The changing face of Georgia, captured in photos
- Text by Eva Clifford
- Photography by Daro Sulakauri
Daro Sulakauri was born in the Caucasus nation of Georgia in 1985. After spending part of her childhood in the US, she returned to Georgia and discovered photography. Shortly after, things began heating up in Tbilisi, and political demonstrations started to take place just outside her family home in the centre of the city.
Today, as we talk on her balcony, it’s difficult to hear each other over the sound of birds singing. But as a child, she remembers hearing the sound of gunshots. “I grew up in a generation that has witnessed a lot of transition,” she says. “There was always something going on, so it was a very interesting period for me as a photographer.”
After graduating from the Department of Cinematography at the Tbilisi State University, Sulakauri moved to New York to study photography at the International Centre of Photography (ICP), before returning to Georgia to work on her first stories.
In 2008, the Russian-Georgian conflict erupted and Sulakauri turned her focus to those affected. Travelling north, she met with people living along the occupied borderlines of Georgia, next to the de-facto “breakaway” regions of Abkhazia and South Ossetia – both of which are forbidden for Georgians to go with a Georgian passport. “To enter, you have to find someone to sneak you in,” she says. “So it’s a long process.”

As the boundaries of Russian-occupied territory are constantly shifting, Sulakauri says these people live in perpetual uncertainty, and “can literally wake up one morning to find their home is no longer in their homeland.”
“I learnt so much from the people I was photographing,” says Sulakauri. “You realise how fortunate you are and you begin to look at life in a different way.”
Changing Horizons covers just some of the stories Sulakauri has produced in her country over the years: “It chronicles my journey as a photographer, and the relationships with the people I have met over the years.”
“Everything’s subjective,” she adds. “I just try to tell the story in the most truthful light.”

More of Daro’s work can be seen on her official website.
Sulakauri was one of the exhibiting photographers at Kolga Tbilisi Photo Week, which takes place each May in the Georgian capital.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Halcyon, end of summer days in ’80s Massachusetts
Bell Pond — Stephen DiRado’s new photobook is a nostalgic look at blissed out moments of young love, family and coming of age at a swimming pond in Worcester, Massachusetts.
Written by: Miss Rosen
Photographing America’s 20th century rebels
Rebels With a Cause — A new monograph looks back at Jean-Pierre Laffont’s extensive archive documenting counterculture, art, activism and more, shaping the country as it is today.
Written by: Isaac Muk
The groundbreaking photography of Gordon Parks
Voices in the Mirror — A new exhibition dives deep into the legendary lensman’s archive, who captured the Civil Rights Movement and Black America like no other.
Written by: Miss Rosen
A chaotic portrait of an ’80s American farming family
Holy Cow! — Melonie Bennett grew up on a farm in Maine in the ’80s, and documented her family’s idiosyncratic daily life. She presents those humorous, everyday memories in a new exhibition and photobook.
Written by: Miss Rosen
Nick Danziger’s striking vision of everyday British life in the ’90s
The British 1994-1999 — The renowned photojournalist returned to his birth country on the cusp of the Millennium, capturing its contradictions with humour and wit.
Written by: Miss Rosen
Exploring girlhood and land ancestry in Sudan’s cotton fields
Cotton Queen – A new feature debut from filmmaker Suzannah Mirghani explores the legacy of colonialism and the fight for self-determination through the tender eyes of a teenage girl.
Written by: Roxana Diba