Paris Photo 2017: Seven series to revisit

Crème de la crème — With the annual art and photography fair over for another year, we collated our highlights from the Grand Palais.

Last weekend, Paris Photo returned to the Grand Palais for its 21st instalment.

This year’s edition of the annual fair saw a grand total of 189 galleries and art book dealers set up shop in the French capital for a mammoth three-day weekend dedicated to the photographic medium.

Featuring a diverse spectrum of artists and photographers – names such as Man Ray, Wolfgang Tillmans and William Klein showcased under the same roof as first-time exhibitors not yet out of college – Paris Photo 2017 was a typically whirlwind affair; a brilliant, bustling labyrinth of pop-up galleries, stands and individually curated corners, coming together to present three centuries worth of photography from all corners of the world.

With the festival finished for another year, we gathered some of our favourite series from this year’s festival for you to explore for yourselves. From the mundane to the mystical, the stirring to the strange, here’s the work that Huck enjoyed the most in Paris – featuring Alec Soth, Michael Wolf, Patti Smith and more.

Henry Wessel, from the portfolio ‘Traffic’, 1994 © Henry Wessel, courtesy Thomas Zander Gallery,  work exhibited by: THOMAS ZANDER

Henry Wessel, from the portfolio ‘Traffic’, 1994
© Henry Wessel, courtesy Thomas Zander Gallery,
work exhibited by: THOMAS ZANDER

Henry Wessel – Traffic Taken from his car during early morning commutes from Richmond, CA to San Francisco, the images that make up Henry Wessel’s Traffic are blink-and-you’ll-miss-them moments from a life on the road in the early ’80s. Covertly capturing his fellow commuters as they too navigate the daily drill of rush hour, Wessel’s black and white stills document the full spectrum of emotion – determination, impatience, boredom and solitude – before uniting them under the umbrella of the shared journey. For this American photographer it’s not where you’re going but how you get there that counts.

Alec Soth, ‘Charles, Vasa, Minnesota’ from ‘Sleeping by the Mississippi’, 2017 © Courtesy of the artist and MACK Books, work exhibited by: MACK

Alec Soth, ‘Charles, Vasa, Minnesota’ from ‘Sleeping by the Mississippi’, 2017
© Courtesy of the artist and MACK Books, work exhibited by: MACK

Alec Soth – Sleeping By The Mississippi Alec Soth’s 2004 project Sleeping By The Mississippi is a maundering, meditative journey in tandem with the titular river, during which the Minnesota native dropped in and out of small towns and communities, documenting life along America’s third coast. The series – which was re-released this year via MACK Books – showcases the Magnum photographer’s mundane romanticism with aplomb; it’s a collection of hushed, yet vividly descriptive moments, capturing the spirit of American wanderlust unlike any other. Alec Soth is simply one of our greatest visual storytellers.

Annegret Soltau, from the s eries ‘Selbst’, 1976 © Annegret Soltau, work exhibited by: ANITA BECKERS

Annegret Soltau, from the s eries ‘Selbst’, 1976 © Annegret Soltau, work exhibited by: ANITA BECKERS

Annegret Soltau – Selbst Annegret Soltau has been making her provocative, sewn photography for over 30 years now; but the images in Selbst (‘Self’), taken between 1975-76, were her first. She has since become synonymous with this practice, a staged self-portrait encompassing silk and geometric stitching, which results in a series of photographs that haunt and intrigue simultaneously. Today, they’re still just as visually contentious. It’s a daring commitment to individualism that’s  difficult to top.

Miki Kratsman, ‘Targeted Killing’, 2010 © Miki Kratsman, work exhibited by: CHELOUCHE

Miki Kratsman, ‘Targeted Killing’, 2010 © Miki Kratsman, work exhibited by: CHELOUCHE

Miki Kratsman – Targeted Killing In Targeted Killing, Israeli photographer Miki Kratsman explores ‘focused foiling’, a term used by the Israeli Defence Force (IDF) to identify those it believes to be associated with specific acts of violence against the state, presenting the argument that an assassination would eliminate such a risk. Kratsman’s images mimic the practice, taken from similar vantage points and framed in an identical manner to the drone imagery from the IDF’s unmanned aerial vehicles. While the subjects in Targeted Killing are all innocent Palestinian citizens, the precarity of life among bloody conflict is evident in this haunting series.

Michael Wolf, ‘Transparent City # 88’, 2007 © Michael Wolf | Robert Koch Gallery, work exhibited by: ROBERT KOCH

Michael Wolf, ‘Transparent City # 88’, 2007 © Michael Wolf | Robert Koch Gallery,
work exhibited by: ROBERT KOCH

Michael Wolf – The Transparent City The Transparent City is a voyeuristic visual ode to Chicago, in which Michael Wolf paints a picture of daily life in the Windy City, treating its various buildings as one momentous looking glass. In the works the German photographer intentionally avoids the famous, recognisable structures of the Chicago skyline, instead choosing to focus on the mundane, day-to-day actions of those operating on the other side of their windows. The urban scenes are almost Hopper-esque, but with the unique kind of mysticism that Wolf’s city photography has come to embody. They couldn’t belong to anyone else.

Olga Chernysheva, from the series ‘Algunas Canciones Lindas’, 1111 © Artist and Temnikova & Kasela, work exhibited by: TEMNIKOVA & KASELA // DIEHL

Olga Chernysheva, from the series ‘Algunas Canciones Lindas’, 1111
© Artist and Temnikova & Kasela, work exhibited by: TEMNIKOVA & KASELA // DIEHL

Olga Chernysheva – Algunas Canciones Lindas In her work, Olga Chernysheva takes the everyday and throws it into an idiosyncratic visual platform. There’s nothing at all revolutionary about the scenes in Algunas Canciones Lindas – a woman holding her dog, a man blowing bubbles, some Soviet-era buildings – however, there’s something about Chernysheva’s gaze that’s both ageless and other-worldly. They’re the kind of beautiful non-moments that tend to go missing with an untrained eye. We’re lucky they didn’t.

Patti Smith, ‘Grave of Albert Camus’, 2016 © Patti Smith, courtesy Gagosian, work exhibited by: GAGOSIAN

Patti Smith, ‘Grave of Albert Camus’, 2016 © Patti Smith, courtesy Gagosian, work exhibited by: GAGOSIAN

Patti Smith – Curated By Patti Smith Though not a series in the sense of the aforementioned, Patti Smith’s corner – located at the Gasgosian gallery’s space – at this year’s Paris Photo was a unique opportunity to immerse yourself in the visual cosmos of the seminal polymath. Featuring her own work alongside that of Diane Arbus, Gregory Crewdson, Sally Mann, Andy Warhol, Robert Maplethorpe and more, this selection of images offers a unique insight into an icon and her relationship with photography.

Niall Flynn is an editorial assistant for Huck. You can follow him on Twitter

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


Ad

Latest on Huck

Red shop frontage with "Open Out" branding and appointment-only signage.
Activism

Meet the trans-led hairdressers providing London with gender-affirming trims

Open Out — Since being founded in 2011, the Hoxton salon has become a crucial space the city’s LGBTQ+ community. Hannah Bentley caught up with co-founder Greygory Vass to hear about its growth, breaking down barbering binaries, and the recent Supreme Court ruling.

Written by: Hannah Bentley

Cyclists racing past Palestinian flag, yellow barriers, and spectators.
Sport

Gazan amputees secure Para-Cycling World Championships qualification

Gaza Sunbirds — Alaa al-Dali and Mohamed Asfour earned Palestine’s first-ever top-20 finish at the Para-Cycling World Cup in Belgium over the weekend.

Written by: Isaac Muk

Crowded festival site with tents, stalls and an illuminated red double-decker bus. Groups of people, including children, milling about on the muddy ground.
© Alan Tash Lodge
Music

New documentary revisits the radical history of UK free rave culture

Free Party: A Folk History — Directed by Aaron Trinder, it features first-hand stories from key crews including DiY, Spiral Tribe, Bedlam and Circus Warp, with public streaming available from May 30.

Written by: Isaac Muk

Weathered wooden building with a tall spire, person on horseback in foreground.
Culture

Rahim Fortune’s dreamlike vision of the Black American South

Reflections — In the Texas native’s debut solo show, he weaves familial history and documentary photography to challenge the region’s visual tropes.

Written by: Miss Rosen

A collage depicting a giant flup for mankind, with an image of the Earth surrounded by planets and people in sci-fi costumes.
Culture

Why Katy Perry’s space flight was one giant flop for mankind

Galactic girlbossing — In a widely-panned, 11-minute trip to the edge of the earth’s atmosphere, the ‘Women’s World’ singer joined an all-female space crew in an expensive vanity advert for Jeff Bezos’ Blue Origin. Newsletter columnist Emma Garland explains its apocalypse indicating signs.

Written by: Emma Garland

Three orange book covers with the title "Foreign Fruit" against a dark background.
Culture

Katie Goh: “I want people to engage with the politics of oranges”

Foreign Fruit — In her new book, the Edinburgh-based writer traces her personal history through the citrus fruit’s global spread, from a village in China to Californian groves. Angela Hui caught up with her to find out more.

Written by: Katie Goh

Huck is supported by our readers, subscribers and Club Huck members. It is also made possible by sponsorship from:

Signup to our newsletter

Sign up to our newsletter to informed with the cutting edge of sport, music and counterculture, featuring personal takes on the state of media and pop culture from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.