Felipe Merida’s powerful illustrations reveal America’s hidden Latino workers
- Text by Alex King
- Illustrations by Felipe Merida
Worn Levi’s 501 jeans, Timberland construction boots, Nike baseball caps and all-American branded caps, tees and sweaters. To the untrained eye, they’re just items of clothing, but to those who can read the symbols, like artist Felipe Merida, they’re a uniform that identifies them as Latinos: hard-working motherfuckers, keeping America moving – largely unnoticed.
Latinos USA is a solo exhibition by Guatemala-born/Brooklyn-based artist Felipe Merida, AKA Tipi Thieves at LA’s Paul Loya Gallery.
A migrant himself, Felipe’s family moved from Guatemala to San Francisco in 1997 where he went on to study at the San Francisco Art Institute.
Latinos USA is a series of portraits made from anonymous photographs Felipe took around his Brooklyn neighbourhood. His attention to detail brings to life the character of each worker through their dress, the two cultures that come together in them and quietly celebrates the Latin community’s contribution to America.
What is Latinos USA all about?
The collection is a nostalgic reminder of my roots. Coming from a central-America Latino background I am taken back to my childhood. Their work ethic is admirable, the importance of earning money for their family is so noble – this collection is to celebrate them.
What drew you to the people you chose to paint?
I am attracted to their style. My work is detail orientated, I aim to capture the texture of the textile, the facial expression in strokes of ink, the material of the shoes, age and other defining characteristics in each portrait.
How do you hope your paintings will change how people see them?
I don’t hope my painting will change how people see them, I merely present them for people to see.
What’s the most important thing you learned or the most poignant moment/interaction you experienced in putting together the series?
Other than my own nostalgia for the culture, I learned to pay even more attention to detail. The smallest detail can make the painting more authentic. Most of the portraits are from behind, so I needed to capture the culture without using facial features. Hence the importance of the details.
Do you feel Latinos’ contributions to American society are adequately recognised?
Without generalising, Latinos are happy to have work, rather than being too selective about the work they do.Their work ethic is focus on providing for the family… In some ways I don’t think they are too concerned with being recognised for their work – family is the focus.
Donald Trump’s recent comments suggest Latinos are still not accepted by large sections of American society. How long do you think it will take for Latinos to be accepted as Americans, like the Irish and Italians have been, finally?
Living in New York City I don’t have a sense that Latinos are not accepted. In this multicultural city, we are all finding our own direction. In other states of America, there is a lot of cultural unrest, not only Latinos, but many other races are still not accepted even if you are born American. This may never fully change.
What role does art have to play in breaking down those barriers?
Art is a means of publicity, highlighting society and life. If it falls in the eyes of the right people, it may increase awareness, others may just appreciate its beauty. I believe each individual brings their own thoughts and reactions when studying art, the artist is not in control of that.
Felipe Merida’s Latinos USA is at Paul Loya Gallery, Los Angeles until October 17.
You might like
Nick Haymes’s intimate portrait of his family’s life
Chronograph — Over 25 years, the photographer documented his son’s lives as they grew into adults. The resulting photobook is an exploration of the passage of time, as well as the optimism of youth.
Written by: Miss Rosen
Kristina Rozhkova’s scatty, confronting portrait of captivity
Gut Feeling — The Russian artist’s 2024 arrest and subsequent detention opened her eye towards the omnipresent dynamics of power and control. Her new photobook is a stark exploration of being trapped.
Written by: Isaac Muk
Julian Cashwan Pratt: “We fought security until the cops showed up”
Hard Feelings — The lead singer of Show Me the Body joins Rob Kazandjian’s column on fatherhood and masculinity to talk about mentors, scrapping Zionists at shows, and finally making his father proud.
Written by: Robert Kazandjian
UK’s first ever Latino film festival is coming to London
LoLaFF — Taking place between October 2-6, it will feature 55 filmmakers from Latin America, with an opening night at the Barbican.
Written by: Isaac Muk
Washing strangers’ feet at Houghton Festival
Pedilavium — As part of artist Henry Krokatsis’s performance piece at the weekender, we sat down with over 30 others to clean the dusty digits of passersby, while reflecting on the power of collective ritual and human connection.
Written by: Isaac Muk
The anti-tourism guides revealing Lisbon’s true, radical heart
We Hate Tourism Tours — The Portuguese capital sees millions of people visit a year, against a backdrop of political turbulence and a housing crisis fuelled by short term holiday lets. Jack Burke meets the crew subverting their city’s perception, while bringing lesser seen stories and monuments to light.
Written by: Jack Burke