Inside the bedrooms of Georgia’s new generation

My place — Photographer Dina Oganova steps into the homes of young Georgians, capturing the as they make a life in the country’s transitional, post-Soviet landscape.

If you ask most people where Georgia is, the first answer is likely to be the US state – not the small South Caucasus country of four million. Since it gained independence following the collapse of the Soviet Union in 1991, Georgia has experienced a turbulent two decades, including civil war and a short but brutal conflict which contributed to the loss of 20 per cent of its internationally recognised territory.

This was the environment that photographer Dina Oganova grew up in. In her project My Place, Oganova captures the faces of the new generation, who, like her, represent the first independent generation of Georgia.

Oganova’s introduction to photography came early on. She describes how each summer she would travel with her Mom to Borjomi, a town not far from the capital Tbilisi. During their stay, the pair rented a room in a photographer’s house. Working as a portrait photographer in the local park during the day, the photographer would return each evening and disappear into his darkroom.

“I was a terrible kid,” says Oganova, “mostly playing with toy guns and cars, and football with boys. The photographer told me I could play anywhere I liked; anywhere except the darkroom.” Of course, this only spurred her curiosity. Oganova soon forgot about her friends, and each evening she’d sit outside the darkroom eagerly awaiting the photographer’s return.

It was on her last day that Oganova finally got to see inside the “magical” red light room. “I’ll never forget the moment I saw pictures developing for the first time,” she recalls. Before they left, the photographer gave her an old Soviet camera – but shortly after, the war broke out and the camera was forgotten about.

Her interest was rekindled only years later, when, after studying economics at university, Oganova met her first photography teacher Yuri Mechitov. Crazy about movies, she had grown up with dreams of becoming a film director, and Mechitov was a good friend and private photographer of famous film director Sergey Paradjanov.“I was mainly shooting for myself, but with Yuri’s help, I began taking photos for people,” she tells Huck.

“The language of photography is very powerful in this internet era. I started to talk about my country first, where I was born and raised. Although it’s a small country with a population of just four million, it’s a country with a big heart. I want people to know that this is not a state in the USA, it’s a little independent country – or as we call it ‘Sakartvelo.’”

Oganova began photographing her friends in their rooms in 2011. Like the darkroom in her childhood, she was drawn to these hidden places you don’t usually get to see. Titled My Place, the people she photographs represent the first independent generation of Georgia, one that Oganova believes is “the most important generation for my country’s future.”

“I would love for people to get to know more about this little European country, and the new generation’s choice of being free from the empire of our neighbour Russia,” she says. “Now, when people ask me who are all these people in the photos? It’s so hard to answer. They are all my friends first of all, and also very important people.”

See more of Dina’s work on her official website

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


You might like

Colourful collage of album covers and record sleeves on display in a gallery or museum setting, with glass panels on either side reflecting the vibrant arrangement.
Culture

Largest-Ever Display of UK AIDS Memorial Quilt Opens at Tate Modern

Grief Made Visible: Comprising hundreds of panels made by lovers, friends and chosen family, the UK AIDS Memorial Quilt returns in full for the first time since 1994 – a testament to grief, friendship and the ongoing fight against HIV stigma.

Written by: Ella Glossop

Rustic footbridge across a river, with people crossing it on a sunny day. Warm tones and shadows suggest an outdoor, natural setting.
Sport

In Medellín’s alleys and side streets, football’s founding spirit shines

Street Spirit — Granted two weeks of unfettered access, photographer Tom Ringsby captures the warmth and DIY essence of the Colombian city’s grassroots street football scene.

Written by: Isaac Muk

Diverse group of people with various expressions and styles, surrounded by bold text and graphics in dark colours.
Culture

Remembering New York’s ’90s gay scene via its vibrant nightclub flyers

Getting In — After coming out in his 20s, David Kennerley became a fixture on the city’s queer scene, while pocketing invites that he picked up along the way. His latest book dives into his rich archive.

Written by: Miss Rosen

Black and white image of several people in suits, some with long hair and unconventional appearances, alongside a large ship or boat model. Text overlaid: "FREAKS AND FINANCES".
Culture

On Alexander Skarsgård’s trousers, The Rehearsal, and the importance of weirdos

Freaks and Finances — In the May edition of our monthly culture newsletter, columnist Emma Garland reflects on the Swedish actor’s Cannes look, Nathan Fielder’s wild ambition, and Jafaican.

Written by: Emma Garland

A collage depicting a giant flup for mankind, with an image of the Earth surrounded by planets and people in sci-fi costumes.
Culture

Why Katy Perry’s space flight was one giant flop for mankind

Galactic girlbossing — In a widely-panned, 11-minute trip to the edge of the earth’s atmosphere, the ‘Women’s World’ singer joined an all-female space crew in an expensive vanity advert for Jeff Bezos’ Blue Origin. Newsletter columnist Emma Garland explains its apocalypse indicating signs.

Written by: Emma Garland

Huck 79

We are all Mia Khalifa

How humour, therapy and community help Huck's latest cover star control her narrative.

Written by: Alya Mooro

Huck is supported by our readers, subscribers and Club Huck members. It is also made possible by sponsorship from:

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.