer, and vinegar from the endless fish and chip shops. Everyone was friendly and out to have a good time — all you needed to do was have lots of film, energy and a sense of humour!”

Hooked, Lewis returned time and again to make photographs for various magazines, a selection of which have just been published in Blackpool 1984-1989. The book stands as the perfect companion for a second volume, Soho 1990 (both Café Royal Books), a trip back to Soho of yore, reveling in the chance encounters that made the neighborhood a photographer’s paradise.

Everyday was different: you never knew what you would find round the next corner. Soho was full of small workshops and businesses making anything from violins to shotguns, which stood cheek to jowl with the strip bars, brothels, club scene, artist pubs and clubs,” says Lewis, who was on assignment to photograph the gay community of Soho for a special London issue of Germany’s Merian magazine. 

There was a great gay scene centring around Old Compton Street during the day and Kinky Gerlinky club for riotous parties at night,” Lewis says. “Some long liquid lunches spent either in the French Pub or being entertained by Jeffrey Bernard in the Coach and Horses round the corner. As the evening progressed I bounced between the Wag club, Ronny Scotts, and the Groucho until usually sobering up with a strong espresso in the Bar Italia.

Taken together, Blackpool 1984-1989 and Soho 1990 offer a fascinating look at Britain’s North and South divide. “Both had the robust warmth of a big, loud family but each with their own characteristics. The Blackpool promenade was a working-class getaway: glitz, sun and sand, spreading for a mile but just a block deep. It was a place of annual escape for families, groups of pensioners on an away day, and young people looking for fun and love,” Lewis says.

“Soho had a working, almost village, atmosphere by day complete with a thriving street market. The pubs by day were full of film and media folks, and in the afternoons the street cafes were full of an esoteric mix of the LGBTQ crowd, tourists and trendy gangsters. As night fell it all became more seedy — the sex industry, hand in hand with punks and clubbers all lit by the pink of neon fighting the fading light.” 

Selections from Blackpool: 1984-1990 will be on view in Facing Britain: British documentary photography since the 1960s, curated by Ralph Goertz at IKA at the Museum Goch in Germany (September 27-November 8, 2020), with more venues to follow in the near future.

Follow Miss Rosen on Twitter.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

 

 


Ad

Latest on Huck

A black and white photograph of a young boy standing on a swing set, with a rugged, dilapidated background.
Activism

Capturing joy and resilience in Istanbul through tumultuous times

Flowers in Concrete — As protests break out across Istanbul, photographer Sıla Yalazan reflects on the 2013 Gezi Park movement, and capturing beauty as the city has undergone economic change and political tension.

Written by: Isaac Muk

Crowded urban street at night, people gathered on platforms of train station, silhouettes and shadows cast, focus on central figure in motion.
© Murai Tokuji, Courtesy of Murai Eri
Culture

A new documentary explores Japan’s radical post-war photography and arts scene

Avant-Garde Pioneers — Focusing on the likes of Daidō Moriyama, Nobuyoshi Araki, Eikoh Hosoe and many more, the film highlights the swell of creativity in the ’60s, at a time of huge economic change coupled with cultural tensions.

Written by: Isaac Muk

A young woman in a white blouse and shorts standing on a beach with a sign that says "What made me" in large text.
Music

BODUR: “I’ve always spoken out rather than assimilating”

What Made Me — In this series, we ask artists and rebels about the about the forces and experiences that shaped who they are. Today, it’s SWANA-championing pop experimentalist BODUR.

Written by: BODUR

A man holding a sign that says "Gay is Good" in front of his face.
© Fred W. McDarrah/MUUS Collection
Culture

No one captured Greenwich Village’s heyday like Fred W. McDarrah

Pride and Protest — As the first staff photographer for the legendary Village Voice, the documentarian found himself at the heart of the Beat Generation, the Gay Liberation movement, and the AIDS pandemic. A new exhibition dives into his important archive.

Written by: Miss Rosen

Two individuals wearing bold, graphic fashion featuring geometric patterns and stripes in contrasting black, white, and orange colours.
Huck: The London Issue

Krept & Konan cover Huck’s new digital issue, focusing on our home city

The London Issue — As we gallop into a hyperconnected age, we think it’s never been more important to engage with our local surroundings. So, we’ve put together a special magazine, exclusively for our Apple News subscribers, to celebrate London and its unending vibrancy.

Written by: Isaac Muk

Sport

On the sidelines with Rise United, the football club redefining Asian identity

Football, family style — Blending creativity on and off the pitch, the London ESEA+ grassroots team is providing its burgeoning community with spaces to express, and be, themselves.

Written by: Isaac Muk

Signup to our newsletter

Sign up to stay informed from the cutting edge of sport, music and counterculture, with personal takes on the state of media and pop culture in your inbox every month from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.