Corinna Kern
- Text by Alex King
- Photography by Corinna Kern
In this regular series, My Sweet Shot, we ask photographers to zone in on a single photograph from their archives that they feel best embodies the questions they’re broaching, generally, with their work.
Corinna Kern’s candid photography gives voice to people on the fringes of society, revealing alternative and non-conformist lifestyles from an insider’s perspective. Corinna was born in Germany and studied her Masters in Photojournalism in London, where she also shot her ‘A Place Called Home’ series on the capital’s squatter community. She is currently based in South Africa, using her intimate approach to highlight human rights issues Africa.
My Sweet Shot
by Corinna Kern
“This shot is one of the first of my series ‘A Place Called Home’, a long-term documentary project about London’s squatting scene. It was taken on the roof of a five storey office block that began a new life as accommodation for about 100 squatters, nicknamed ‘The Castle’. It was the first squat I ever visited, at a time when I only had a vague idea about this lifestyle. Back then, my primary intention wasn’t to do a project on squatting because it’s been covered many times before; it was out of personal interest that I decided to take a look. This shot exemplifies the nature of my photographic work as it’s largely driven by my personal desire for new experiences, especially for alternative and non-conformist ways of living.
My first visit to ‘The Castle’ was on a Saturday night, as a rave was being held in its vast interior. I was fascinated by the transformation of the space as it had taken on the vibe of the people and their lifestyle. Surprisingly, the friend who accompanied me knew the building as her old work place and said that, ‘It was strange to see how something that used to be such a professional and formal environment could transform into something so free flowing.’
The photograph of the couple enjoying their afternoon on The Castle’s roof, for me, perfectly embodies the sense of freedom attributed to squatting. I ended up spending quite a lot of time on this roof myself, indulging in the view on London’s cityscape during summer time. After regularly encountering new squatted spaces, I soon recognised the great potential for a documentary project. As squatting is legally restricted to commercial buildings, each squatted space gets endowed with its own unique vibe when its unusual environment is transformed into a home. For ‘A Place Called Home’ I spent a vast amount of time in seven different squats, including a fabric storehouse, a garden centre and a cabaret restaurant. I focussed on the concept of home within this communal lifestyle while challenging stereotyped notions. By revealing the joyful side of squatting, I managed to give this well worn topic a fresh angle. ‘A Place Called Home’ ended up gaining recognition in international photography contests and exhibitions.”
Check out Corinna’s website and Getty Images Reportage Profile.
You might like
The raw, fledgling intimacy of Peter Hujar’s contact sheets
Hujar:Contact — A new photobook highlights the process of the legendary queer photographer, and his process of growing into the artist he ultimately became.
Written by: Miss Rosen
Jesse Glazzard’s messy portrait of queer friends, lovers and chosen family
The Sound of Dirt and Beauty — The photographer’s debut monograph explores tender, unpolished moments shaped by the people who he surrounds himself with, while offering a window into the UK’s working-class LGBTQ+ community.
Written by: Sunny Sunday
Behind the curtain at Alternative Miss World 1981
Olympia glamour — Running a subversive take on the traditional beauty pageant, the Andrew Logan organised event prioritised underground creativity and invention. Photographer David Corio went behind the scenes at its biggest edition.
Written by: Miss Rosen
New exhibition highlights British radical living over 200 years
Earthly Paradise — Taking place at the William Morris Gallery, it explores the homes and lives of artists, writers, musicians and more, as well as the conditions that allowed them to thrive.
Written by: Isaac Muk
What life on the Strait of Hormuz is really like
Southern Winds — Bandar Abbas based photographer Morteza Niknahad has been capturing the diverse communities and stories of his local region since he first picked up a camera. His new series highlights the human impact of war.
Written by: Isaac Muk
Nick Haymes’s intimate portrait of his family’s life
Chronograph — Over 25 years, the photographer documented his son’s lives as they grew into adults. The resulting photobook is an exploration of the passage of time, as well as the optimism of youth.
Written by: Miss Rosen