Morgan Maassen
- Text by Shelley Jones
- Photography by Zoriah Miller
To celebrate Huck 46: The Documentary Photography Special II, our annual celebration of visual storytelling, we are having a Huck website takeover – Shoot Your World – dedicated to the personal stories behind the photographs we love.
In this regular series, The Photo That Shaped Me, we ask photographers to choose a photo taken by someone else that’s had the greatest impact on their career, and share the story behind what that shot means to them.
Second up is ethereal surf shooter Morgan Maassen, who chose a photo by roving documentarian Zoriah Miller, shot in the aftermath of the 2010 Haitian earthquake.
The Photo That Shaped Me
By Morgan Maassen
“This photo, taken by photojournalist Zoriah [Miller] in the aftermath of the 2010 Haitian earthquake, has had a incredible impact me. [Boston Globe Editor] Alan Taylor posted it in a gallery of the earthquake’s damage to the Boston Globe’s Big Picture (now the Atlantic’s In Focus), and it floored me.
At that point, I had been shooting photos for a bit more than a year, and was just merrily goofing around my day-to-day life with cameras in hand. I had never studied photography, of the past or present, and was incredibly aloof to how profound a photo could be. I analysed this photo for a long time: on the surface level, the technical and artistic qualities really spoke to me. But beyond that, comprehending the story it was a part of, the sliver of time it preserved… that’s when I realised what power a photo could garner.
In the years since, I’ve thrown all of my weight into my own photography, and am very fortunate to travel the globe shooting anything that captures my eye. In my photography and adventurous lifestyle, this photo has consistently cemented itself as both a beacon of perfection, and moral compass. I hope to one day take photos that evoke such emotion, such feelings, that transport people not to fantasy lands, but into real places and real lives.”
You might like
The last days of St Agnes Place, London’s longest ever running squat
Off the grid — Photographer Janine Wiedel spent four years documenting the people of the Kennington squat, who for decades made a forgotten row of terraced houses a home.
Written by: Isaac Muk
How Japan revolutionised art & photography in the ’60s and ’70s
From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.
Written by: Miss Rosen
Artifaxing: “We’ve become so addicted to these supercomputers in our hands”
Framing the future — Predominantly publishing on Instagram and X, the account is one of social media’s most prominent archiving pages. We caught up with the mysterious figure behind it to chat about the internet’s past, present and future, finding inspiration and art in the age of AI.
Written by: Isaac Muk
The lacerating catharsis of body suspension in Hong Kong
Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.
Written by: Sophie Liu
What we’re excited for at SXSW 2026
Austin 40 — For the festival’s 40th anniversary edition, we are heading to Texas to join one of the biggest global meetups of the year. We’ve selected a few things to highlight on your schedules.
Written by: Huck
In photos: The boys of the Bibby Stockholm
Bibby Boys — A new exhibition by Theo McInnes and Thomas Ralph documents the men who lived on the three-story barge in Dorset, giving them the chance to control their own narrative.
Written by: Thomas Ralph