A visual ode to the body language of modern cities
- Text by Huck
- Photography by Allen Wheatcroft
Although photographer Allen Wheatcroft grew up in a small town, he has spent most of his adult life in cities. Namely: Boston, Austin and Chicago – where he lives today.
For years, he would find himself fantasising about returning to a rural space like the one of his youth. But that idea began to fade over time, as he grew accustomed to the bustle and life of urban areas.
“Urban places suit me because they afford the ability to live small, in a neighbourhood or among friends, as well as to participate in the variety and diversity of these agglomerations,” he says, “I like the mix of the familiar and the new and strange, the crazy differences in scale, with people almost everywhere.”
His first monograph, Body Language, serves as an exploration of that relationship. The book is comprised of images taken on the streets of Chicago, Los Angeles, Berlin, Paris, Stockholm and Uppsala, focusing on the “gestures, movements and expressions” of the people that inhabit modern cities as we know them.
Wheatcroft has described himself as an “unobserved observer”, a tag he feels is reflective of his personality. Since he was a kid, he has always preferred to stay anonymous, but involved. “Of course, the pictures I take are themselves an intervention but I try to keep it all low-key,” he explains. “I let people carry on and let myself follow the flow.”
It’s this approach to photography that allows him to document people at their most natural. “What I see on the street is how people are when they are doing what they do without consciousness of themselves. What I see is posture and movement as maybe clues, but I also see the distance that lies between. There are ambiguous hints of the difficulties we all have but also of the pleasures and joys we can find in just moving, being close to other people, connecting with a group or another soul – hard as connections may be.” In the age of coronavirus, those connections are proving even trickier to seek out. While Wheatcroft shot Body Language way before lockdown (the photos were taken between 2014 – 2018), he’s been thinking about how the current global situation will influence the way in which people view the work.
“It’s a really scary time with potential for so much damage to people. Do photographs we’ve made before now matter? One of my favourite photographers is Lars Tunbjörk, whose work can be seen from one angle to be about loneliness and isolation. His photographs seem in fact to be terribly relevant. I feel that the pictures I’ve taken also deal with the distance between people as much as they do with the individuals.”
“The artist statement I wrote for Body Language might well have spoken of “social distance” when it said that the series “emphasises the emotional or physical distance that lies between people.” I’m kind of a pessimist but, that admitted, the good moments and the connections I found in this series, I think, could resonate all the more when the difficulty connecting is also all the more.”
Body Language is out now on Damiani.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Latest on Huck
Is skateboarding really a subculture anymore?
With skate’s inclusion in the Olympics, Kyle Beachy asks what it means for the culture around the sport, and whether it’s possible to institutionalise an artform.
Written by: Kyle Beachy
Autism cannot be cured — stop trying
A questionable study into the ‘reversal’ of autism does nothing but reinforce damaging stereotypes and harm, argues autistic author Jodie Hare.
Written by: Jodie Hare
Bristol Photo Festival returns for second edition
After the success of it’s inaugural run, the festival returns this autumn with exhibitions, education and community programmes exploring a world in constant motion through still image.
Written by: Ben Smoke
Documenting the life of a New York gang leader paralysed by gun violence
New photobook ‘Say Less’ is a complex yet humanising look into a life wrecked by gun violence and organised crime.
Written by: Isaac Muk
The woman who defined 80s Hip Hop photography
A new exhibition brings together Janette Beckman’s visionary and boundary pushing images of an era of cultural change and moral panic.
Written by: Miss Rosen
In photos: the dogs of Dogtown
A new photobook documents Venice Beach’s four legged friends and their colourful cast of owners.
Written by: Isaac Muk