Behind closed doors with Andy Warhol’s right-hand man
- Text by Huck
- Photography by Bob Colacello
Throughout the late ’70s and early ’80s, Bob Colacello was synonymous with America’s VIP culture.
As Andy Warhol’s trusted right-hand man, the writer, editor and photographer was firmly embedded in high society, accompanying the pop artist to lofty parties, full of designers, politicians and film stars.
It was at these gatherings that Colacello took the photos that make up Pictures From Another Time, a new exhibition currently showing at New York’s Vito Schnabel gallery.
Working with a Minox 35 EL – the camera favoured by spies during the Cold War – he shot some of pop culture’s most significant figures, capturing them as partied together.
“I liked to be in the middle of the party, and to give that feeling to the viewer,” he says.
“Many of my best photos, I think, are multilayered, with faces half-blocked by a waving hand or overly large hairdo. I often deliberately tilted the camera to create the sensation of being caught in a crush or slightly tipsy.”
Pictures From Another Time features the likes of Liza Minnelli, Cher, Truman Capote and Mick Jagger – as well as Warhol himself – taken at events that range from late-night jaunts at Studio 54 to presidential inaugurations.
And, though he shared his taste in cameras with agents of espionage, Colacello – who wrote for the likes of Village Voice and Vanity Fair, and edited Interview from 1971 to 1983 – never saw his work as covert. (“No one seemed to care, because I was the editor of Interview magazine, not an invasive paparazzo.”)
Together, the images form a candid portrait of a bygone era. As far as Colacello is concerned, it’s a series that wouldn’t be possible in today’s age.
“Well, I’d be competing with everybody’s phone,” he says. “And [nowadays] people tend to mix it up a lot less, to stick with their own kind, whether that be class, race, religion, sexual preference, political party, or profession. Such a bore! And intrinsically divisive.”
Pictures From Another Time is showing at New York’s Vito Schnabel gallery until June 21, 2019.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
The last days of St Agnes Place, London’s longest ever running squat
Off the grid — Photographer Janine Wiedel spent four years documenting the people of the Kennington squat, who for decades made a forgotten row of terraced houses a home.
Written by: Isaac Muk
How Japan revolutionised art & photography in the ’60s and ’70s
From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.
Written by: Miss Rosen
Artifaxing: “We’ve become so addicted to these supercomputers in our hands”
Framing the future — Predominantly publishing on Instagram and X, the account is one of social media’s most prominent archiving pages. We caught up with the mysterious figure behind it to chat about the internet’s past, present and future, finding inspiration and art in the age of AI.
Written by: Isaac Muk
The lacerating catharsis of body suspension in Hong Kong
Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.
Written by: Sophie Liu
What we’re excited for at SXSW 2026
Austin 40 — For the festival’s 40th anniversary edition, we are heading to Texas to join one of the biggest global meetups of the year. We’ve selected a few things to highlight on your schedules.
Written by: Huck
In photos: The boys of the Bibby Stockholm
Bibby Boys — A new exhibition by Theo McInnes and Thomas Ralph documents the men who lived on the three-story barge in Dorset, giving them the chance to control their own narrative.
Written by: Thomas Ralph