The weird world of purebred dog shows
For more than 150 years, the Westminster Kennel Club has dedicated itself to the sport of purebred dogs. Today, it is a global phenomenon; a series of competitions that involve nearly 3,000 dogs at New York City’s Madison Square Garden.
10 years ago, inspiration stuck photographer Dolly Faibyshev while seeing coverage of the competition on TV. “I wondered what it must be like to actually be there,” she says. “As someone who was just beginning as a photographer, it called out to me. It’s set up to allow ticketholders to meet all the breeds that are competing, so it was a perfect way to get up close to the fans as well as the dogs.”
Faibyshev began photographing Westminster Kennel Club Dog Show and American Kennel Club National Championship, documenting the colourful, kitschy marvels of canine bliss. Her photographs of the celebrated creatures and all those who love them have just been published in the new book, Best in Show (Chronicle Chroma).
To say everyone is doing the most would be an understatement. “The dog owners aren’t actually showing the dog, they hire a handler that competes with the dog at the show,” Faibyshev explains. “The handlers really get into the competition and get very emotional. I’ve witnessed a lot of laughter and tears over the wins and losses.” 
These emotions are matched by the fans, who are deeply invested in seeing their faves win. “It reminds me of a rock show, where fans sometimes show up wearing the t-shirts of the band they’ve come to see,” she says. “You see a lot of people wearing outfits and jewellery sporting their favourite dog breed.”
Meanwhile, the dogs are dolled up with glorious bouffants, fresh line-ups and deeply conditioned locks. Faibyshev notes the care and detail to dog grooming to be extraordinary, with, “hours upon hours of washing, brushing, powdering, clipping, drying. The dogs don’t seem to mind.”
As a first-generation Russian-American, the spectacle of American fantasy made a strong impression at an early age. “As a kid, I saw American culture vicariously through the eyes of my immigrant parents – their enthusiasm for the wonders of America rubbed off on me in a big way,” she says. “I’ve always been attracted to Americana and what Greil Marcus referred to as ‘The Old Weird America.’ There’s something both familiar and alien in the details that I always find compelling.”
That quest for striking iconography has brought Faibyshev to over-the-top events like Dollypalooza, Wrestlemania, and New York Fashion Week. Despite the clear differences, Faibyshev sees a chord that runs through her subjects. “It’s the pageantry of it all,” she says. “The anticipation, the crowds, the emotions, colours and sounds – these things exist in abundance here.”
Best in Show by Dolly Faibyshev, published by Chronicle Chroma 2020.
Follow Miss Rosen on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
What went down at Huck’s 20th birthday party
84 issues and counting — We took over east London’s Jaguar Shoes with friends old and new to celebrate two decades and our new issue, with Tony Bontana taking the decks for a special set.
Photos of friends, lovers and afters in Berlin’s party scene
Dreams and How to Keep Them – Vincent Wechselberger’s new monograph documents a decade of hedonism in the German capital, and the people he met along the way.
Inside the Los Angeles scene kid revival
The Rawring ’20s — For the cover of Huck 84, photographer Alexis Gross and writer Anna Zanes meet the latest faces of scene, who are finding freedom to express themselves through its technicolour, unafraid aesthetic.
Introducing our new issue of Huck Magazine: It Starts With Us
Huck 84 — For our second 20th anniversary issue, we spotlight 20 people and groups providing the world with a hopeful future.
The sharp rise of video game photography
Point, shoot — As the entertainment medium’s fidelity levels increase and developers build more powerful tools, a growing community of gamers are pushing the boundaries of image making in virtual worlds. Vicky Jessop meets people at the forefront of the emerging artform.
Joyous photos from the heart of the UK’s radical free festival movement
Common Grounds — The photographer has been capturing British counterculture for the past half century. A new exhibition looks at his archive sitting at the intersection of music, community and grassroots protest.
