Hailing from Flatbush, Brooklyn, photographer Marcia Bricker Halperin grew up in the neighbourhood back when it was a predominantly Jewish-Italian-Irish enclave. Like Eugène Atget, who chronicled the changing landscape of early 20th century Paris, Halperin decided to photograph the world she knew best reflected in the storefront windows lining Kings Highway, a popular shopping thoroughfare.
While photographing “The Highway” in February 1975, the bitter winter temperatures became entirely too much. Seeking sanctuary, Bricker stepped through the revolving doors of Dubrow’s Cafeteria – and suddenly found herself in Wonderland.
Built during the heyday of Automats, Dubrow’s was a throwback to a golden age that was slowly fading away. The expansive restaurant glittered like crystal ball; the mirrors lining the walls added a touch of grandeur while the water fountain set against a mosaic tile wall was positively theatrical.
Needless to say, the elderly Jewish clientele held their own within this spectacular backdrop. Over the din of conversation and the clinking of silverware, Halperin saw a cast of characters ready for their close-up. Between the leopard print, blonde bouffants, three-piece suits, fedoras, and cigars, Halperin had struck gold.