Great photography zine commemorates the Scottish independence… | Huck

Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

Great photography zine commemorates the Scottish independence referendum

Och, Aye — Photographer Jane Stockdale's Yes/No zine revives the energy that gripped Scotland during its independence referendum one year ago.

A year since the Scottish independence referendum and the country seems a very different place. Jane Stockdale, a documentary photographer from Scotland who studied at the Edinburgh College of Art decided to put a zine together to “document what happened in Glasgow and Edinburgh around the time of the referendum”.

Stockdale has a background in shooting big crowds, having photographed large crowds during the Brazil World Cup in 2014 and the 2012 London Olympics.

The photographs in Yes/No came together in this format from photos that Stockdale took during the campaign, and bring across the energy on both sides.

How did making this zine come about?
It happened by accident. After the referendum I had loads of great photos of people in their element so we wanted to collaborate and create something to share that. It’s a little collaboration between myself, Warriors Studio and Workhorse Press.

What is this zine all about?
The energy and feeling on the streets during the Scottish referendum last year.

What are you trying to say with it?
I’ve never seen anything like it before in Scotland before so we wanted to create this to share that energy. We wanted it to be balanced and show both sides of the campaign. We also created ‘YES’ and ‘NO’ stamps so people can personalise their own copies.

What were the inspirations behind it?
The old man who wrote ‘OCH, AYE’ on the palms of his hands. I’d love him to have a copy.

How do you feel that Scotland has changed over the last year, and how does this fit into that?
The political landscape in Scotland and across the UK has changed so much this past year its almost hard to imagine now just how differently it felt a year ago. This zine celebrates a moment in time and the momentum and energy of everyone involved.

What is it that you like about the zine format?
I love it as its accessible and affordable. We wanted to make something for everyone. Hope you like it.

Find out more about Jane Stockdale. Yes/No was produced by Warriors Studio and published by Workhorse Press.


You might like

Culture

Halcyon, end of summer days in ’80s Massachusetts

Bell Pond — Stephen DiRado’s new photobook is a nostalgic look at blissed out moments of young love, family and coming of age at a swimming pond in Worcester, Massachusetts.

Written by: Miss Rosen

Bronx, New York City, NY. July 20th 1972. 
Members of the New York street gang Savage Skulls. The trademark of the, primarily Puerto Rican, gang was a sleeveless denim jacket with a skull and crossbones design on the back. Based around Fox Street, in the popular South Bronx neighborhood, the gang declared war on the drug dealers that operated in the area. Running battles were frequent with rival gangs Seven Immortals, and Savage Nomads.
Activism

Photographing America’s 20th century rebels

Rebels With a Cause — A new monograph looks back at Jean-Pierre Laffont’s extensive archive documenting counterculture, art, activism and more, shaping the country as it is today.

Written by: Isaac Muk

Culture

The groundbreaking photography of Gordon Parks

Voices in the Mirror — A new exhibition dives deep into the legendary lensman’s archive, who captured the Civil Rights Movement and Black America like no other.

Written by: Miss Rosen

© Melonie Bennett
Culture

A chaotic portrait of an ’80s American farming family

Holy Cow! — Melonie Bennett grew up on a farm in Maine in the ’80s, and documented her family’s idiosyncratic daily life. She presents those humorous, everyday memories in a new exhibition and photobook.

Written by: Miss Rosen

“It’s been hard Anthony. I’ve a photo of you three together, and it’s not being disrespectful for you, you’re on t’ end, and I bent it over because it upset me that much I couldn’t look at that photo. And it’s the only photo I’ve got of you. Even now the photograph does upset me because it brings back awful memories of what your dad did to us. I mean I’m not ashamed of the photo.
Culture

Nick Danziger’s striking vision of everyday British life in the ’90s

The British 1994-1999 — The renowned photojournalist returned to his birth country on the cusp of the Millennium, capturing its contradictions with humour and wit.

Written by: Miss Rosen

Culture

Exploring girlhood and land ancestry in Sudan’s cotton fields

Cotton Queen – A new feature debut from filmmaker Suzannah Mirghani explores the legacy of colonialism and the fight for self-determination through the tender eyes of a teenage girl.

Written by: Roxana Diba

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.