The Atlanta skate park that fought back against gentrification - and won

Disunited States: Black Blocks — Built in 1996 in time for Atlanta to host the Olympic Games, Black Blocks was a small urban square designed to spruce up the highway, but it quickly became an important spot for Atlanta’s skaters. Gentrification is in full swing in the city, and when the authorities tried to shut it down earlier this year, the community rallied together to save it, explains Andrew Murrell.

This is Black Blocks. It was basically designed to spruce up the interstate and the overpass so that it would look better for visitors but it didn’t mean much to the city.

Yet skateboarders took to it immediately: the smooth ground, the ledges were great, the metal benches. It was a no-man’s-land, there was nothing much around here for about half a mile. And it’s close to Georgia State University, so no one would fuck with you.

Initially skateboarders would just skate here for a second and then cruise on to somewhere else, but after a couple of years this became a meet-up spot because skaters would get kicked out of our other spots by the cops. They’d say “just go to Black Blocks”, and we did. Quickly we realised we were getting a free pass, so people started taking care of it.JARRETT_CHRISTIAN_ATLANTA_HUCK_POST_TRUMP_GEORGIA_CLIMATE_002

They’d kick out drug dealers because, you know, you don’t want someone selling crack on the street where kids skate. They’d keep people from tagging, sweep up the trash, make friends with the homeless people and all hang out.

Black Blocks before then wasn’t a place that people would go, so it was ours. It would attract different little crews of kids from all around the city who would just meet up here and friendships would form. It carried on this way for years, it was important.

I started skating when I moved to the city to go to school in 2009 at Georgia State. I’ve met so many great friends here and just, it’s been awesome, no one bothers you. It’s like Pulaski Park in Washington DC, Love Park Philadelphia, Southbank in London.

This was ours, an organic cultural identifier.

But when we drove up on 19 September this year, we saw a fence had been thrown up around it. We weren’t informed at all, no warning, no heads-up to say this was going to happen. There was a sign on the metal, talking about ‘park renovation’. We called the number and checked out the site, turns out the city was set to rip the whole place down.JARRETT_CHRISTIAN_ATLANTA_HUCK_POST_TRUMP_GEORGIA_CLIMATE_022

So we were kind of sitting around thinking fuck, what are we going to do, and I told everyone I was going to go downstairs and write a petition. Overnight it had thousands of signatures, we used social media to spread the word. Atlanta is pretty small, and people got on board. Nobody told us we were wasting our time. That doesn’t normally happen. Skate mags and brands were giving us a hand, they knew how important this place was.

Over the last couple of years there has been a huge influx of people moving in from the suburbs to the city, and the movie business is really popping here: people are coming in from LA, NYC, and beyond.

When they move in, the citizens who’ve lived here for their entire lives are pushed out, along with their spaces, their buildings, places of real cultural significance. This area used to be empty, but now there’s a giant high rise dominating the skyline. We knew there’d be problems, that residents might get pissed off and we’d be moved on. But we’ve been here for 20 years.

Then skaters from across the globe, who’ve faced similar moves when gentrification hits, got in touch to give us a hand.

Paul Richards from Long Live Southbank designed a logo for us, which was awesome – we know about their long battle, which they won. His advice was to to talk to politicians, he told us what to do and what no to do, how to stay positive, how to not piss people off. We were gearing up for battle.

We hit up the news stations and were planning do to do an interview the following day. Then they told us we had to wait for a statement from Central Atlanta Progress, Georgia Department of Transportation and the Mayor’s Office of Cultural Affairs – the three departments handling this. Apparently they were holding a meeting.JARRETT_CHRISTIAN_ATLANTA_HUCK_POST_TRUMP_GEORGIA_CLIMATE_021

‘Holy shit’, we thought, crossing our fingers the entire time. The next day I got a call from Camille Love from the Mayor’s Office, who said they had a compromise for us. She said we need to respect the artwork, this metal sculpture. If we did that we could still have the place to skate in. More than this though, she told us they’d respect and also acknowledge our presence and influence in the park, building a plaque to note it, with a big ribbon cutting ceremony and all. It’s really cool to see that the city recognises us, instead of just pretending skating isn’t important to Atlanta’s culture.

I don’t want to speak too broadly, but to my knowledge it’s the first instance of this happening in America. Love Park in Philadelphia was like a 10, 15-year battle which was lost, they tore down the park. It’s great to see that Atlanta is taking notice, doing something, however little, for its citizens, acknowledging skaters and what’s going on here.

Huck’s News Editor Michael Segalov will be on the ground in Atlanta over the coming days. Keep track of his progress as he asks where America goes from here. And if you’re in Atlanta and want to share your story, please reach out.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


You might like

Colourful collage of album covers and record sleeves on display in a gallery or museum setting, with glass panels on either side reflecting the vibrant arrangement.
Culture

Largest-Ever Display of UK AIDS Memorial Quilt Opens at Tate Modern

Grief Made Visible — Comprising hundreds of panels made by lovers, friends and chosen family, the UK AIDS Memorial Quilt returns in full for the first time since 1994 – a testament to grief, friendship and the ongoing fight against HIV stigma.

Written by: Ella Glossop

Children playing in a park fountain, black and white image
Culture

The carnival and community of New York’s block parties

Soul of the Summer — Since attending his first street party in Crown Heights two decades ago, photographer Anderson Zaca has spent his summers travelling across New York’s five boroughs, documenting over 300 in the process.

Written by: Miss Rosen

Three smiling women wearing glamorous dresses and fur coats posing together.
Culture

The Getty Center’s first exclusively queer exhibition opens today

$3 Bill: Evidence of Queer Lives — Running until September, it features paintings, ephemera, video and photography to highlight LGBTQ+ histories, culture and people from 1900 to the present day.

Written by: Isaac Muk

Diverse group of people with various expressions and styles, surrounded by bold text and graphics in dark colours.
Culture

Remembering New York’s ’90s gay scene via its vibrant nightclub flyers

Getting In — After coming out in his 20s, David Kennerley became a fixture on the city’s queer scene, while pocketing invites that he picked up along the way. His latest book dives into his rich archive.

Written by: Miss Rosen

Black and white image of several people in suits, some with long hair and unconventional appearances, alongside a large ship or boat model. Text overlaid: "FREAKS AND FINANCES".
Culture

On Alexander Skarsgård’s trousers, The Rehearsal, and the importance of weirdos

Freaks and Finances — In the May edition of our monthly culture newsletter, columnist Emma Garland reflects on the Swedish actor’s Cannes look, Nathan Fielder’s wild ambition, and Jafaican.

Written by: Emma Garland

Huck 79

We are all Mia Khalifa

How humour, therapy and community help Huck's latest cover star control her narrative.

Written by: Alya Mooro

Huck is supported by our readers, subscribers and Club Huck members. It is also made possible by sponsorship from:

Signup to our newsletter

Sign up to our newsletter to informed with the cutting edge of sport, music and counterculture, featuring personal takes on the state of media and pop culture from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.