Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

Inside the slick, stylish world of black dandyism

Meet the dandy lions — In her latest book, curator Shantrelle P. Lewis meets modern-day black dandies – men who explore their diasporic identity through colourful, patterned suits, using their impeccable style to expand the conversation on gender, race, sexuality, masculinity and class.

Shantrelle P. Lewis was quite young when she had her first glimpse of black dandyism – a style seen on the men in her family back in Louisiana. She remembers her brother’s lifelong passion for suits, which started at the age of five, and her father and uncle in suspenders, always smartly dressed.

She could not name it then, but the decorum expressed by the clothing choices of the men in her family became the inspiration for her new book, Dandy Lion.

A curator, author and researcher specialising in diasporic aesthetics, Shantrelle started expanding on the subject of black dandies as her way of confronting and responding to what she calls “the ‘thug’ narrative” – a myth that is continuously perpetuated as the only option for black men.

Hassan Hajjaj, Blaize, 2015; from Dandy Lion (Aperture, 2017)

Photography Hassan Hajjaj, Blaize, 2015

Writing in the book’s introduction, Shantrelle explains that – although black men have been the originators of many iconic fashion trends around the world – dandyism is about much, much more than just being stylish.

“Specific attributes and attitudes distinguish the black dandy from the everyday dapper Don”, she explains. “A black dandy is a gentleman who intentionally appropriates classical European fashion, but with an African diasporan aesthetic and sensibility.”

To understand this statement better, it’s important to get context on the broader origins of Dandy style – which, despite its slick and festive look, is rooted in rebellion. Shantrelle explains that the first dandies were middle-class white men who disrupted the order of the class system and its signifiers of status by dressing like aristocrats.

At the time, and today, Dandyism also combatted gender stereotypes, adding flair and panache to the bland sobriety or aggressiveness expected of masculinity.

Photography Arteh Odjidja, Red Square Moscow, Russia, 2012, from the series Stranger in Moscow

Photography Arteh Odjidja, Red Square Moscow, Russia, 2012, from the series Stranger in Moscow

“The Victorian dandy movement coincided with the height of the transatlantic slave trade,” writes Shantrelle. “Consequently, the black dandy entered Western history when enslaved Africans were made to dress up extravagantly in order to represent their owners.”

“However, the luxuriously dressed servants became more than status symbols when they personalised their uniforms with their own sense of pride and style.”

It was then that the dandy look gained yet another layer of meaning, beyond just class and gender. Styled by black men, the detailed suits became a symbol of subversion – a way of asserting agency through the appropriation of the Euro-centric style that had been enforced, by injecting identity and self-definition.

Photography Omar Victor Diop, Alt + Shift + Ego, 2013; from Dandy Lion (Aperture, 2017)

Photography Omar Victor Diop, Alt + Shift + Ego, 2013

Nowadays the black dandy style has expanded, influenced pop culture and fashion, and shifted its meaning to fit with the times. However, its message of self-definition and independence remains just as strong as it once was.

“We [photographers and those who saw the initial Dandy Lion exhibition] discussed and discovered that black dandyism was more than a passing fad, but a sartorial manoeuvre used by Black men to confront criminalising stereotypes, widen conceptions of masculinity, and create a new self-identity for the twenty-first century,” Shantrelle adds.

It is the modern embodiment of the Black dandy that Shantrelle explores in her book – and more as a way of opening a much bigger dialogue that deals with culture, diaspora and power.

The book is beautifully colourful, chock-full of notes, stories and observations on the style as it is today. In its pages, we see men and women, photographers, designers, artists, celebrities and everyday people, all offering a multitude of perspectives on the worldwide phenomenon that is black dandyism.

Aaron Smith, Musician Janelle Monáe, 2009; from Dandy Lion (

Photography Aaron Smith, Musician Janelle Monáe, 2009

A Congolese national parades in front of fans during the La Sape competition at Kin Malebo restaurant, in Yeoville, Johannesburg South Africa, 30 May 2009. Photography Daniele Tamagni.

A Congolese national parades in front of fans during the La Sape competition at Kin Malebo restaurant, in Yeoville, Johannesburg South Africa, 30 May 2009. (Photography Daniele Tamagni)

Phil Knott, Ozwald Boetang - Tailor, 1997, from the series Black in London; from Dandy Lion (Aperture, 2017)

Photography Phil Knott, Ozwald Boetang – Tailor, 1997, from the series Black in London

Photography Rose Callahan, Barima Owusu-Nyantekyi at the King's Head Club, London, March 2013

Photography Rose Callahan, Barima Owusu-Nyantekyi at the King’s Head Club, London, March 2013

Dandy Lion: The Black Dandy and Street Style by Shantrelle P. Lewis is out now, via Aperture.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


You might like

© Wig Worland
Sport

In photos: The gritty golden age of the UK’s skateboarding scene

Elsewhere — A new book from Science Vs. Life founder Neil Macdonald explores the characters, photographs and ephemera that defined the sport in the ’80s and ’90s, just before the internet and commercialisation changed it forever.

Written by: Isaac Muk

Culture

The London passport picture studio that became an unexpected repository of 20th century stars

Passport Photo Service — From Mick and Bianca Jagger to Muhammad Ali and Poly Styrene, the unassuming Oxford Street store was frequented by hundreds of musicians, actors, artists and more over its 70 years of operation.

Written by: Miss Rosen

Sophie Green
Culture

Sophie Green’s maximalist, technicolour vision of Britain’s fringes

Tangerine Dreams — The photographer has spent over a decade documenting the rituals, subcultures and social gatherings that form the collaged fabric of the UK’s society. A new exhibition at the Martin Parr Foundation celebrates her work and the communities she captures.

Written by: Roxana Diba

Culture

When the Chelsea Hotel was New York’s countercultural epicentre

Closed doors, open minds — Albert Scopin’s new photobook collects photographs that were once thought to be lost, documenting the city’s creative scene that gathered during the building’s 1969 to 1971 heyday.

Written by: Miss Rosen

Huck 83: Life Is A Journey Issue

Glasgow’s Calabash is the restaurant the African diaspora call home

Home Cooking — Having been open in the heart of the city for 15 years, the Kenyan rooted eatery has become a community staple for migrants and Scottish-born locals alike.

Written by: Lisa Maru

Culture

Andrea Modica’s 40 year long Italian Story

Storia — The Italian American photographer first ventured to her ancestral country in 1987, beginning a decades long exploration and documentation of it.

Written by: Miss Rosen

Huck is supported by our readers, subscribers and Club Huck members.

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.