Capturing life in the shadows of Canada’s largest oil refinery

Grey industrial structure with arches, dog running in foreground.

The Cloud Factory — Growing up on the fringes of Saint John, New Brunswick, the Irving Oil Refinery was ever present for photographer Chris Donovan. His new photobook explores its lingering impacts on the city’s landscape and people.

Grow­ing up in the rur­al out­skirts of Saint John, New Brunswick, Chris Dono­van gazed up at the sky, watch­ing the smoke­stacks at Irv­ing Oil Refin­ery expel end­less swells of filth into the crys­tal blue sky. With the inno­cence of youth, he asked his father if they made all the world’s clouds. No,” his father replied. They make money.” 

Dono­van remem­bers: The indus­tri­al­i­sa­tion of the city didn’t feel excep­tion­al as a child, it was just the world I knew.” In that same way, he first picked up a cam­era to pho­to­graph back­yard wildlife, unknow­ing­ly root­ing him­self in a prac­tice that has come full cir­cle with the recent pub­li­ca­tion of The Cloud Fac­to­ry (GOST Books) – a grip­ping por­trait of neo-feu­dal­ism built on the backs of Canada’s work­ing poor. 

The sto­ry begins in 2014, when Dono­van began doc­u­ment­ing the com­mu­ni­ties in Saint John, who live under the shad­ows of the Irv­ing Group, the fifth wealth­i­est fam­i­ly in Cana­da and fifth largest landown­er in North Amer­i­ca. Unlike oth­er dynas­ties, the fam­i­ly dom­i­nates a region rather than a glob­al indus­try, build­ing an empire across New Brunswick’s oil, forestry, trans­port, agribusi­ness, and media worth an esti­mat­ed 14.5 bil­lion Cana­di­an dollars7.96 billion).

Two people, a woman and a young child, embrace in a black and white outdoor scene with a house and car in the background.
© Chris Donovan
Two adults and two children standing on a wooden porch, black and white photograph.
© Chris Donovan
Lisa holds her grandson Trey in the front yard of her home near the refinery, 2019
Damien London and his family on their back porch in the Old North End, 2017

The empire began in the 1920s under scion Ken­neth Col­in Irv­ing, whose three sons James, Arthur, and Jack. Fol­low­ing his death in 1992, they split the empire he had built among them­selves. By 2024, all three had died, the state of the hold­ings hid­den from view, much like the fam­i­ly them­selves. What is vis­i­ble, as Dono­van shows, is the huge, con­tin­u­ing effects that they have had on the area. 

This project is entire­ly about the com­mu­ni­ty for me,” Dono­van says. The indus­tri­al forces that influ­ence the polit­i­cal econ­o­my are just a back­drop to life in this place. The boss­es of the com­pa­ny town are an unseen force. How do you pho­to­graph the unseen – the class that has pur­chased the right to not be seen? There is no sim­ple answer to that question.” 

Amid the des­o­late land­scape of indus­tri­al waste, fam­i­lies often found them­selves bound to silence, fos­tered by the elite class­es. Dono­van, who got his start in 2016 as a pho­to­jour­nal­ist for Saint John’s dai­ly news­pa­per, the Tele­graph-Jour­nal – then owned by the Irv­ing Group – saw that cul­ture himself.

Sprawling industrial landscape with billowing smoke and chimneys against a dark sky.
Black and white image of a storefront with signs advertising "Super Specials" and "Great Savings". A person is visible standing in the doorway.
Geometric grid of windows in a monochrome concrete building facade.
Snowy path leading to industrial plant with tall chimneys, overcast sky, bare trees.
Dimly lit 2-storey wooden building at night, surrounded by electric lights and utility poles.
Black and white image of a city skyline in the distance, with a blurred car in the foreground and a traffic light pole on the left.
Industrial landscape with deer on grassy field, trees in foreground, factory buildings in background.
Dramatic dark clouds tinged with red and purple against a deep blue sky at sunset.
The Irving Oil Refinery seen from uptown Saint John, 2016 © Chris Donovan
South End of Saint John, 2014 © Chris Donovan
The Irving Oil Headquarters, which finished construction in 2018, sits in the centre of the city, 2022 © Chris Donovan
The neighbourhood near the leaked butane pipeline after demolition, 2020 © Chris Donovan
The refinery seen from Waterloo Village in Saint John, 2021 © Chris Donovan
The refinery seen in my rearview mirror, 2019 © Chris Donovan
White-tailed deer in front of the Irving Pulp and Paper Mill on the west side of Saint John, 2023 © Chris Donovan

He remem­bers: Grow­ing up you knew about the Irv­ing papers’ and what that meant. It wasn’t until I worked at one of them that I realised the extent of implic­it cen­sor­ship tak­ing place cul­tur­al­ly in these insti­tu­tions. It was all unspo­ken, but you knew not to crit­i­cise the bosses.”

In 2018, res­i­dents in East Saint John had to be evac­u­at­ed after a butane leak at the Irv­ing Oil Refin­ery – the largest in Cana­da. For 17 hours, the explo­sive, tox­ic chem­i­cal poured into the air. In the wake of the inci­dent, Irv­ing Oil was fined just 200,000 Cana­di­an dol­lars (£110,540). The com­pa­ny pur­chased 20 homes near the site and tore them down to estab­lish a pro­tect­ed area between the refin­ery and the community. 

By that time Dono­van had left the Tele­graph-Jour­nal, but remem­bers how a sec­ond inci­dent, an explo­sion at the refin­ery on Thanks­giv­ing Day in 2018 that left dozens of work­ers injured, was report­ed at the time. The news­pa­per ran a head­line on the front page that read: Thanks­giv­ing Mir­a­cle,’ cel­e­brat­ing that nobody was killed,” he says. That was one of the times that the veil real­ly came down for the com­mu­ni­ty as well, in terms of an obvi­ous con­trol of the narrative.” 

For Dono­van, The Cloud Fac­to­ry is both an act of protest and a refusal to com­ply with the cul­ture of silence that afflicts Saint John’s media. It is because I love this place that I need to bring atten­tion to the harm being caused to it envi­ron­men­tal­ly and social­ly by indus­tri­al giants who pri­ori­tise prof­it over human health,” he says. I under­stand what hap­pens to monop­o­lised economies in the long-term. It nev­er ends well. Per­haps it is too late to issue a warn­ing on that front, but I feel I must try.”

The Cloud Fac­to­ry by Chris Dono­van is pub­lished by GOST Books.

Miss Rosen is a free­lance arts and pho­tog­ra­phy writer, fol­low her on X.

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