Zines, club nights, and collectives: London's female DIY art scene is thriving

New House of Vans exhibition — A new exhibition at House of Vans in South London brings together the contemporary DIY scene in the city to celebrate culture that celebrates women.

Here’s a little re-cap on some girls’ stuff before we start. It’s 2016. Women received the right to vote almost 100 years ago in 1928. The second-wave feminists of the ’60s are reaching their twilight years, and Tavi Tulle has lived an entire life since the riot grrrls of the ’90s.

So women have been trying to get their voices heard for a while now and yet shit is still kind of fucked up. The second sex (big up de Beauvoir) are still systematically paid substantially less than male colleagues: They’re underrepresented in positions of power; subject to habitual gender-based violence; objectified; discredited; pigeonholed. The list goes on. We’ve been fighting for 100 years (slash the beginning of time), and still the problems continue.

But while the dinosaurs of the world struggle to come to terms with the basic principles of equality, underground culture continues to create a dialogue that more accurately reflects the world in which we live (or want to live). And the DIY scene in London is one such experimental space. Just like the furious printers and xeroxers and lo-fi filmmakers before them, London is full of creative men and women who utilise cheap modes of production to make their feminist messages heard. And they’re being celebrated by House of Vans in an exhibition DIYourself to coincide with International Women’s Day on March 8.

From Mushpit Magazine.

From Mushpit Magazine.

by Babyface.

by Babyface.

The show features specially created xeroxed work wheatpasted on the gallery walls from an array of contributors – Maxilla cult club night organiser Lotte Anderson, Babyface girls’ collective founders Nellie Eden and Claire Burman, Mushpit magazine editors Bertie Brandes and Charlotte Roberts, and Chris Mackenzie-Gray and Alex McCullough, the printmakers behind Studio Calm & Collected.

Although the artists have diverse styles and approaches they are united by shared values and ideas, as well as the city they live and work in, and that diversity is integral to the spirit of the show – with curator Jessica Piper stamping a huge INCLUSIVE in capitals across all promotional materials.

By Work It.

By Work It.

by Lotte Anderson, of Maxilla.

by Lotte Anderson, of Maxilla.

The exhibition, which launches this Thursday February 25, kicks off a girls’ month at House of Vans, behind Waterloo Station in South London, where films screenings, talks, workshops and more, will continue to celebrate culture that celebrates women.

You can sign up for any of the events for free on House of Vans website.


Ad

Latest on Huck

Red shop frontage with "Open Out" branding and appointment-only signage.
Activism

Meet the trans-led hairdressers providing London with gender-affirming trims

Open Out — Since being founded in 2011, the Hoxton salon has become a crucial space the city’s LGBTQ+ community. Hannah Bentley caught up with co-founder Greygory Vass to hear about its growth, breaking down barbering binaries, and the recent Supreme Court ruling.

Written by: Hannah Bentley

Cyclists racing past Palestinian flag, yellow barriers, and spectators.
Sport

Gazan amputees secure Para-Cycling World Championships qualification

Gaza Sunbirds — Alaa al-Dali and Mohamed Asfour earned Palestine’s first-ever top-20 finish at the Para-Cycling World Cup in Belgium over the weekend.

Written by: Isaac Muk

Crowded festival site with tents, stalls and an illuminated red double-decker bus. Groups of people, including children, milling about on the muddy ground.
© Alan Tash Lodge
Music

New documentary revisits the radical history of UK free rave culture

Free Party: A Folk History — Directed by Aaron Trinder, it features first-hand stories from key crews including DiY, Spiral Tribe, Bedlam and Circus Warp, with public streaming available from May 30.

Written by: Isaac Muk

Weathered wooden building with a tall spire, person on horseback in foreground.
Culture

Rahim Fortune’s dreamlike vision of the Black American South

Reflections — In the Texas native’s debut solo show, he weaves familial history and documentary photography to challenge the region’s visual tropes.

Written by: Miss Rosen

A collage depicting a giant flup for mankind, with an image of the Earth surrounded by planets and people in sci-fi costumes.
Culture

Why Katy Perry’s space flight was one giant flop for mankind

Galactic girlbossing — In a widely-panned, 11-minute trip to the edge of the earth’s atmosphere, the ‘Women’s World’ singer joined an all-female space crew in an expensive vanity advert for Jeff Bezos’ Blue Origin. Newsletter columnist Emma Garland explains its apocalypse indicating signs.

Written by: Emma Garland

Three orange book covers with the title "Foreign Fruit" against a dark background.
Culture

Katie Goh: “I want people to engage with the politics of oranges”

Foreign Fruit — In her new book, the Edinburgh-based writer traces her personal history through the citrus fruit’s global spread, from a village in China to Californian groves. Angela Hui caught up with her to find out more.

Written by: Katie Goh

Huck is supported by our readers, subscribers and Club Huck members. It is also made possible by sponsorship from:

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.