Hedonistic photos of club nights around the world in the 90s and 00s

“We wanted to do club photography like it was war photography.”

Back in 1997, Jason Man­ning start­ed pho­tograph­ing live­ly events like gay pride on Clapham Com­mon in South Lon­don. It was com­prised of peo­ple of all sorts and I think I was quite moved by the inclu­siv­i­ty of it all,” he remem­bers. Lon­don was, to a greater or less­er extent, like a nev­er-end­ing par­ty. There was always some­thing to attend.”

Inspired by the work of lumi­nar­ies like Gar­ry Wino­grand and Lar­ry Fink, Man­ning start­ed build­ing a port­fo­lio to secure work as a pho­to­jour­nal­ist. As fate would have it, his friends had just launched the post-drug cul­ture” mag­a­zine and style bible Sleazena­tion, and need­ed a nightlife pho­tog­ra­ph­er to take their club list­ings sec­tion to the next level.

We didn’t want to be Mix­mag, we want­ed to be Nation­al Geo­graph­ic,” said Tris­tan Stan Fontan” Dell­away, Sleazena­tions first art direc­tor. We want­ed to do club pho­tog­ra­phy like it was war photography.”

Corsica Studios in the 2000s, London, UK

Man­ning was just the man for the job. Over a ten-year peri­od, he trav­eled the globe chron­i­cling inti­mate scenes of intox­i­ca­tion, plea­sure and release at a time when many clubs main­tained a strict no pho­tos” policy. 

I would often be the only per­son in the place with a cam­era,” Man­ning says. Most peo­ple were fine about being shot but not always and that was okay with me. I was look­ing for rar­i­fied moments and that informed the choic­es I made. Some­times the most inter­est­ing peo­ple or sit­u­a­tions were also the most dif­fi­cult to nego­ti­ate. In those sit­u­a­tions, the urgent need to get the shot ulti­mate­ly dri­ves the whole thing and I think most peo­ple respect­ed my motivations.”

Top to bottom: Boy George's birthday at Portland Place (London, UK, 2001) The FACE Magazine Christmas Party (London, UK, 1999) Manumission Motel (Ibiza, 2000) Club Mink at The Aquarium (London, UK, 1998)

With the open­ing of his new exhi­bi­tion Night by Night at Leben­son Gallery in Paris on April 28th, Man­ning revis­it­ed this sem­i­nal era of club cul­ture in over 20 cities around the world at the turn of the mil­len­ni­um. From Ibiza to Helsin­ki, Moscow to Seoul, Man­ning chron­i­cled scenes of hedo­nis­tic bliss and escape, craft­ing an exquis­ite archive of nightlife his­to­ry that only becomes more res­o­nant with the pas­sage of time.

The clubs I fre­quent­ed offered a kind of refuge from the rav­ages and mun­dan­i­ty of every­day life,” Man­ning recalls. I saw them as fic­tion­al spaces with a colour­ful cast of char­ac­ters that by and large wel­comed all com­ers. There was def­i­nite­ly a sense that any­thing goes’ which was indica­tive of the inclu­siv­i­ty that was cel­e­brat­ed in these places.”

Top to bottom: Future Rock ’n’ Roll at The ICA (London, UK, 2002) Agent Provocateur at The New Connaught Rooms (London, UK, 2000)

To cap­ture the ener­gy of the scene, Man­ning stayed late, tak­ing it all in, not mak­ing any pic­tures until the night was at its peak. Put sim­ply, when peo­ple attain a cer­tain lev­el of ine­bri­a­tion, they tend to make bet­ter sub­jects,” he says. I also found that if I attained a cer­tain lev­el of ine­bri­a­tion then the whole exer­cise took on a kind of flu­id­i­ty, a choreography.”

After redis­cov­er­ing these images in 2020, Man­ning recon­nect­ed with a for­got­ten chap­ter of his past. Remem­ber­ing things hav­ing been prompt­ed by a pho­to­graph is a ten­der way of rem­i­nisc­ing and some of the result­ing evo­ca­tions have been strange­ly detailed,” he says. It’s been quite a mys­te­ri­ous process. Some­times it’s like look­ing at some­one else’s work.”

All pho­tos by Jason Man­ning, cour­tesy of GALLERY46 and NIGHT­BYNIGHT Agency.

Jason Man­ning: Night by Night will be on view April 28 – May 14, 2023 at Leben­son Gallery in Paris.

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