Over the bank holiday weekend, Notting Hill Carnival returned to the streets of West London after a two-year hiatus due to Covid-19. Thousands of people packed the street for the two-day event dressed in kaleidoscope costumes to match the 50,000 performers. The event – which emerged after the racist killing of the Antiguan carpenter Kelso Cochrane in 1959 – has grown to become the second-biggest carnival in the world, after the one held in Rio de Janeiro.
“Notting Hill Carnival means a lot to me because of the traditions and many years of fun,” one attendee, Christine, told Huck. “Thinking that carnival might not come back was a sad thought, but yesterday seeing so many friendly and beautiful people was magical.”
Another attendee, Harry, who plays at the event as part of the steel pan band Hype Mas, shared his thoughts on Carnival’s return. “I’ve missed the costume, the vibes, the energy… everything. I’ve been doing six years,” he said, “and I’ll keeping doing this every year until I’m old and grey!”
The weekend kicked off with the UK National Panorama Steelband Competition at Emslie Horniman’s Pleasance Park, which saw Ebony Steelband secure its 23rd win. Later in the day, there was time for reflection, with a 72-second silence to honour the 72 victims of the Grenfell Tower fire. Another silence was held on Sunday at the same time. The blaze destroyed Grenfell Tower on 14 June 2017, claiming the lives of 72 residents.
Speaking to the crowd through a microphone, Grenfell survivor Zoe Dainton said: “June the 14th of this year marked five years since the fire. Five years and still no justice, still no charges, not much change.”
Photographer Humothy attended the two-day event to capture Carnival’s much-anticipated return.






Follow Humothy on Instagram.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like

Analogue Appreciation: Joe Armon-Jones
All The Quiet (Part II) — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, it’s keyboardist, producer and Ezra Collective member Joe Armon-Jones.
Written by: Joe Armon-Jones

Largest-Ever Display of UK AIDS Memorial Quilt Opens at Tate Modern
Grief Made Visible — Comprising hundreds of panels made by lovers, friends and chosen family, the UK AIDS Memorial Quilt returns in full for the first time since 1994 – a testament to grief, friendship and the ongoing fight against HIV stigma.
Written by: Ella Glossop

In Medellín’s alleys and side streets, football’s founding spirit shines
Street Spirit — Granted two weeks of unfettered access, photographer Tom Ringsby captures the warmth and DIY essence of the Colombian city’s grassroots street football scene.
Written by: Isaac Muk

Remembering New York’s ’90s gay scene via its vibrant nightclub flyers
Getting In — After coming out in his 20s, David Kennerley became a fixture on the city’s queer scene, while pocketing invites that he picked up along the way. His latest book dives into his rich archive.
Written by: Miss Rosen

A reading of the names of children killed in Gaza lasts over 18 hours
Choose Love — The vigil was held outside of the UK’s Houses of Parliament, with the likes of Steve Coogan, Chris O’Dowd, Nadhia Sawalha and Misan Harriman taking part.
Written by: Isaac Muk

We are all Mia Khalifa
How humour, therapy and community help Huck's latest cover star control her narrative.
Written by: Alya Mooro