Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

Living off-grid with Wales’ self-sufficent communities

Into the wild — Spending time with three separate eco-communities situated in the heart of the Welsh countryside, photographer Benson Batty explores what it means to truly live off the land.

Growing up in Llandysul, Wales, photographer Benson Batty was given an early introduction in cultivating food from the land, with his family’s home-grown fruit and veg serving as a small source of their household food supply.

“We weren’t completely self-sufficient, though – so I guess that served as a catalyst to explore what it means to be 100 percent reliant on the land,” he says, describing the origins of his project Losgann, which focuses on three separate self-sustaining communities in Wales.

His introduction to the world was, in his own words, quite obscure. Researching online, he came across a small woodland community called ‘Tinkers Bubble’ in Yeovil. Unable to find any contact information, he decided to show up unannounced. 

Although the community at Tinkers Bubble didn’t want to be photographed, it was here that Batty first learnt about WWOOF, an organisation that pairs organic farmers with volunteers, usually in exchange for lodgings and food. Undeterred, he began searching other communities on the WWOOF site.

“Things kind of work out for the better because there were many different communities in the area that had different levels of self sustainability, which was obviously great for my project.”

Over the course of a month spent living on-and-off in the communities, Batty quickly fell into the rhythm of life. Days would usually start at 8am, he explains, working on whatever the task was for the day (this could involve cultivating the soil, stacking logs, construction and harvesting). 

Finishing by noon each day, Batty would often use the free afternoons to speak with the permanent community members and photograph them, as well as explore the surrounding areas.

In terms of living conditions, Batty explains that they varied. While the first room he stayed in was “pretty much what you’d expect in any house, except that you had to start a fire to warm the room up,” the community itself was completely off-grid with electricity generated through wind, solar and hydro power. “They converted an old washing machine to generate electricity from a nearby stream. That was really cool.”

Another community was completely without electricity (“by choice”). Here, he stayed in a roundhouse crafted from all-natural, local materials in the middle of the woods. Cooking was done using a wood burning stove and water collected from a nearby spring. “This was probably the most intense, but it didn’t take long for me to adjust,” he says.

With neither internet or electronics, the time he spent within the communities was refreshing. But the project was not without its challenges. As a student at the time, affording the travel back and forth was the most testing part, he admits. 

On one occasion, not having enough money to buy a bus ticket from the community back to the train station, he was forced to walk 4 hours with a 15kg pack on his back and hitchhike part way so he could catch his pre-booked train.

“In terms of photography,” Batty says, “I found it most difficult to portray the minor changes in our lifestyle compared to theirs and not make it look like a cliché. I wanted the project to be romantic and portray the relaxed and slow pace of life they had, without stating the obvious.”

See more of Benson Batty’s work on his official website

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


You might like

Activism

The last days of St Agnes Place, London’s longest ever running squat

Off the grid — Photographer Janine Wiedel spent four years documenting the people of the Kennington squat, who for decades made a forgotten row of terraced houses a home.

Written by: Isaac Muk

© Mitsutoshi Hanaga. Courtesy of Mitsutoshi Hanaga Project Committee
Culture

How Japan revolutionised art & photography in the ’60s and ’70s

From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.

Written by: Miss Rosen

Culture

Artifaxing: “We’ve become so addicted to these supercomputers in our hands”

Framing the future — Predominantly publishing on Instagram and X, the account is one of social media’s most prominent archiving pages. We caught up with the mysterious figure behind it to chat about the internet’s past, present and future, finding inspiration and art in the age of AI.

Written by: Isaac Muk

Culture

The lacerating catharsis of body suspension in Hong Kong

Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.

Written by: Sophie Liu

Culture

What we’re excited for at SXSW 2026

Austin 40 — For the festival’s 40th anniversary edition, we are heading to Texas to join one of the biggest global meetups of the year. We’ve selected a few things to highlight on your schedules.

Written by: Huck

Activism

In photos: The boys of the Bibby Stockholm

Bibby Boys — A new exhibition by Theo McInnes and Thomas Ralph documents the men who lived on the three-story barge in Dorset, giving them the chance to control their own narrative. 

Written by: Thomas Ralph

Huck is supported by our readers, subscribers and Club Huck members.

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.