Photographers reveal the mysterious world of tax havens

The weird existence of the privileged one per cent — Tax havens are a secretive abyss, purpose-built to benefit multinational corps and confuse the average Joe. Paolo Woods reveals how he and Gabriele Galimberti found a way to expose the absurdity of our global economic system.

“Haiti is the poorest country in the Americas and one of the poorest in the world. I had been living there for four years when my long-time friend Gabriele Galimberti came to visit in 2012. He’d just had a really good year as a photographer but was amazed when the Italian government took over fifty per cent of his earnings. As we were in the Caribbean, he joked about moving to the Cayman Islands, just across the water, to hide his money. We realised we didn’t know anything about tax havens except the usual clichés – we had no idea how they worked. Can you just hide your money there as an average Joe? We started becoming curious.

“The general public have an impression that tax havens do illegal things, but that’s not the case. A lot of what happens can be illegal, but the vast majority is absolutely legal. It might not be moral but it is legal. This is at the heart of the way a globalised economy works. We’re all involved. You’re involved when you buy something at Ikea or Amazon, I’m involved when I open a Swiss bank account, or whatever.

“We wanted to understand how the tax haven system works, who the central people are. Nicholas Shaxson’s Treasure Islands was an invaluable resource to get us started and we’re proud to have collaborated with him on our book. Getting access to these places has been extremely difficult. You’re not dealing with gangsters or mafia kingpins like some people imagine – they’re perfectly legal business people – but they’re very conscious of the bad press the “tax optimisation industry” has received. It’s a system put in place by large multinationals for their own interests, but activists have argued it favours illegal operations, corrupt dictators and organised crime because it’s so opaque – it operates without transparency.

British Virgin Islands Finance Secretary Mr. Neil M. Smith in his office. There are more then 800,000 companies based in the BVIs but only 28,000 inhabitants.

British Virgin Islands Finance Secretary Mr. Neil M. Smith in his office. There are more then 800,000 companies based in the BVIs but only 28,000 inhabitants.

“As a photographer, I’m really interested in trying to represent things that aren’t easily visible. Three months after Gabriele’s joke in Haiti we made our first research trip to George Town in the Cayman Islands, but we didn’t know if there would be anything to photograph. Tax havens are not James Bond kind of places like we imagine. Very often they’re extremely boring and banal – grey offices with nothing really happening. Translating that into images can be difficult, so having four eyes working was much better than two. Each photograph was a collective decision.

“We decided early on not to work in the language of classic humanistic photo-reportage. Instead, the glossy brochures of the financial industry were our main reference and the book is structured like a company’s annual report. We showed the world as they wanted it to be shown – shiny, beautiful, smiley, wealthy – but we tried to add another layer of meaning. We also opened a company, The Heavens LLC, in Delaware. It’s based in the same mailbox office as Apple, Bank of America, Coca-Cola, General Electric, Google, and 285,000 other companies.

The Cayman Islands has twice as many companies based there as there are citizens. Many companies have a post office box but no office.

The Cayman Islands has twice as many companies based there as there are citizens. Many companies have a post office box but no office.

“Years ago when you went into a car factory, you knew they were producing cars there. Now, when I go into offices where thousands of people work for a financial institution, it’s complicated to understand what they’re actually producing. There is no physical money. It passes through the British Virgin Islands, the Caymans and Bermuda, but it doesn’t stop there. Humour is useful to highlight the absurdities of the system and the book is a testimony to this world and the way it works.

“One time, we were in Singapore Freeport – where enormous private fortunes are sealed away. Through legal means you can put whatever you want there and you don’t have to declare it. We were three floors underground in this hyper-secure building overflowing with billions of dollars – gold, diamonds – and one of the managers told us, “There’s more art in this place than the Uffizi museum.” These underground windowless chambers, filled with works of art from Van Gogh and Caravaggio that nobody ever sees, is a good metaphor for how opaque and secret the whole tax haven system is.

Richard J. Geisenberger (standing), Chief Deputy Secretary of State for Delaware, where more than 50% of all US publicly traded companies and 63% of the Fortune 500 are incorporated.

Richard J. Geisenberger (standing), Chief Deputy Secretary of State for Delaware, where more than 50% of all US publicly traded companies and 63% of the Fortune 500 are incorporated.

“When The Heavens premiered, the comment we got the most was ‘thank you’, like we had revealed something people didn’t realise was happening. Extraordinary books like Nicholas’  tend to be read only by the converted, but our greatest ambition was to bring other people into the conversation. Photography can be powerful in revealing complex, multi-dimensional issues like tax havens, but it has to be used in imaginative new ways. Too often photography is used in a traditional way, just pointing cameras towards the horrors of the world. That is not the only way photography can bring understanding. Photography should be employed in revealing our world, its challenges and the new ways we interact.”

The Heavens: Annual Report is published by Dewi Lewis. Grab a copy for the reduced price of £35 from the Huck shop.

To find out more, check out TheHeavensLLC.comInterview by Alex King.

This article originally appeared in Huck 52 – The Documentary Photography Special IIIGrab it in the Huck Shop now or Subscribe today to make sure you never miss another issue.


Ad

Latest on Huck

Crowd of silhouetted people at a nighttime event with colourful lighting and a bright spotlight on stage.
Music

Clubbing is good for your health, according to neuroscientists

We Become One — A new documentary explores the positive effects that dance music and shared musical experiences can have on the human brain.

Written by: Zahra Onsori

Indoor skate park with ramps, riders, and abstract architectural elements in blue, white, and black tones.
Sport

In England’s rural north, skateboarding is femme

Zine scene — A new project from visual artist Juliet Klottrup, ‘Skate Like a Lass’, spotlights the FLINTA+ collectives who are redefining what it means to be a skater.

Written by: Zahra Onsori

Black-and-white image of two men in suits, with the text "EVERYTHING IS COMPUTER" in large bright yellow letters overlaying the image.
Culture

Donald Trump says that “everything is computer” – does he have a point?

Huck’s March dispatch — As AI creeps increasingly into our daily lives and our attention spans are lost to social media content, newsletter columnist Emma Garland unpicks the US President’s eyebrow-raising turn of phrase at a White House car show.

Written by: Emma Garland

A group of people, likely children, sitting around a table surrounded by various comic books, magazines, and plates of food.
© Michael Jang
Culture

How the ’70s radicalised the landscape of photography

The ’70s Lens — Half a century ago, visionary photographers including Nan Goldin, Joel Meyerowitz and Larry Sultan pushed the envelope of what was possible in image-making, blurring the boundaries between high and low art. A new exhibition revisits the era.

Written by: Miss Rosen

Silhouette of person on horseback against orange sunset sky, with electricity pylon in foreground.
Culture

The inner-city riding club serving Newcastle’s youth

Stepney Western — Harry Lawson’s new experimental documentary sets up a Western film in the English North East, by focusing on a stables that also functions as a charity for disadvantaged young people.

Written by: Isaac Muk

Couple sitting on ground in book-filled environment
Culture

The British intimacy of ‘the afters’

Not Going Home — In 1998, photographer Mischa Haller travelled to nightclubs just as their doors were shutting and dancers streamed out onto the streets, capturing the country’s partying youth in the early morning haze.

Written by: Ella Glossop

Signup to our newsletter

Sign up to stay informed from the cutting edge of sport, music and counterculture, with personal takes on the state of media and pop culture in your inbox every month from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.