Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

New York’s turbulent and chaotic year, in photos

Remembering 2020 — When Jordan Gale moved to NYC, within two weeks, he found himself at the epicentre of a pandemic. It was through photography that he discovered a way to cope with the death and devastation sweeping the city.

Hailing from Iowa, America’s Heartland, Jordan Gale remembers coming to a turning point. “Once I had the thought, ‘Okay, I’m a photographer,’ moving to New York seemed like the next step. For a few years, I toyed with that move, but was always too scared to pull the trigger.”

After spending 2019 on the U.S. Presidential campaign trail, Gale decided it was time. “I put everything I owned into my car and drove 16 hours east to my friend’s apartment in Brooklyn,” he says. “I had an ear-to-ear grin as I was stuck in traffic going through the Holland Tunnel. It was exhilarating and I was proud of myself. It was one of the few life decisions I’ve felt confident about making.”

Gale arrived in February 2020 – just weeks before New York became the global epicentre of the Covid-19 pandemic. “At the beginning, there weren’t many visible signs of the crisis yet,” he remembers. “I would drive through midtown and be in awe of the empty streets. You wouldn’t see a single person.”

Then, on April 6, everything changed when Gale walked by the Brooklyn Hospital Center. “I turned a corner and was on the opposite side of a thinly veiled chain link fence, separating myself from medical staff in hazmat suits loading a freezer truck with white body bags. I was petrified,” he recalls. 

“It took me a minute to realise there was a woman standing behind me the whole time. She clutched a rosary and tears soaked the top half of her mask as she cried. We both stayed there staring for what felt like an eternity. It was just body bag after body bag.”

Shook by the experience, Gale tucked himself away. Unemployed, he drank excessively, growing increasingly depressed, until he found salvation through photography. “Making these pictures became a reason to get up each morning,” he says. “It taught me how to manoeuvre through this pandemic.”

In his new book, A Change in Weather, Gale revisits a year most of us would prefer to forget, reminding us of the vital importance of a creating a collective history that honours the memories and feelings we may struggle to speak of. 

In May, the killing of George Floyd became a watershed moment for the rage, pain, and grief mounting in the face of systemic racism and malignant neglect. “It was disturbing to watch the nation’s largest police force treat the people they swore to protect as enemies—the press, medics, protestors. It really conjured up questions about our nation’s racial inequalities and injustices,” Gales says.

In the midst of a massive wave of white flight, Gale has stayed put. “As New York cases started to drop slightly, cases across America rose. It became apparent that no one was escaping this virus,” he says.

“I think most people are going to come out of this pandemic a different person. I just hope that when we make it through this together. Maybe we can all make a small gesture to tackle other issues that have been ignored for too long as well.”

Follow Miss Rosen on Twitter.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter

 


You might like

Activism

The last days of St Agnes Place, London’s longest ever running squat

Off the grid — Photographer Janine Wiedel spent four years documenting the people of the Kennington squat, who for decades made a forgotten row of terraced houses a home.

Written by: Isaac Muk

© Mitsutoshi Hanaga. Courtesy of Mitsutoshi Hanaga Project Committee
Culture

How Japan revolutionised art & photography in the ’60s and ’70s

From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.

Written by: Miss Rosen

Culture

Artifaxing: “We’ve become so addicted to these supercomputers in our hands”

Framing the future — Predominantly publishing on Instagram and X, the account is one of social media’s most prominent archiving pages. We caught up with the mysterious figure behind it to chat about the internet’s past, present and future, finding inspiration and art in the age of AI.

Written by: Isaac Muk

Culture

The lacerating catharsis of body suspension in Hong Kong

Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.

Written by: Sophie Liu

Culture

What we’re excited for at SXSW 2026

Austin 40 — For the festival’s 40th anniversary edition, we are heading to Texas to join one of the biggest global meetups of the year. We’ve selected a few things to highlight on your schedules.

Written by: Huck

Activism

In photos: The boys of the Bibby Stockholm

Bibby Boys — A new exhibition by Theo McInnes and Thomas Ralph documents the men who lived on the three-story barge in Dorset, giving them the chance to control their own narrative. 

Written by: Thomas Ralph

Huck is supported by our readers, subscribers and Club Huck members.

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.