Coming of age with Cambodia’s young Buddhist monks
- Text by Laura Isabella
- Photography by Enoch Contreras
Tattoos. Cigarettes. Facebook video chat. These aren’t the first things to come to mind when asked to consider the life of a Buddhist monk.
American photographer Enoch Contreras believed similar until he stumbled across a pagoda, off the beaten track from the Angkor Wat Temple in Cambodia, while trying to avoid the roaring tourist crowds.
“As I made my way through the grounds of the pagoda, I came across a monk who was cutting vegetables and we both exchanged glances,” Contreras tells Huck. “I asked for permission to take a picture of him. He obliged and I spent some time with him before other monks started coming around to see who I was and what I was doing there.”
Although they struggled to communicate through the rigid language barrier, the photographer eventually came across a monk who could speak English. “After that, there were no problems with communication,” he remembers. “Everyone was extremely receptive to my inquiries and having their pictures taken.”
Contreras ended up staying with the monks, taking part in their daily routine and listening to their stories. He was so inspired by their warm, welcoming nature, that he decided to take portraits of them for a new project, Seeking Sacred. “I wanted to show that, despite their decision to walk the path of Dharma, they were still holding on to who they were before they became devoted,” he says.
“When there were no tourists around, they relaxed and allowed themselves to be exactly who they were without any masks. The young monks would tease and play pranks on one another. They were gritty and playful, yet balanced by their beliefs. That’s exactly what I wanted to show.”

What was the most unusual discovery from his time with the monks? “Many of the younger monks at the pagoda were there out of necessity,” Contreras says. “Their families couldn’t afford to provide for them, or they were orphans who came to the pagoda for the same reason, a means for survival.”
“Coming from the States, I had a westernised concept of what I thought a monk is or should be. I thought that all monks were serious practitioners who chose their path because they wanted to dedicate their lives to the teachings of the Buddha. After my time with them, that point of view was completely eradicated. A lot of them were at the pagoda simply because it provided them with food and shelter. Buddhism in a way was initially secondary.”
See more of Enoch Contreras’ work on his official website, or follow him on Instagram.
Follow Laura Isabella on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Vintage photos of London street life at the turn of the millennium
London 1995-2005 — In her new photobook, Joan Piekny reflects on a decade shooting the styles and subcultures of the UK capital’s streets, just before technology .
Written by: Miss Rosen
Princess Julia: “I always state my age as I can’t believe I’m still around”
First lady — As the latest Artist-In-Residence of Huck 83, the London nightlife legend speaks to Josh Jones and provides a few recommendations and words of wisdom.
Written by: Josh Jones
A luminous portrait of Black life over six decades
Shared Memories — As staff photographer for The New York Times, Chester Higgins captured Black culture and spiritual connection like no other. A new exhibition celebrates his life and impact.
Written by: Miss Rosen
An intimate window into New York’s ’70s lesbian scene
We Others — An exhibition at The Photographer’s Gallery combines Donna Gottschalk’s unearthed photographs of LGBTQ+ activists and friends, along with Hélène Gianneccini’s written histories.
Written by: Miss Rosen
A tender portrait of life and ritual from Mexico City’s streets
Órale — For the last six years of his life, photographer, collector and designer Michel Hurst documented death rituals, street life and religious pageantry in contemporary Mexico. A new monograph showcases his work.
Written by: Roxana Diba
In photos: Washington DC’s Black communities facing up to gentrification
A Language We Share — A new exhibition featuring the work of Beverly Price and Gordon Parks preserves historically Black neighbourhoods in the USA, before development and economic forces made them disappear.
Written by: Miss Rosen