When migrants photograph their own journeys in Europe
- Text by Biju Belinky

‘Police don’t respect to the asylum seekers! Guys asylum seekers not animals, asylum seekers are people!’ reads a postcard, written by one of the men who took part in Amy Lineham’s latest photo project, Disposable Perspectives.
Looking to challenge the mainstream portrayal of the migrant crisis and put some authorship back into the hands of asylum seekers, Amy gave disposable cameras to 15 men living in the Porte de la Chapelle camp, Paris. Out of the 15 cameras given, only 8 were returned after the five-day deadline – with quite a few of them being lost due to police violence.
Unfortunately, as will be obvious to anyone who has been paying attention, this isn’t surprising. As well having to deal with the unstable life they experience in the camps, aggression against the people who come to Europe in search of a safer life is rife, be it from the police, some less than welcoming locals, or the demonisation, especially of young men, perpetuated by right-wing press.
Instead of building a narrative around sadness and fear though, the photographs taken by these men and developed by Amy tell a different story, a human one with highs, lows and plenty of friendship.
“I met the guys because I was co-managing clothing distribution at the camp, so was always on the desk talking to people. I gave out the cameras right at the end of my time volunteering so I knew some of them quite well,” Amy explains via email.
“Others were new to the camp – I put a sign on the front of the distribution desk in English, Arabic, Farsi and Pashto, inviting people to ask about the project so a few joined that way. People were generally really excited and eager to take part, though we did have some rejections – one person said he would love to join but was worried about legalities over taking photos of strangers.”
Amy remembers how this bloke explained he’d just arrived in France and was nervous of doing anything to draw attention to himself, “that really highlighted to me how precarious day-to-day life for these people can be.”
Keeping the photographers anonymity for their own safety, Amy hopes the Disposable Perspectives exhibition, which features the images captured on the eight cameras, and postcards written by the participants, will dispel some of the myths about the migrant experience.
“I don’t feel it’s my place to speak on the experience of immigrants,” says Amy, “but what I wish people thought about was how each person under that banner is an individual living a 24/7 life in the same way as we all do. They have thoughts, feelings, interests, hobbies just like anyone else and their humanity should be recognised as equal.”




Disposable Perspectives is on show at The HIVE in Dalston until 9 June, from 2-6 PM.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like

In Medellín’s alleys and side streets, football’s founding spirit shines
Street Spirit — Granted two weeks of unfettered access, photographer Tom Ringsby captures the warmth and DIY essence of the Colombian city’s grassroots street football scene.
Written by: Isaac Muk

Remembering New York’s ’90s gay scene via its vibrant nightclub flyers
Getting In — After coming out in his 20s, David Kennerley became a fixture on the city’s queer scene, while pocketing invites that he picked up along the way. His latest book dives into his rich archive.
Written by: Miss Rosen

On Alexander Skarsgård’s trousers, The Rehearsal, and the importance of weirdos
Freaks and Finances — In the May edition of our monthly culture newsletter, columnist Emma Garland reflects on the Swedish actor’s Cannes look, Nathan Fielder’s wild ambition, and Jafaican.
Written by: Emma Garland

Katie Goh: “I want people to engage with the politics of oranges”
Foreign Fruit — In her new book, the Edinburgh-based writer traces her personal history through the citrus fruit’s global spread, from a village in China to Californian groves. Angela Hui caught up with her to find out more.
Written by: Angela Hui
Meet the hair-raised radicals of Berlin’s noise punk scene
Powertool — In his new zine, George Nebieridze captures moments of loud rage and quiet intimacy of the German capital’s bands, while exploring the intersections between music, community and anti-establishment politics.
Written by: Miss Rosen

We are all Mia Khalifa
How humour, therapy and community help Huck's latest cover star control her narrative.
Written by: Alya Mooro