A visual history of activism in the North
- Text by Hannah Clugston
- Photography by Martin Jenkinson
The key to understanding Martin Jenkinson’s photography practice is this: “He wasn’t just doing it for a news story.”
This statement, from his daughter Justine Jenkinson, might seem like an unusual one considering the fact he was a photojournalist, but he was as much protestor as he was a photographer. He stood shoulder to shoulder with the Sheffield steelworkers that he had been made redundant with in 1979. And he was as much campaigner as he was documenter when he marched on the picket line with the miners at Orgreave about to suffer the same fate as the steelworkers.
Jenkinson understood what he was taking photos of; he knew what it was like to have your livelihood ripped away; he understood that feeling of desperation and empowerment when raising a placard above your head. “It wasn’t like my dad was parachuted in to take photos of these events, he was there anyway,” Justine says. And you can tell. He finds minute details and faces – the characteristics that define the individuals in the midst of the protest. In one photograph shot from behind a row of police helmets, a young woman looks wearily into Jenkinson’s camera: she seems on the verge of tears and her exhaustion tells the story of a battle not yet won.

Waiting for the speeches to begin. Yorkshire Miners Demonstration and Gala, Doncaster, 19 June 1982 © Martin Jenkinson Photo Library

Maxine Duffus, South Yorkshire Passenger Transport’s first black woman bus driver. Herries Road bus garage, Sheffield., 18/11/1983 © Martin Jenkinson Photo Library
It’s this humanity that Justine appreciates most in her dad’s work. Now the manager of Jenkinson’s extensive archive since he passed away in 2012, Justine is very well acquainted with her dad’s thousands of images. She still has a favourite though. “I like the style of a photo taken at a miners’ gala in Doncaster in 1982. There are two old men and a child waiting for the speeches, one of the old men is smoking and the child has an ice cream. What I love about it is that although it was a commissioned job for the NUM, he still found a bit of humour. It shows that he had a real interest in people. To me, that is really typical of my dad.”

A football supporter places a wreath outside the Hillsborough Stadium on the day after 96 football fans were killed at the start of the FA Cup semi- final between Liverpool and Nottingham Forrest, 15/04/1989 © Martin Jenkinson Photo Library
In his quest to find the people, Jenkinson inevitably uncovered moments of real despair. He was at Sheffield Wednesday’s football ground in 1989 during the Hillsborough disaster when 96 football fans were crushed to death. On that particular day, he wasn’t working but Justine notes: “he said he probably couldn’t have taken those photos because it really affected him.” Jenkinson returned to the ground the next day to capture people laying flowers. Stood a little way back, he does not disturb the mourners, but frames perfectly the delicacy of individuals bending down to mark the spot where their loved ones were lost.
Nearly 30 years on, there’s still plenty of social and political upheaval to document. What does Justine think her dad would have made of today’s turbulence? “Even though he was due to retire, I’ve got a sneaky feeling he would have been out there taking pictures of the protests. And not just taking the pictures, he would have been out there protesting.”

Unemployed drop in centre The Bow, Holly Street, Sheffield, 29/07/1983 © Martin Jenkinson Photo Library

1,500 People queued for up to two hours for 50 jobs at a new restaurant. Woodstock Diner, Ecclesall Road, Sheffield, 07/02/1983 © Martin Jenkinson Photo Library

Von the Sheffield Star newspaper seller at BSC River Don Works Sheffield, 16/09/1982 © Martin Jenkinson Photo Library

Derelict melting shop at Hadfields, Leeds Road Works, Sheffield, formerly Brown Bayleys. The plant was dismantled and sold to a steel manufacturer in Turkey, 01/09/1982 © Martin Jenkinson Photo Library

Parkin Silversmiths Ltd, Bowling Green Street, Sheffield, 10/06/1985 © Martin Jenkinson Photo Library

The ‘Hole in the Road’, 05/02/1990 © Martin Jenkinson Photo Library
Martin Jenkinson’s photography is currently celebrated in Who We Are: Photographs at Weston Park Museum, Sheffield.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
As salmon farming booms, Icelanders size up an existential threat
Seyðisfjörður — The industry has seen huge growth in recent years, with millions of fish being farmed in the Atlantic Ocean. But who benefits from its commercial success, and what does it mean for the ocean? Phil Young ventures to the remote country to find out.
Written by: Phil Young
How Japan revolutionised art & photography in the ’60s and ’70s
From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.
Written by: Miss Rosen
Artifaxing: “We’ve become so addicted to these supercomputers in our hands”
Framing the future — Predominantly publishing on Instagram and X, the account is one of social media’s most prominent archiving pages. We caught up with the mysterious figure behind it to chat about the internet’s past, present and future, finding inspiration and art in the age of AI.
Written by: Isaac Muk
The lacerating catharsis of body suspension in Hong Kong
Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.
Written by: Sophie Liu
What we’re excited for at SXSW 2026
Austin 40 — For the festival’s 40th anniversary edition, we are heading to Texas to join one of the biggest global meetups of the year. We’ve selected a few things to highlight on your schedules.
Written by: Huck
Activists hack London billboards to call out big tech harm
Tax Big Tech: With UK youth mental health services under strain, guerrilla billboards across the capital accuse social media companies of profiting from a growing crisis.
Written by: Ella Glossop