In Photos: Santa Clauses came to town
- Text by Ben Smoke
- Photography by Theo McInnes
“What do we want?”
”Christmas!”
”When do we want it?”
”Now!”
It’s early when Huck photographer Theo McInnes arrives at the Leake St tunnel next to London’s Waterloo station. Also known as ‘Banksy Tunnel’, the road tunnel close to the River Thames is famous as one of the few places in the city where graffiti is legal. Its walls are a vibrant, ever changing mural to the creativity and chaos of the metropolis. It is, then, the perfect starting place for this year’s SantaCon event.
This auspicious gathering of ‘Santae’ found it’s beginnings in Denmark in 1974 where activist theatre group Solvognen gathered dozens of Santa to hand out items from the shelves of a department store in Copenhagen as “presents” before being arrested. The prank was designed to make fun of Christmas and the consumerism that had consumed (get it) the holiday.
Inspired by an article on the action people came together in San Francisco in 1994 in an event dubbed “Santarchy” which was influenced by the Surrealist movement ‘Discordianism’. Though not intended to be a recurrent event, 100 participants gathered in the city in 1995 and the movement was born.
Now, almost 30 years on, SantaCon events are held in hundreds of cities across the world.
“It was basically about 300 Santas on a giant pub crawl, with chants and music,” McInnes recalls. “Every passer- by smiled when they saw the chaotic group approach. They handed out sweets to kids as they passed, it was very good vibes!”
After assembling in the tunnel the Santas then descended on local pubs, following the route of the river, crossing the iconic Tower Bridge to get the tube to temple before ending the day at Trafalgar Square.
“I was surprised how it stayed together to be honest, there were some Santas who would chant ‘ho ho ho, Santas gotta go’ which would mean the next location,” says McInnes of the organisation of the day. “ Each location was a pub with a big outside area. As the day went on and the Santas had more to drink it did start to break up a bit. Some Santas might have had a few too many though and had to peel off early!”
Follow Theo McInnes on Instagram.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Support stories like this by becoming a member of Club Huck.
You might like
The last days of St Agnes Place, London’s longest ever running squat
Off the grid — Photographer Janine Wiedel spent four years documenting the people of the Kennington squat, who for decades made a forgotten row of terraced houses a home.
Written by: Isaac Muk
How Japan revolutionised art & photography in the ’60s and ’70s
From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.
Written by: Miss Rosen
Artifaxing: “We’ve become so addicted to these supercomputers in our hands”
Framing the future — Predominantly publishing on Instagram and X, the account is one of social media’s most prominent archiving pages. We caught up with the mysterious figure behind it to chat about the internet’s past, present and future, finding inspiration and art in the age of AI.
Written by: Isaac Muk
The lacerating catharsis of body suspension in Hong Kong
Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.
Written by: Sophie Liu
What we’re excited for at SXSW 2026
Austin 40 — For the festival’s 40th anniversary edition, we are heading to Texas to join one of the biggest global meetups of the year. We’ve selected a few things to highlight on your schedules.
Written by: Huck
In photos: The boys of the Bibby Stockholm
Bibby Boys — A new exhibition by Theo McInnes and Thomas Ralph documents the men who lived on the three-story barge in Dorset, giving them the chance to control their own narrative.
Written by: Thomas Ralph