Nudity and safety-pins at Afropunk 2015, Brooklyn's celebration of alt. multiculture
This year marked the thirteenth annual Afropunk in Brooklyn. Founded by Matthew Morgan and James Spooner in 2002, the festival aims to celebrate the inclusion of African-Americans in punk, hardcore and other alternative music.
Highlights this year included Grace Jones performing topless in bodypaint with a hula hoop and a rare set from cult fave Lauryn Hill.
RVCA ambassador and subculture photographer extraordinaire Andrea Dosouto was there to capture all the action in stunning black-and-white frames. Check out her folio of shots above.
You might like
What went down at Huck’s 20th birthday party
84 issues and counting — We took over east London’s Jaguar Shoes with friends old and new to celebrate two decades and our new issue, with Tony Bontana taking the decks for a special set.
Photos of friends, lovers and afters in Berlin’s party scene
Dreams and How to Keep Them – Vincent Wechselberger’s new monograph documents a decade of hedonism in the German capital, and the people he met along the way.
Inside the Los Angeles scene kid revival
The Rawring ’20s — For the cover of Huck 84, photographer Alexis Gross and writer Anna Zanes meet the latest faces of scene, who are finding freedom to express themselves through its technicolour, unafraid aesthetic.
Introducing our new issue of Huck Magazine: It Starts With Us
Huck 84 — For our second 20th anniversary issue, we spotlight 20 people and groups providing the world with a hopeful future.
The sharp rise of video game photography
Point, shoot — As the entertainment medium’s fidelity levels increase and developers build more powerful tools, a growing community of gamers are pushing the boundaries of image making in virtual worlds. Vicky Jessop meets people at the forefront of the emerging artform.
Joyous photos from the heart of the UK’s radical free festival movement
Common Grounds — The photographer has been capturing British counterculture for the past half century. A new exhibition looks at his archive sitting at the intersection of music, community and grassroots protest.
