Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

Is London falling victim to cultural cleansing?

Even chicken shops look quaint amid the vintage boutiques. — As the housing crisis deepens, and tower blocks keep rising for the transnational rich, Michael Fordham ponders London's cultural loss.

It’s expensive to live in London. No shit Sherlock. It has always been. But now it’s ridiculous. Parts of town that used to be rat infested backwaters populated by a generations deep communities are now vapid, millionaires’ ghettos. Just look at Shoreditch. It was always a dark, greasy corner of town avoided by anyone but souped-up city boys and other glorious lowlife ranging from strippers and market-traders flogging snide gear to hod-wielding day labourers and full-English greasers.

Now amid the vintage boutiques even the chicken joints seem quaint, evocative of a time when real people, real cultures, made the place their home. The entire expanse from the edges of The City to Vicky Park and up to the Lea Cut is punctuated by a pox of postmodernist towers most of which are prefabricated in Malaysia and designed to maximise yield x square footage. Their marketing hoardings feature badly rendered vector graphics desperate to hawk a lifestyle that involves a well-heeled generation of flat white drinkers. Yes – these luxury gaffs are targeted at a mythical population that hardly even exists — the sort of folk who can afford £18K for a year-long masters degree program at SOAS whilst daddy sinks the yield from his derivatives into the property they occupy. Don’t believe the hype. Let’s all move to Romford.

Just take a look up City Road (we used to call it Shitty Road) the thoroughfare that links tech-boom ground zero at Old Street roundabout to the once-genteel Angel — and see the towering hulks of lifestyle-marketed tower blocks with pokey two-bedroom flats going for a £750K a pop. Two thirds of them are left empty, accruing value for the landlord as the hours tick by. What’s the point in going to the hassle of renting it out when it will make you £100K a year just sitting there?

It used to be that the skint parts of London and the new Londoners that went to live there radiated outward toward the suburbs, generation upon generation. The Irish, the Huguenot Diddycoys, the Jews, the Indians, the Bengalis and most lately the Eastern Europeans – have come and gone and laid their own traces. Each generation left an indelible mark – and the textures that remain create London’s careworn patina. Each culture made a better life for themselves — moved out to the suburbs but never forgot the streets that nurtured them. This is the process that made the city what it was: the first — and last — megalopolis rooted in tenets of good ole’ modernity.

It’s an insidious new breed — the transnational rich — that are turning up and ruining your manor. The locals disappear. The poor people are forced out to new towns on the periphery — and Japanese canteens and craft ale houses spring up like cankers to service this new population — very few of which will actually end up staying for more than a single economic cycle. What happens to these new businesses when these drifters of High Net Worth grow up and get a real life?

When recently a community of Stratford mums decided to occupy their council block — the one that the local authority insisted it needed to sell off to developers for yet another tranche of cultural cleansing — it was clear that the battle they were fighting was for the simple right to live.

Their struggle — and the challenge for anyone who wants to retain a foothold in any of London’s embattled neighbourhoods is no longer about race, colour or creed. It’s no less than a fight to sustain London’s deep, rich textures.


You might like

© Mads Nissen
Activism

A stark, confronting window into the global cocaine trade

Sangre Blanca — Mads Nissen’s new book is a close-up look at various stages of the drug’s journey, from production to consumption, and the violence that follows wherever it goes.

Written by: Isaac Muk

Activism

Venice Biennale will not award artists from Israel & Russia due to war crime accusations

Art Not Genocide — Both countries will still be allowed to exhibit work at their respective pavilions, but be excluded from judging considerations, as they have leaders facing arrest warrants issued by the International Criminal Court.

Written by: Noah Petersons

Activism

Confronting America’s history of violence against student protest

Through A Mirror, Darkly — In May 1970, two separate massacres at American college campuses saw deaths at the hands of the state. Naeem Mohaiemen’s new three-channel film memorialises the brutality. 

Written by: Miss Rosen

Activism

Kneecap, Brian Eno, Erika de Casier sign Eurovision boycott letter protesting Israel’s involvement

No Music For Genocide — It calls upon the European Broadcasting Union to ban Israel from the upcoming competition, which is set to take place in Vienna between May 12 and May 14. Other signatories include Massive Attack, Hot Chip and Nadine Shah.

Written by: Sydney Lobe

Activism

“Madness can be overcome”: Robert Del Naja releases statement after Palestine Action arrest

“Small price to pay” — The Massive Attack frontman was one of more than 500 people detained on Saturday on suspicion of supporting Palestine Action, a group that has been banned under the Terrorism Act 2000 by the UK government.

Written by: Ella Glossop

Activism

Defiant photos of New York’s ’80s & ’90s queer activists

Arresting Images — Dona Ann McAdams’ photographs document the AIDS crisis, lesbian organising and civil disobedience from one of the most fraught eras in American LGBTQ+ history. A sale of her archive takes place later this month.

Written by: Sydney Lobe

Huck is supported by our readers, subscribers and Club Huck members.

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.