Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

How I uncovered my family’s Nigerian bread empire

Untold Black History — After the sudden passing of her grandfather, writer Chanté Joseph came to learn of her family's surprising history, and her great-great-grandfather's legacy as Nigeria's 'bread king'.

My grandfather was warm yet mysterious, in the way that all ethnic grandparents are when they carry whole lives full of secrets and stories in their weighty memories. Like many of our Caribbean elders, he was incredibly quiet about life before migrating to the UK. He was Jamaican and I was British, and he would lovingly remind me at every chance he got. 

It wasn’t so much a resistance to divulging his life story; he would always show us themed slideshows of his trips to Jamaica beaming with pride. It was more about acknowledging previous hardships and wanting a better future. However, there was always an air of mystery around his past, that came to light as so many things do – during a tragedy. 

After my grandfather’s sudden passing, my great-grandmother revealed that the tall and softly spoken man that was my great-grandfather wasn’t actually my great-grandfather at all. It was instead someone called Lloyd Algernon Shackleford – a Jamaican man with bakeries in Nigeria and Ghana. It was from that moment, my dad and I began to delve into the history of our family, and what we discovered provided a small glimpse into the alliances and affinities that exist between Black people globally. 

The story of West Indians in Nigeria is a complex one that dates back to the mid-nineteenth century. In 1872, there were 68 West Indians living in Lagos, and by 1921, there were 194 due to workers coming over to build the railways. Many West Indians did not integrate with native Nigerians but instead found community in other “non-native foreigners”. These included the Saro people, freed slaves who were taken to Sierra Leone by the British Navy and educated as missionaries, and the Amaro, freed Afro-Brazillian slaves who settled in Nigeria.

It wasn’t always a smooth return for the displaced diaspora, with many English-speaking returnees internalising damaging ideas about Africans from their colonial masters. These differences were institutionalised by the Saro people, who acted as middlemen between the colonial officials and indigenous Nigerians. A growing elite class was forming. 

Over time, as anti-colonialism sentiments brewed and people grew acutely aware of the false divides, there was a turning point, where some freed slaves denounced their European socialisation and made a concerted effort to reconnect with their roots. 

Michael Shackleford (the writer’s grandfather)

My great-great-grandfather, Amos Shackleford, was enamoured by Nigeria. He was born on December 12, 1887, in the Maroons – free communities of Africans who’d escaped from slavery and resided in the mountains of Charles Town, Jamaica. He started out working as an agent for Government Railways in Jamaica, but soon applied for a similar job in Nigeria, for a very insignificant salary difference of £32. 

Shackleford had intentions bigger than simply moving for work. The continent had an undeniable pull for him from childhood, that was thought to stem from his Maroon roots and later solidified by his interests in the teachings of Marcus Garvey, who created a ‘Back to Africa’ movement in the United States.

In her paper, A Jamaican Export To Nigeria! The Life Of Amos Stanley Wynter Shackleford, Rina Okonkwo recounts him waxing lyrical to Nigerians he’d met, saying that he’d returned to Africa “to become one of the people of his ancestral home country and [to] take part in her ‘revolution’ to reassert Negro independence and dignity”. 

While in Nigeria, he didn’t shy away from politics. He had strongly-held beliefs in anti-colonialism, but disapproval of these sentiments by colonial authorities meant there were limits to expressing them. Despite this, Nigeria had the most developed and active Garveyite groups in West Africa. 

The Lagos branch of the United Negro Improvement Association was founded by Shackleford in 1920, and was heavily populated by West Indians. The group were much more business-oriented than politically inclined. Shackleford later helped Herbert Macaulay set up the Nigerian National Democratic Party, where he served as the party’s vice president and was an ardent supporter of Nigeria’s independence.

During the 1920s depression, after training as an accountant, Shackleford left the world of business to pursue a new career in baking. His bread empire spread across Nigeria and Ghana, to the extent that the word ‘Shackleford’ was synonymous with ‘bread’ for non-English speaking Lagosians. Though bread was first introduced to Nigeria through the Brazilians, it was advancements made by West Indians that solidified its place as a staple cuisine. 

Amos Shackleford

Shackleford introduced mechanised baking through the famous dough brake machine and formed an organised independent vendor system that allowed for the wide-reaching distribution of bread. His bread would regularly be delivered to Agege in Lagos, until services were disrupted by independence. 

Soon after, Alhaji Ayokunnu set up his own bakery,  naming it ‘Agege’. Shackleford’s legacy as Nigeria’s ‘Bread King’ is immortalised by the Wheatbaker Hotel in Ikoyi Lagos which used to be his home. His request after passing was that he be laid to rest in Lagos, and his death brought together those young and old across all social classes. 

Shackleford is just one story of the many West Indians that moved to Africa to learn and reconnect with their heritage. He is a reminder to me that my politics and belief in black liberation must be an international one, beyond my own material reality in the west.

The diaspora is wonderfully different, and we should appreciate that it is important to interrogate our ideas of each other, as colonialism tried to wedge barriers between us. As Diane Abbott once tweeted: “White people love playing ‘divide & rule’ We should not play their game”.

Find out more about Black History Month 2020 by visiting their official website

Follow Chanté Joseph on Twitter

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


You might like

Culture

Clavicular isn’t interesting, really

Dreaming Small — The ‘looksmaxxer’ of the moment has garnered widespread furore over recent controversies. But newsletter columnist Emma Garland asks whether the 20-year-old influencer is actually doing anything that new, and what his rise says about modern turbo-nostalgia’s internet dominance.

Written by: Emma Garland

© Charles Williams (1908-1986)
Culture

Historic photographs from the heyday of the Black press

Black Photojournalism — A new book immortalises the work of 57 Black photographers reporting in the mid-20th century for Black newspapers and magazines. Covering the Civil Rights Movement, Jesse Jackson and more, the pictures are part history, part art.

Written by: Miss Rosen

The Outsiders Project

What went down at the London screening of STEPS: Deo Kato’s Run for Justice

Cape Town to Shoreditch — Taking place at Rich Mix, the evening featured a Q&A with the runner himself and Huck’s Phil Young, as well as plenty of community connection.

Written by: Ella Glossop

Sport

Imprisonment, illness, internal strife: Deo Kato’s mammoth run for justice

STEPS — Spanning 17 months, 21 countries and two continents, the Ugandan born athlete ran from Cape Town to London to raise awareness of racism and migration stories, while trying to find his own place in the world. A new film explores his obstacle-filled path and what he learned along the way.

Written by: Olivia Fee

Black and white portrait of woman wearing patterned headwrap and jewellery, arms crossed, resting chin on hands.
Culture

Seydou Keïta’s illuminating portraits of life in Mali

A Tactile Lens — In the 20th century, the photographer built a huge archive of tens of thousands of pictures, documenting people and lives in the newly independent country. A new exhibition and catalogue dives into his work.

Written by: Miss Rosen

Bold red text reading "SKATE PUNKS" in graffiti-style lettering on weathered black surface with brown rust patches and scratches.
Huck 82: The Music Issue

How skateboarding and punk combined to create a radical, rebellious movement

Don’t forget the streets — The sport’s intersectional romance with subcultures and their music can be a complicated maze. The deeper into the labyrinth, the more inextricable the two forces appear to be.

Written by: Cullen Poythress

Huck is supported by our readers, subscribers and Club Huck members.

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.