Felipe Merida’s powerful illustrations reveal America’s hidden Latino workers
- Text by Alex King
- Illustrations by Felipe Merida

Worn Levi’s 501 jeans, Timberland construction boots, Nike baseball caps and all-American branded caps, tees and sweaters. To the untrained eye, they’re just items of clothing, but to those who can read the symbols, like artist Felipe Merida, they’re a uniform that identifies them as Latinos: hard-working motherfuckers, keeping America moving – largely unnoticed.
Latinos USA is a solo exhibition by Guatemala-born/Brooklyn-based artist Felipe Merida, AKA Tipi Thieves at LA’s Paul Loya Gallery.

A migrant himself, Felipe’s family moved from Guatemala to San Francisco in 1997 where he went on to study at the San Francisco Art Institute.
Latinos USA is a series of portraits made from anonymous photographs Felipe took around his Brooklyn neighbourhood. His attention to detail brings to life the character of each worker through their dress, the two cultures that come together in them and quietly celebrates the Latin community’s contribution to America.
What is Latinos USA all about?
The collection is a nostalgic reminder of my roots. Coming from a central-America Latino background I am taken back to my childhood. Their work ethic is admirable, the importance of earning money for their family is so noble – this collection is to celebrate them.

What drew you to the people you chose to paint?
I am attracted to their style. My work is detail orientated, I aim to capture the texture of the textile, the facial expression in strokes of ink, the material of the shoes, age and other defining characteristics in each portrait.

How do you hope your paintings will change how people see them?
I don’t hope my painting will change how people see them, I merely present them for people to see.

What’s the most important thing you learned or the most poignant moment/interaction you experienced in putting together the series?
Other than my own nostalgia for the culture, I learned to pay even more attention to detail. The smallest detail can make the painting more authentic. Most of the portraits are from behind, so I needed to capture the culture without using facial features. Hence the importance of the details.

Do you feel Latinos’ contributions to American society are adequately recognised?
Without generalising, Latinos are happy to have work, rather than being too selective about the work they do.Their work ethic is focus on providing for the family… In some ways I don’t think they are too concerned with being recognised for their work – family is the focus.

Donald Trump’s recent comments suggest Latinos are still not accepted by large sections of American society. How long do you think it will take for Latinos to be accepted as Americans, like the Irish and Italians have been, finally?
Living in New York City I don’t have a sense that Latinos are not accepted. In this multicultural city, we are all finding our own direction. In other states of America, there is a lot of cultural unrest, not only Latinos, but many other races are still not accepted even if you are born American. This may never fully change.

What role does art have to play in breaking down those barriers?
Art is a means of publicity, highlighting society and life. If it falls in the eyes of the right people, it may increase awareness, others may just appreciate its beauty. I believe each individual brings their own thoughts and reactions when studying art, the artist is not in control of that.
Felipe Merida’s Latinos USA is at Paul Loya Gallery, Los Angeles until October 17.
You might like

Dalia Al-Dujaili: “When you’re placeless, nature can fill the void”
Babylon, Albion — As her new book publishes, the British-Iraqi author speaks about connecting with the land as a second-generation migrant, plants as symbols of resistance, and being proud of her parents.
Written by: Zahra Onsori

Turnstile benefit gig raises $35k for Baltimore homelessness charity
Never Enough — The hardcore band also performed two new songs at Wyman Park Dell in their first live concert in nearly two years, which was organised in support of Health Care For The Homeless.
Written by: Isaac Muk

Riot grrrl is back. Do we need it more than ever?
Femme punk forever — With social media driving renewed interest in the early ’90s movement, which blended feminist politics with brash punk music, we spoke to vanguards of the genre’s new wave, who are reviving its ethos as women’s rights come increasingly under attack.
Written by: Kurt Suchman

Bernie Sanders introduces Clairo at Coachella, urging young Americans to “stand up for justice”
Coachella charmed — The Vermont Senator praised the singer-songwriter for her efforts in raising awareness of women’s rights issues and Gaza.
Written by: Isaac Muk

Donald Trump says that “everything is computer” – does he have a point?
Huck’s March dispatch — As AI creeps increasingly into our daily lives and our attention spans are lost to social media content, newsletter columnist Emma Garland unpicks the US President’s eyebrow-raising turn of phrase at a White House car show.
Written by: Emma Garland

A new documentary explores Japan’s radical post-war photography and arts scene
Avant-Garde Pioneers — Focusing on the likes of Daidō Moriyama, Nobuyoshi Araki, Eikoh Hosoe and many more, the film highlights the swell of creativity in the ’60s, at a time of huge economic change coupled with cultural tensions.
Written by: Isaac Muk