France in the aftermath of Charlie Hebdo captured on film
- Text by Alex King
- Photography by Elisa Routa
Less than two months after the offices of Charlie Hebdo were attacked, killing 12 people, today the French satirical newspaper released its second edition following the tragedy. The euphoria that greeted the historic first post-attack edition has dissipated, but readers across France have been eagerly grabbing their copies of the now-iconic publication.
Photographer Elisa Routa remembers writing these words the day after the shocking events in Paris: “Things were good yesterday. Before Paris exploded like an unexpected stink bomb. Today, streets are quiet, streets are wise. Today nobody sleeps like a dog with all this cold surrounding fog.”
Her analogue photo series After Charlie captures the atmosphere of confusion, anger and unity after the attack in Paris and Bayonne. “Without tears, without fear, I wanted to highlight the unexpected calm after such a traumatic event,” Elisa explains. “I hope the images capture the sense of unreal calm after a storm.”
Today’s cover features far-right leader Marine Le Pen, Nicolas Sarkozy, a bishop, a jihadi, a banker and a TV news crew chasing after a dog with a copy of Charlie Hebdo in its mouth. It marks the first ‘business as usual’ issue for the publication, whose print run has risen from 50,000 to 2.5m for this issue and whose subscriber base has increased 25-fold to 200,000 since the attack.
This skyrocketing popularity has helped cement the financial security of Charlie Hebdo, which is currently being put together in a high-security temporary space at French daily newspaper Libération, but journalists and cartoonists have admitted their continuing struggle to come to terms with the death of their colleagues.
Grab your copy of Charlie Hebdo and check out more of Elisa Routa’s work.
You might like
The last days of St Agnes Place, London’s longest ever running squat
Off the grid — Photographer Janine Wiedel spent four years documenting the people of the Kennington squat, who for decades made a forgotten row of terraced houses a home.
Written by: Isaac Muk
How Japan revolutionised art & photography in the ’60s and ’70s
From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.
Written by: Miss Rosen
In west London, Subbuteo is alive and flicking
London Subbuteo Club — The tabletop football game sees players imitate vintage teams with tactics and tiny painted replica kits. Ryan Loftus takes a trip to Fulham to meet a dedicated community and witness a titanic Brazil vs Coventry City showdown.
Written by: Ryan Loftus
Artifaxing: “We’ve become so addicted to these supercomputers in our hands”
Framing the future — Predominantly publishing on Instagram and X, the account is one of social media’s most prominent archiving pages. We caught up with the mysterious figure behind it to chat about the internet’s past, present and future, finding inspiration and art in the age of AI.
Written by: Isaac Muk
The lacerating catharsis of body suspension in Hong Kong
Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.
Written by: Sophie Liu
What we’re excited for at SXSW 2026
Austin 40 — For the festival’s 40th anniversary edition, we are heading to Texas to join one of the biggest global meetups of the year. We’ve selected a few things to highlight on your schedules.
Written by: Huck