Theft or inspiration: the epic surf film that Beyoncé ripped off for Lemonade
If Beyoncé Knowles is Planet Earth’s reigning Queen of Soundwaves, John John Florence is the Prince of Tides.
Last year, Florence and Director Blake Vincent Kueny released an epic, grandiose as fuck, surf flick. Some of the world marvelled at its majesty. This is the July 2015 teaser for View From A Blue Moon:
In 2016, Beyoncé released an epic, grandiose as fuck, audio visual opus. Most of the world marvelled at its majesty. This is the April 2016 teaser for Lemonade.
Now, here they are combined into one. This is JohnceKnowles.
Yeah the shots are different, but the pacing, the way the music is synced with the shots, hell the entire editing sequence really, is pretty much exactly the same.
Beyoncé has already been accused of “borrowing” other artists’ ideas for Lemonade’s first music video: Formation.
But here’s the rub. Where her audio is concerned, Knowles is, seemingly, straight diligent. On Don’t Hurt Yourself she’s gone so far as to credit Robert Plant, presumably because she sampled a teensy snippet of a Led Zeppelin track.
So what’s the deal? Are the films Bey ‘samples from’ somehow less deserving of a nod than the music? Is this just a case of innocent inspiration, that the Internet is kicking up unnecessary fuss about? After all, according to Picasso, “Good artists copy, great artists steal.”
Or maybe, just maybe (!!!) the real message behind Lemonade is that Beyoncé is a secret surfer girl ready to shoot the curl at Mavericks… Sure hope it’s that last one. (Surfbort).
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Photos of friends, lovers and afters in Berlin’s party scene
Dreams and How to Keep Them – Vincent Wechselberger’s new monograph documents a decade of hedonism in the German capital, and the people he met along the way.
In Portugal, a DIY longboarding festival is keeping surfing’s radical roots alive
Gliding Barnacles — Set in Figueira da Foz, the five day get together was born out of the local scene’s desire to protect the local environment and their coastal breaks. Ellie Howard traces its growth and all round celebration of creativity.
Inside the grunge golden age with Hole’s former bassist
My ’90s Rock Photographs — Melissa Auf der Maur’s new photobook is a sprawling visual memoir of her time at the heart of the US scene, from Tinker to The Smashing Pumpkins.
How the Home Counties took over UK rap
Landmark new exhibition is celebrating 50 years of female punk
God Save the Queens — The Museum of Youth Culture is bringing together rare photography, archive material and a one-night-only supergroup featuring members of X-Ray Spex, The Slits and The Raincoats.
Cristale: “Living in London taught me to be grateful”
What Made Me – In this series, we ask artists and rebels about the forces and experiences that shaped who they are. Today, it’s Brixton-born rapper Cristale.