Gulmarg: the war-torn Muslim village that's become a ski spot for Westerners
Cassie de Colling was determined not to give up on Kashmir. She knew she could find a story waiting to be told.
The Australian director had come to Gulmarg, a snow-swept town in the western Himalayas, to film a not-for-profit project.
But that plan fell apart when the organiser disappeared without explanation.
“I had a load of camera equipment and thought, ‘I’m not leaving until I shoot something,’” says Cassie, laughing.
That’s when a chance encounter inspired a different story. While trying to capture scenic shots of Gulmarg’s skyline, a snowboarding brother and sister invited her to meet their family.
Over tea, the complexity of life in Kashmir quickly became clear.
Prolonged border disputes between India and Pakistan have resulted in as many as many as 70,000 deaths since 1989.
In July, the killing of a popular rebel commander triggered some of the largest protests against Indian rule in years. Kashmir has been under a security lockdown ever since.
Yet despite warnings by Western governments not to travel to Gulmarg, skiers and snowboarders from around the world are drawn to the ‘line of control’ it straddles between India and Pakistan.
On one side, Asia’s highest cable-car ferries tourists 13,000ft up Mount Apharwat. In the near distance, armed forces watch their every move.
That divide between civil unrest and backcountry hotspot inspired Cassie to make Gulmarg: Paradise on Earth.
As she and co-producer Tamie Wexler explain, packing that fractious mix of despair and optimism into a documentary short proved challenging.
What were your expectations going in and how did your experiences contrast with that?
Cassie: I felt like I was going to quite an uncharted place but I didn’t expect to see Westerners there drinking and partying. I expected it to be more pristine, in a sense.
That became one of the things I wanted to explore in the film: the blending of Western society into a once-undiscovered Muslim village that’s now a ski town.
Tamie: I knew it would be crazy. Luckily, Cassie painted the picture that anything goes in Kashmir. You can’t really put it into words. You just adapt by melting into the environment and learning to laugh at things that just don’t go your way.

Filmmakers Tamie Wexler and Cassie De Colling.
You might like
Halloween in Brooklyn, photographed over 50 years
Spirits and soul — Larry Racioppo’s new book documents half a century of the October festivities in New York, while tracing the city’s ever-changing character.
Cruising on the West Side Piers, New York’s wild side
West Side Highway — In the late 20th century, the area was an if-you-know-you-know hotspot for the city’s gay scene. William Howell’s new photobook immortalises it.
Ahilya Bamroo is Gen Z India’s authentic ambassador
Reel relatable — The influencer turned actor speaks about trolls, beauty standards and youth activism.
What went down at Huck’s 20th birthday party
84 issues and counting — We took over east London’s Jaguar Shoes with friends old and new to celebrate two decades and our new issue, with Tony Bontana taking the decks for a special set.
Inside the Los Angeles scene kid revival
The Rawring ’20s — For the cover of Huck 84, photographer Alexis Gross and writer Anna Zanes meet the latest faces of scene, who are finding freedom to express themselves through its technicolour, unafraid aesthetic.
Introducing our new issue of Huck Magazine: It Starts With Us
Huck 84 — For our second 20th anniversary issue, we spotlight 20 people and groups providing the world with a hopeful future.