Cerebral Ballzy
- Text by Shelley Jones
- Photography by Greg Funnell
Cerebral Ballzy don’t want to talk about the why’s and how’s of their meteoric rise to punk rock prodigy status. They don’t want to talk about technique or wordplay because ballzyness does not translate into neat phrases and poppy sound bites. This band – made up of five skateboarders from Brooklyn, New York, where “most kids were into hip hop and basketball” – are all about new experiences.
“It’s just a sense of urgency, I guess,” says bassist Melvin Honore drinking a coffee outside the Fix 126 cafe in Shoreditch. “It’s a reaction to the immediate environment that you encounter… Maybe a sense of impatience that comes across. That’s something we all relate to growing up here and I think that speaks through naturally. It’s not some deep thought-out thought.”
Their gigs are sweaty pits where “punks, moshers, thrashers, metalheads and people who just sing along, bobbing their heads” smash their heads together in the name of fun. “We’re just here to party,” says Mel, “we’re not here to separate; we just want to have a good time.”
They get into trouble – “sure, I guess, our drummer Abe is crazy” – they drink, they smoke, they skate, they let loose and there’s nothing cerebral about it. It’s just pure sensation. “It’s music to skate to,” says Mel. “It’s fast-paced. Like, imagine if you were carving out a bowl just fucking zipping across and doing tricks – it just goes with the energy. Stylewise, I’d say we’re abrasive. From the sound to the artwork [designed by Greg Ginn’s brother Raymond Pettibon who came up with Black Flag’s ‘four bars’ logo], to the energy of the performance – we’re abrasive and aggressive.”
And despite starting as a “joke band” three years ago, they’ve gathered fans (and some pretty impressive endorsements) from all corners of the globe. The recent video for their ‘On The Run’ single – which “pays homage to eighties skateboarding” – features old-school skate legends Lance Mountain and Christian Hosoi. And in the last year, they’ve played with some big-dog bands, from OFF! and Murphy’s Law to Fucked Up and Trash Talk.
So during their last UK tour, Huck decided to tag along for the ride. In an immersive throwback to the gonzo days of Rolling Stone-style rock reportage, we jumped in the van and documented forty-eight hours on the road with punk’s young, wild enfants terribles.
Jaded & Faded is released by Cult Records in the UK on June 16 and the US on June 17. Cerebral Ballzy have a ton of tour dates in Europe and the UK over the next few months, make sure you catch them live.
This article originally appeared in Huck 29 – The Travis Rice issue.
You might like
“Like skating an amphitheatre”: 50 years of the South Bank skatepark, in photos
Skate 50 — A new exhibition celebrates half a century of British skateboarding’s spiritual centre. Noah Petersons traces the Undercroft’s history and enduring presence as one of the world’s most iconic spots.
Written by: Noah Petersons
On Marrakech’s outskirts, a skatepark reimagines possibility for local youth
Tameslouht — Built on the grounds of the Fiers et Forts orphanage, a new spot is providing space for connection and purpose, while incubating top-class talent. Ellie Howard reports from its banks.
Written by: Ellie Howard
The utopic vision of Black liberation in ’60s & ’70s jazz
Freedom, Rhythm & Sound — As Pan-African optimism spread across the world in the postcolonial era, Black-led record labels gave artists space to express themselves away from the mainstream. A new book collates 500 groundbreaking albums and their covers.
Written by: Miss Rosen
Analogue Appreciation: Wesley Joseph
Forever Ends Someday — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, visual and sonic shapeshifter Wesley Joseph.
Written by: Wesley Joseph
The Strokes condemn US imperialism in Coachella set
Oblivius — The band finished their performance at the festival’s second weekend with a montage of bombings in Gaza and Iran, along with images of world leaders that the CIA has been accused of overthrowing over the past century.
Written by: Noah Petersons
The stripped, DIY experimentalism of SHOOT zine
Zine Scene — Conceived by photographer Paul Mpagi Sepuya in the ’00s, the publication’s photos injected vulnerability into gay portraiture, and provided a window into the characters of the Brooklyn arts scene. A new photobook collates work made across its seven issues.
Written by: Miss Rosen