Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

Capitalism is co-opting, & ruining, the feminist movement

We deserve better — This week, Gillette shared a mawkish film paying lip service to the #MeToo movement. But, like many clumsy multinationals before them, they got it all wrong.

What a comfort it was this week to wake, brew coffee, browse Twitter and head to my bathroom to discover that the brand of razor I use on my legs promotes women’s rights and feminism. Each time I epilate I can bask in the warm glow of knowing that my barely conscious consumer choices are part of the onward march of progress. The fact that three men who sexually harassed me still work in the same industry as me and have faced no consequences needn’t bother me. That me and practically every woman I know has been sexually assaulted and is unable to walk home at night in anything other than a state of terror barely concerns me. The fact that Gillette have made an advert paying lip service to the #MeToo movement is far more important than the fact barely anything has changed materially for women as a result of the conversation.

Brands’ incursion into modern culture wars is scarcely new: Dove and Pantene have historically been keen to cast themselves as empowering for women, with advertisements focusing on “real beauty.” What happens when Gillette, Dove, or any other brand decides to thrust themselves into the shallows of cultural debate with a poorly executed film short? The ads are shared online, garner praise and now, with the inevitable bore-fest of the Twitter cycle, attract criticism that can be eked out into a news story for several days.

Yet I cannot bring myself to feel anything other than a soporific weariness each time a multinational bounds onto the stage with a similarly mawkish stunt. Most companies tend not to have a conscience, only an agenda: to make as much money as possible, and sell as many products as they can, by tapping into whatever zeitgeist they deem most palatable currently. That increasingly means portraying themselves as the face of responsible, feeling capitalism: something that many would argue is an oxymoron in itself.

The brand of soap or razor you buy will have little impact on anything other than Proctor and Gamble’s profit margins, and the argument that these adverts are harmless and only helpful to the broader cultural conversation is persuasive on a surface level. But the messages are always so unthreatening – different people can be pretty! Men, be a little nicer! – because actual structural change to challenge sexism, domestic and sexual violence is impossible without also shaking the foundations of capitalism, and taking direct action.

Why have so many women been assaulted and abused by wealthy and powerful men? Because the value of a human life is intrinsically entwined with their economic worth under capitalism. Why do working-class women, and women of colour experience far higher levels of sexual violence, and the men who abuse them far fewer consequences for their actions? Because women’s work is grossly undervalued, and men in positions of power seen as uniquely gifted and irreplaceable, and their victims disposable.

Very little has changed in terms of prosecuting rape and sexual assault, and the increased precarity of work and erosion of workers’ rights increases the risks for women in the workplace and allows victimisation and violence to go unpunished for years. Column inch after column inch has been written on the outpouring of testimony on sexual assault from women globally, with almost no action as a result. A small handful of men have had their careers quietly dialled down after decades of behaving despicably with impunity, while others became worried their moment of public reckoning may be on the horizon. But far more women are almost catatonic with weariness when accepting the fact that men who’ve targeted them in the past will almost certainly never face anything approaching justice.

Cynical, poorly made marketing campaigns such as Gillette’s, designed to whip up arguments within late capitalism’s culture wars, aren’t harmless: they suck the oxygen from the room, failing to demand any recognisable structures change, bandwagon-jumping on social movements to flog a few more razors. I promise, next time I’ll take my own advice and try to lead by example: ignore the clumsy, condescending attention-grabbing of the huge multinational soap-floggers, and protest instead.

Follow Dawn Foster on Twitter

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


You might like

Outsiders Project

As salmon farming booms, Icelanders size up an existential threat

Seyðisfjörður — The industry has seen huge growth in recent years, with millions of fish being farmed in the Atlantic Ocean. But who benefits from its commercial success, and what does it mean for the ocean? Phil Young ventures to the remote country to find out.

Written by: Phil Young

Activism

Activists hack London billboards to call out big tech harm

Tax Big Tech: With UK youth mental health services under strain, guerrilla billboards across the capital accuse social media companies of profiting from a growing crisis.

Written by: Ella Glossop

Activism

In photos: The boys of the Bibby Stockholm

Bibby Boys — A new exhibition by Theo McInnes and Thomas Ralph documents the men who lived on the three-story barge in Dorset, giving them the chance to control their own narrative. 

Written by: Thomas Ralph

Activism

‘We’re going to stop you’: House Against Hate tap Ben UFO, Greentea Peng and Shygirl for anti-far right protest

R3 Soundsystem — It takes place on March 28 in London’s Trafalgar Square, with a huge line-up of DJs, artists and crews named on the line-up.

Written by: Ella Glossop

Activism

In photos: Lebanon’s women against a backdrop of war

Where Do I Go? لوين روح — As war breaks out in the Middle East once again, we spotlight Rania Matar’s powerful new photobook, which empowers women of her home country through portraiture.

Written by: Miss Rosen

Culture

Clavicular isn’t interesting, really

Dreaming Small — The ‘looksmaxxer’ of the moment has garnered widespread furore over recent controversies. But newsletter columnist Emma Garland asks whether the 20-year-old influencer is actually doing anything that new, and what his rise says about modern turbo-nostalgia’s internet dominance.

Written by: Emma Garland

Huck is supported by our readers, subscribers and Club Huck members.

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.