Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

Great photography zine commemorates the Scottish independence referendum

Och, Aye — Photographer Jane Stockdale's Yes/No zine revives the energy that gripped Scotland during its independence referendum one year ago.

A year since the Scottish independence referendum and the country seems a very different place. Jane Stockdale, a documentary photographer from Scotland who studied at the Edinburgh College of Art decided to put a zine together to “document what happened in Glasgow and Edinburgh around the time of the referendum”.

Stockdale has a background in shooting big crowds, having photographed large crowds during the Brazil World Cup in 2014 and the 2012 London Olympics.

The photographs in Yes/No came together in this format from photos that Stockdale took during the campaign, and bring across the energy on both sides.

How did making this zine come about?
It happened by accident. After the referendum I had loads of great photos of people in their element so we wanted to collaborate and create something to share that. It’s a little collaboration between myself, Warriors Studio and Workhorse Press.

What is this zine all about?
The energy and feeling on the streets during the Scottish referendum last year.

What are you trying to say with it?
I’ve never seen anything like it before in Scotland before so we wanted to create this to share that energy. We wanted it to be balanced and show both sides of the campaign. We also created ‘YES’ and ‘NO’ stamps so people can personalise their own copies.

What were the inspirations behind it?
The old man who wrote ‘OCH, AYE’ on the palms of his hands. I’d love him to have a copy.

How do you feel that Scotland has changed over the last year, and how does this fit into that?
The political landscape in Scotland and across the UK has changed so much this past year its almost hard to imagine now just how differently it felt a year ago. This zine celebrates a moment in time and the momentum and energy of everyone involved.

What is it that you like about the zine format?
I love it as its accessible and affordable. We wanted to make something for everyone. Hope you like it.

Find out more about Jane StockdaleYes/No was produced by Warriors Studio and published by Workhorse Press.


You might like

© Joan Piekny
Culture

Vintage photos of London street life at the turn of the millennium

London 1995-2005 — In her new photobook, Joan Piekny reflects on a decade shooting the styles and subcultures of the UK capital’s streets, just before technology .

Written by: Miss Rosen

Huck 83: Life Is A Journey Issue

Princess Julia: “I always state my age as I can’t believe I’m still around”

First lady — As the latest Artist-In-Residence of Huck 83, the London nightlife legend speaks to Josh Jones and provides a few recommendations and words of wisdom.

Written by: Josh Jones

Culture

A luminous portrait of Black life over six decades

Shared Memories — As staff photographer for The New York Times, Chester Higgins captured Black culture and spiritual connection like no other. A new exhibition celebrates his life and impact.

Written by: Miss Rosen

Activism

An intimate window into New York’s ’70s lesbian scene

We Others — An exhibition at The Photographer’s Gallery combines Donna Gottschalk’s unearthed photographs of LGBTQ+ activists and friends, along with Hélène Gianneccini’s written histories.

Written by: Miss Rosen

Culture

A tender portrait of life and ritual from Mexico City’s streets

Órale — For the last six years of his life, photographer, collector and designer Michel Hurst documented death rituals, street life and religious pageantry in contemporary Mexico. A new monograph showcases his work. 

Written by: Roxana Diba

© Beverly Price
Culture

In photos: Washington DC’s Black communities facing up to gentrification

A Language We Share — A new exhibition featuring the work of Beverly Price and Gordon Parks preserves historically Black neighbourhoods in the USA, before development and economic forces made them disappear.

Written by: Miss Rosen

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.