The war-torn Muslim village used as a party spot for skiers | Huck

Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

Gulmarg: the war-torn Muslim village that's become a ski spot for Westerners

The call of Kashmir — Snowboarders are flocking to a troubled corner of the Himalayas for its perfect powder, creating a culture clash between partying tourists and religious locals desperate for independence. A new documentary short explores the fallout.

Cassie de Colling was determined not to give up on Kashmir. She knew she could find a story waiting to be told.

The Australian director had come to Gulmarg, a snow-swept town in the western Himalayas, to film a not-for-profit project.

But that plan fell apart when the organiser disappeared without explanation.GULMARG_MASTER .00_09_13_24.Still018
“I had a load of camera equipment and thought, ‘I’m not leaving until I shoot something,’” says Cassie, laughing.

That’s when a chance encounter inspired a different story. While trying to capture scenic shots of Gulmarg’s skyline, a snowboarding brother and sister invited her to meet their family.

Over tea, the complexity of life in Kashmir quickly became clear.GULMARG_MASTER .00_02_09_05.Still009
Prolonged border disputes between India and Pakistan have resulted in as many as many as 70,000 deaths since 1989.

In July, the killing of a popular rebel commander triggered some of the largest protests against Indian rule in years. Kashmir has been under a security lockdown ever since.

Yet despite warnings by Western governments not to travel to Gulmarg, skiers and snowboarders from around the world are drawn to the ‘line of control’ it straddles between India and Pakistan.GULMARG_MASTER .00_08_54_05.Still017
On one side, Asia’s highest cable-car ferries tourists 13,000ft up Mount Apharwat. In the near distance, armed forces watch their every move.

That divide between civil unrest and backcountry hotspot inspired Cassie to make Gulmarg: Paradise on Earth.

As she and co-producer Tamie Wexler explain, packing that fractious mix of despair and optimism into a documentary short proved challenging.

What were your expectations going in and how did your experiences contrast with that?

Cassie: I felt like I was going to quite an uncharted place but I didn’t expect to see Westerners there drinking and partying. I expected it to be more pristine, in a sense.

That became one of the things I wanted to explore in the film: the blending of Western society into a once-undiscovered Muslim village that’s now a ski town.

Tamie: I knew it would be crazy. Luckily, Cassie painted the picture that anything goes in Kashmir. You can’t really put it into words. You just adapt by melting into the environment and learning to laugh at things that just don’t go your way.

Filmmakers Tamie Wexler and Cassie De Colling.

Filmmakers Tamie Wexler and Cassie De Colling.


You might like

Culture

Jesse Glazzard’s messy portrait of queer friends, lovers and chosen family

The Sound of Dirt and Beauty — The photographer’s debut monograph explores tender, unpolished moments shaped by the people who he surrounds himself with, while offering a window into the UK’s working-class LGBTQ+ community.

Written by: Sunny Sunday

Culture

Behind the curtain at Alternative Miss World 1981

Olympia glamour — Running a subversive take on the traditional beauty pageant, the Andrew Logan organised event prioritised underground creativity and invention. Photographer David Corio went behind the scenes at its biggest edition. 

Written by: Miss Rosen

Culture

What life on the Strait of Hormuz is really like

Southern Winds — Bandar Abbas based photographer Morteza Niknahad has been capturing the diverse communities and stories of his local region since he first picked up a camera. His new series highlights the human impact of war.

Written by: Isaac Muk

Activism

Pink Floyd’s Roger Waters joins team of new Palestinian resistance documentary

Freedom Theatre — Directed by Rishi Pelham, the film spotlights a theatre operating in the Jenin refugee camp.

Written by: Ella Glossop

Culture

Nick Haymes’s intimate portrait of his family’s life

Chronograph — Over 25 years, the photographer documented his son’s lives as they grew into adults. The resulting photobook is an exploration of the passage of time, as well as the optimism of youth.

Written by: Miss Rosen

Culture

Kristina Rozhkova’s scatty, confronting portrait of captivity

Gut Feeling — The Russian artist’s 2024 arrest and subsequent detention opened her eye towards the omnipresent dynamics of power and control. Her new photobook is a stark exploration of being trapped.

Written by: Isaac Muk

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.