The Travel Diary: Walking the streets in one of America's most dangerous cities
- Text by Matthew Smith
- Photography by Matthew Smith
Gary, Indiana is a small industrial city just 30 miles outside of Chicago. It’s a city that used to be a thriving, bustling community, but now an estimated 6,500 of the 7,000 properties that make up the place have been abandoned. The city’s streets are now a hotbed of criminality. Over the past three years, some 80% of jobs in Gary have disappeared, the US’s declining steel industry the most obvious explanation as to why. 
The town is now also infamous for the actions of depraved serial killer Darren Deon Vann, who hid the bodies of his seven female victims in the derelict buildings that populate the city. Over the years there’ve been endless proposals of ways to improve Gary, to make it once more a city that lives and breathes. Back in 1993 Donald Trump himself drew up plans to open a casino here. Then Trump Casino went bankrupt. 
That’s not to say the place doesn’t have other noteworthy, more positive, claims to fame. On 29 August 1958 it was right here in the city that Michael Jackson was born, spending his early years in a two-bedroom house on the aptly named Jackson Street. A hand-painted still sits proudly on a wall case to City Hall, a monument to a time when the city was alive and kicking.
If you were to research “Gary, Indiana”, what you would just see the murder convictions, the crime stories, its name emblazoned as one of the worst cities in America. You’ll be offered tips on how to stay safe, most people online suggesting to not leave your car at all, or even stop for gas. After having spent a few days in the city I can tell you that the internet is not over exaggerating the dangers of this place. 
It feels like a desolate urban wasteland, where anything could happen. It’s almost like an apocalyptic city where everyone is simply fighting for survival. I felt very exposed every time I left my car to take a photograph; my head was on a swivel the entire time, and when I headed home for the day I was completely exhausted from constantly keeping watch.
As a photographer, I’m always looking for new and unique places to capture. Places that will challenge me mentally, emotionally, and artistically. Gary, Indiana is hugely different from any other place I have been, in that it changed me and challenged me the most. It changed the way I see the world, and it changed the way I see myself. 

I can honestly tell you that I have no idea how to fix Gary, Indiana, and I certainly don’t claim to have answers. I’m a photographer, I document, and I look on. But what I can tell you is that I left the city feeling like I needed to do something, anything to help. The best I can do is show my photographs, start conversations, show a city in the midst of a crisis and despair. I originally drove in to Gary with the intentions of making some black and white landscape images of the desolate church and a few of the decaying buildings. I left with a strong desire to do something.
Check out more of Matthew’s work on his website. Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
A stark, confronting window into the global cocaine trade
Sangre Blanca — Mads Nissen’s new book is a close-up look at various stages of the drug’s journey, from production to consumption, and the violence that follows wherever it goes.
Written by: Isaac Muk
“Like skating an amphitheatre”: 50 years of the South Bank skatepark, in photos
Skate 50 — A new exhibition celebrates half a century of British skateboarding’s spiritual centre. Noah Petersons traces the Undercroft’s history and enduring presence as one of the world’s most iconic spots.
Written by: Noah Petersons
“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams
Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.
Written by: Josh Jones
Free-spirited, otherworldly portraits of Mexico City’s queer youth
Birds — Pieter Henket’s new collaborative photobook creates a stage for CDMX’s LGBTQ+ community to express themselves without limitations, styling themselves with wild outfits that subvert gender and tradition.
Written by: Isaac Muk
The suave style and subtle codes of gay San Francisco in the ’70s
Seminal Works — Hal Fischer’s new photobook explores the photographer’s archive, in which he documented the street fashion and culture of the city post-Gay Liberation, and pre-AIDS pandemic.
Written by: Miss Rosen
The stripped, DIY experimentalism of SHOOT zine
Zine Scene — Conceived by photographer Paul Mpagi Sepuya in the ’00s, the publication’s photos injected vulnerability into gay portraiture, and provided a window into the characters of the Brooklyn arts scene. A new photobook collates work made across its seven issues.
Written by: Miss Rosen