Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

As a girl skating was my escape. As a young woman, it was taken from me

Go Skateboarding Day 2017 — In her early years, skating provided Marianne Eloise with an escape: from anxiety, from a toxic household, the OCD that span around her head. But as she got older, all that changed; suddenly her board could no longer be a sanctuary.

I bought my first skateboard when I was ten years old.

I didn’t fuck around, either: I saved up £50, a fortune for a child, and I dragged my parents to an actual skate shop to pick up a board that I had already chosen online. It had blue lightning on the trucks and I thought it was the coolest thing I had ever seen. It didn’t matter that I hadn’t really stepped foot on a skateboard before; I wanted to, and I was going to commit until I could do it.

My first introduction to skating came as my introduction to most things did: via my cousin and her friends, who were five years older than me. They would ‘babysit’ me, which would mostly involve making me sit on a skateboard while they kicked me down the halfpipe. It being the very early 2000s, they wore huge baggy trousers weighed down with chains. They listened to Korn. They made me watch Jackass and then they’d try to imitate it, hurting themselves and laughing in the process.

They didn’t give a shit about anything; in contrast, I was a teacher’s pet suffering through childhood OCD that I didn’t know how to name yet. I was anxious, I couldn’t concentrate, I panicked constantly about what everyone thought of me. I wanted, more than anything, to be cool enough to just skate and laugh with my friends. I wasn’t.

Then I discovered Avril Lavigne, and she sparked in me again that desire to just stop giving a shit – regardless of whether or not she was ‘legit’. Something clicked; she was the first thing I ever discovered on my own, and despite being a child with curly brown hair who had never touched an eyeliner pencil, I started to imitate her.

Part of that imitation came in that trip down the skate shop – me, aged ten, knowing exactly what I wanted, having ironically planned my new ‘coolness’ down to every last detail. Skating was the first thing in my life that made me want to actually go outside, to participate, to not just sit inside alone. I loved it, even though common sense says I really shouldn’t have. It was against all of my impulses, all of my instincts stopping me throwing myself on the ground or hurting myself or avoiding homework. I was a very neurotic, calculated child – but less so when I skated.

The first time I took that skateboard out, I probably did hurt myself. But it appealed to my obsessive need to be better, and I carried on. Living in a reasonably isolated countryside village with very absent parents, I had hours and hours after school in which to practice. Hours that I spent alone and unwatched in car parks and bike lanes and going down giant hills only to fall off at the end.

I didn’t mind if I fell off. I practiced and I practiced, and for the first time in my life my mind was quiet. I felt accomplished. I could focus. I made one solitary friend who also liked to skate, and she taught me to ollie and kickflip. I didn’t learn much more, but still, I loved skating. It was the one thing I could do completely alone that required no money or and nobody else’s permission.

I carried on until I was twelve or thirteen, when I became hyper-aware of my existence and not only how much better everyone else was at skating than me, but that I was the only girl doing it. I also discovered the internet, MySpace, and my other beloved subculture: emo.

Regardless, my new emo friends would still hang out down the skatepark every weekend. The first time I drank vodka and Lucozade sitting on a ramp I felt a pang of jealousy watching the boys skate, but the girls just weren’t active participators. We were just there. Once or twice I considered having a go and would do it a little, “for a joke”, but with everyone’s eyes on me I was too scared to actually just go through with it and try. Maybe they would have been impressed if I did. Maybe they wouldn’t have given a shit either way.

Regardless, just like that, I was too self-conscious to skate anymore, and I stuffed my genuine love for it deep down. Through the years when my various friendship groups would end up, inevitably, being the types to congregate at skateparks, I would sit and feel that little pang of jealousy. I would, and I still do, consider just having a little go.

Skateboarding was the only thing I’ve ever done in my life that actively distracted me from my anxiety, an outlet that let me feel freedom, gave me space and a reason to leave my toxic household for a time. I resent quitting, I regret it now every day. Despite it being a very male culture, would my skater friends have even cared if I’d joined in? Probably not, but my lifelong self-consciousness was not one to melt away when I was in a skatepark full of people I wanted to impress.

That isn’t to say that I at any point have had the grown-up presence of mind to leave any aspect of that culture behind. I still own a skateboard that I take out, very secretly, in the night time. I can’t do any tricks anymore, but it still gives me the same feeling that it did in 2003.

Anyone who has been around me for a second or who has read anything I’ve written will recognise that a deep-seated love of Jackass and Tony Hawk has informed most of my tastes as an adult. I don’t know what it was about skating that calmed my little brain: the concentration that it sometimes took not to die? The excuse to leave the house? The simple pleasure of watching someone faceplant? Whatever it was, the culture surrounding it represented an untouchable hedonism; a freedom that I probably will never attain. But it’s a freedom that I did and still can grasp at, even if only in fleeting moments.

Follow Marianne Eloise on Twitter

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


You might like

Huck 83: Life Is A Journey Issue

Leticia Bufoni is one of the greatest skaters ever. Now she’s tearing up asphalt.

Vamos, Leticia! — The Brazilian trailblazer helped rewrite the rulebook for women in skateboarding – and now she’s setting the pace behind the wheel for Porsche. For Huck’s 20th Anniversary Issue, she reflects on shredding stereotypes, building a career in male-dominated spaces, empowering the next generation, and the lessons that defined her journey.

Written by: Tracy Kawalik

© Rida Fatima
Sport

Dropping in at Lahore’s first ever public skatepark

Skate Pakistan — Set right in the centre of Pakistan’s capital city, the free-to-use space has started a mini youth revolution in the country. Z. Raza-Sheikh tracks how it came to open its doors.

Written by: Z. Raza-Sheikh

© Sharon Chischilly
Sport

The concrete skatepark oasis in the Navajo Nation desert

Diné Skate Garden — Opening in 2023, the Two Grey Hills spot is getting people of all ages on the reservation onto boards. We spoke to those behind the project about its impact, its growing importance as a community gathering space, and their ambitious vision for expansion.

Written by: Tyrone Bulger

Two people sitting on concrete floor under metal bridge structure with belongings scattered around them.
Sport

Inside the London rollerskating scene’s fight for space

Chop & shuffle — A new, young generation is skating with a style unique to the UK’s capital, but they’re up against security guards, dog units, and padlocks. Sunny Sunday reports on the community’s search for a home.

Written by: Sunny Sunday

Illustration of woman with dark curly hair and brown skin in purple clothing against cityscape background with lavender sky and architectural structures.
Sport

In Palestine Skating Game, rollerblading is resistance

Inline protest — Blending influences from Jet Set Radio and Tony Hawk Pro Skater, the psychedelic video game sees players move through the West Bank and tag occupying soldiers with spray paint. Amaar Chowdhury speaks to the team – some living in Gaza – who are currently developing it.

Written by: Amaar Chowdhury

Man in white shirt and beige trousers standing on promenade beside large grey sculpture, with buildings and blue sky behind.
Sport

Brick rattling memories of San Francisco’s skateboarding golden age

EPICENTER — In the early ’90s, the city’s scene revolved around the Embarcadero Plaza, or EMB as it was lovingly known. Now, with the area facing redevelopment, a new book by Jacob Rosenberg immortalises its heyday.

Written by: Isaac Muk

Huck is supported by our readers, subscribers and Club Huck members.

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.