Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

Living off-the-grid on the Isle of Tanera Mòr

Portrait of a place — Shooting in black and white, photographer Kevin Percival opens a window into the world of the remote Scottish island, documenting its breathtaking landscape and the people that have left their mark upon it.

In 2012, photographer Kevin Percival packed up and moved to the Isle of Tanera Mòr – a remote, other-worldly shelter based off Scotland’s northwest coast.

As a part of the island’s tiny, periodical population, he lived and working there seasonally (eight months on, four months off) for a total of two years, surrounded by breathtaking landscapes and never out-of-sight of the sea. At times, he was one of just five people staying on Tanera.

Since then, he has returned for “at least a few weeks every year” as part of an ongoing photo series that sees him documenting the off-grid, faraway existence of the island and the different people – much like himself – that visit and leave their unique mark on it.

KPP-TaneraHUCK-17 KPP-TaneraHUCK-18

KPP-TaneraHUCK-5

“I grew up in rural Derbyshire and I think that’s probably the single biggest influence on the photography I do,” Percival explains.

“I’ve always felt quite passionate about rural issues – both the environmental and the socio-political. Scotland became a second home, it’s the most truly wild-feeling corner of the UK: like where I grew-up, times ten.”

Titled Tanera (Ar Dùthaich), the project – which is showing in an exhibition at London’s Hotel Elephant space – entangles portraiture with distinctive shots of the island’s shapes, forms and textures, all captured – à la Chris Killip, Paul Strand – in black and white.

KPP-TaneraHUCK-13 KPP-TaneraHUCK-4 KPP-TaneraHUCK-6

Framed as a “portrait of a place”, the work operates as a window into life on Tanera. From the wry smile of a young fisher, to the rock formations that long predate him, Percival traces the past and present of a place unlike any other, joining them together as one.

“Making a project about the island drew me in, because it was such a tiny area – but so full of history.”

“You can really see it written into and onto the landscape. Peat cuttings, evidence of previous fires (wild and man-made), buildings, graves, and fields – all remain visible hundreds of years after the original creators pass on.”

KPP-TaneraHUCK-24

KPP-TaneraHUCK-1 copy

KPP-TaneraHUCK-7Tanera (Ar Dùthaich) is showing from 1 – 31 March, 2017 at Hotel Elephant.  

See more of Kevin Percival’s work on his official website.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


You might like

© Joan Piekny
Culture

Vintage photos of London street life at the turn of the millennium

London 1995-2005 — In her new photobook, Joan Piekny reflects on a decade shooting the styles and subcultures of the UK capital’s streets, just before technology .

Written by: Miss Rosen

Huck 83: Life Is A Journey Issue

Princess Julia: “I always state my age as I can’t believe I’m still around”

First lady — As the latest Artist-In-Residence of Huck 83, the London nightlife legend speaks to Josh Jones and provides a few recommendations and words of wisdom.

Written by: Josh Jones

Culture

A luminous portrait of Black life over six decades

Shared Memories — As staff photographer for The New York Times, Chester Higgins captured Black culture and spiritual connection like no other. A new exhibition celebrates his life and impact.

Written by: Miss Rosen

Activism

An intimate window into New York’s ’70s lesbian scene

We Others — An exhibition at The Photographer’s Gallery combines Donna Gottschalk’s unearthed photographs of LGBTQ+ activists and friends, along with Hélène Gianneccini’s written histories.

Written by: Miss Rosen

Culture

A tender portrait of life and ritual from Mexico City’s streets

Órale — For the last six years of his life, photographer, collector and designer Michel Hurst documented death rituals, street life and religious pageantry in contemporary Mexico. A new monograph showcases his work. 

Written by: Roxana Diba

© Beverly Price
Culture

In photos: Washington DC’s Black communities facing up to gentrification

A Language We Share — A new exhibition featuring the work of Beverly Price and Gordon Parks preserves historically Black neighbourhoods in the USA, before development and economic forces made them disappear.

Written by: Miss Rosen

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.