Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

How the world’s countries really see each other, in pictures

When cultures collide — In EUSA, her latest book, photographer Naomi Harris exposes the weirdest misconceptions of both European and American culture.

I first had the idea for EUSA, my new book currently seeking funding on Kickstarterwhen I was attending a swingers party in the mountains of North Georgia. I had time to kill, so I asked the party organiser for some suggestions of where to go. He suggested the town of Helen about 45 minutes away. I nearly breezed through the tiny tourist town but was stopped in my tracks by the gingerbread-covered buildings the dotted Main Street. This faux Bavarian wonderland had restaurants serving schnitzel and brats and stores that sold cuckoo clocks and T-shirts with Confederate Flags emblazoned on them (because this was, after all, the Deep South).

I went back to my motel and began Googling other European themed places in America. Then I searched for American places in Europe and discovered a bunch of wild west theme parks. After that, I ended up going to over 25 different events and places in both America and Europe.

I’ve been to a Maifest in Leavenworth, Washington, wild west theme parks in Germany, Italy, France and the Canary Islands, an authentic Dutch windmill in Michigan, a rockabilly festival in Hungary, a Tulip festival in Iowa, a Confederate War reenactment in the Czech Republic, and numerous Oktoberfests around the US.

029_harris_Orange City 12A-63 068_harris_Ok Corral 13A-46

My favourite place in Europe was High Chaparral, a Wild West theme park in Sweden where I did my first shoot. It was a rendezvous camping weekend held during the summer solstice, and there were hundreds of people in primitive campsites dressed in the costumes of fur trappers, Confederate soldiers and Native Americans painstakingly made to be historically accurate. No one had cell phones, digital cameras, state-of-the-art tents or any other modern conveniences.

In America, I was partial to the Tulip Festival in Orange City, Iowa because of the tremendous effort everyone put in to be authentic. To participate in the parade you had to be dressed head to toe in Dutch attire and even had to be pushing babies in old-timey prams. It’s also funny to photograph people in full-on Dutch costumes eating corn dogs.

049_harris_Karl May Festival 15B-62 032_harris_Rockabilly 4B-69

I think the hardest thing to understand was the Europeans dressing as Native Americans. As a Canadian, I am astutely aware of the plight of First Nations people. Our country and government is finally taking responsibility for how these people were treated, that children were taken from their families and put in Residential Schools up until the 1980s to “kill the Indian in the child.” They were physically and emotionally abused, had their land and livelihood taken from them, forced to live on reservations, and here you have Europeans who seem totally unaware of their plight playing make-believe. While I’d say these people’s hearts are in the right place and they mean to honour the Native, it is still strange for me. 

026_harris_Rockabilly 3B-63 021_harris_Ok Corral 12A-55

I do feel sad about the homogenization that we are currently going through because of globalisation. Sure, all societies adapt things from others and often a direct result of colonisation (pasta was invented by the Chinese, the Italians added sauce; tempura, a classical Portuguese dish was perfected by the Japanese; opium was introduced to China by the English) but we are losing our culture and the traits that make us unique. I can remember visiting Europe 25 years ago and returning with a handbag or a pair of shoes and being all excited because I’d be the only one that would have them back home. Nowadays you can either buy them at your local shop or get it off the internet.

We all wear the same clothes, eat the same foods, use the same tech gadgets. We are all consuming the same brands and becoming a member of a global consuming society. I want to go to visit a foreign land and experience what makes them different, but nowadays you’re hard pressed to go to a city and see unique, local shops. It’s all Apple stores, Starbucks and McDonald’s that look the same no matter where you are. It’s sad.

020_harris_Orange City 12A-66SHARPEN 017_harris_Pullman City 12B-59 007_harris_Sioux 16b-69 008_harris_Pony Park City 4A-43 013_harris_Orange City 8A-55 012_harris_Little Norway 14A-43 005_harris_Las Vegas 6B-68B 006_harris_Brezno 5A-54 016_harris_Frankenmuth 13A-49 001_harris_Orange City A57731-7A-56 024_harris_Wurst Fest 8B-65

Naomi’s new book EUSA is currently raising funds on Kickstarter. Donate here

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


You might like

Activism

The last days of St Agnes Place, London’s longest ever running squat

Off the grid — Photographer Janine Wiedel spent four years documenting the people of the Kennington squat, who for decades made a forgotten row of terraced houses a home.

Written by: Isaac Muk

© Mitsutoshi Hanaga. Courtesy of Mitsutoshi Hanaga Project Committee
Culture

How Japan revolutionised art & photography in the ’60s and ’70s

From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.

Written by: Miss Rosen

Culture

Artifaxing: “We’ve become so addicted to these supercomputers in our hands”

Framing the future — Predominantly publishing on Instagram and X, the account is one of social media’s most prominent archiving pages. We caught up with the mysterious figure behind it to chat about the internet’s past, present and future, finding inspiration and art in the age of AI.

Written by: Isaac Muk

Culture

The lacerating catharsis of body suspension in Hong Kong

Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.

Written by: Sophie Liu

Culture

What we’re excited for at SXSW 2026

Austin 40 — For the festival’s 40th anniversary edition, we are heading to Texas to join one of the biggest global meetups of the year. We’ve selected a few things to highlight on your schedules.

Written by: Huck

Activism

In photos: The boys of the Bibby Stockholm

Bibby Boys — A new exhibition by Theo McInnes and Thomas Ralph documents the men who lived on the three-story barge in Dorset, giving them the chance to control their own narrative. 

Written by: Thomas Ralph

Huck is supported by our readers, subscribers and Club Huck members.

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.