New York’s turbulent and chaotic year, in photos
- Text by Miss Rosen
- Photography by Jordan Gale
Hailing from Iowa, America’s Heartland, Jordan Gale remembers coming to a turning point. “Once I had the thought, ‘Okay, I’m a photographer,’ moving to New York seemed like the next step. For a few years, I toyed with that move, but was always too scared to pull the trigger.”
After spending 2019 on the U.S. Presidential campaign trail, Gale decided it was time. “I put everything I owned into my car and drove 16 hours east to my friend’s apartment in Brooklyn,” he says. “I had an ear-to-ear grin as I was stuck in traffic going through the Holland Tunnel. It was exhilarating and I was proud of myself. It was one of the few life decisions I’ve felt confident about making.”
Gale arrived in February 2020 – just weeks before New York became the global epicentre of the Covid-19 pandemic. “At the beginning, there weren’t many visible signs of the crisis yet,” he remembers. “I would drive through midtown and be in awe of the empty streets. You wouldn’t see a single person.”
Then, on April 6, everything changed when Gale walked by the Brooklyn Hospital Center. “I turned a corner and was on the opposite side of a thinly veiled chain link fence, separating myself from medical staff in hazmat suits loading a freezer truck with white body bags. I was petrified,” he recalls.
“It took me a minute to realise there was a woman standing behind me the whole time. She clutched a rosary and tears soaked the top half of her mask as she cried. We both stayed there staring for what felt like an eternity. It was just body bag after body bag.”
Shook by the experience, Gale tucked himself away. Unemployed, he drank excessively, growing increasingly depressed, until he found salvation through photography. “Making these pictures became a reason to get up each morning,” he says. “It taught me how to manoeuvre through this pandemic.”
In his new book, A Change in Weather, Gale revisits a year most of us would prefer to forget, reminding us of the vital importance of a creating a collective history that honours the memories and feelings we may struggle to speak of.
In May, the killing of George Floyd became a watershed moment for the rage, pain, and grief mounting in the face of systemic racism and malignant neglect. “It was disturbing to watch the nation’s largest police force treat the people they swore to protect as enemies—the press, medics, protestors. It really conjured up questions about our nation’s racial inequalities and injustices,” Gales says.
In the midst of a massive wave of white flight, Gale has stayed put. “As New York cases started to drop slightly, cases across America rose. It became apparent that no one was escaping this virus,” he says.
“I think most people are going to come out of this pandemic a different person. I just hope that when we make it through this together. Maybe we can all make a small gesture to tackle other issues that have been ignored for too long as well.”
Follow Miss Rosen on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
In photos: The gritty golden age of the UK’s skateboarding scene
Elsewhere — A new book from Science Vs. Life founder Neil Macdonald explores the characters, photographs and ephemera that defined the sport in the ’80s and ’90s, just before the internet and commercialisation changed it forever.
Written by: Isaac Muk
The London passport picture studio that became an unexpected repository of 20th century stars
Passport Photo Service — From Mick and Bianca Jagger to Muhammad Ali and Poly Styrene, the unassuming Oxford Street store was frequented by hundreds of musicians, actors, artists and more over its 70 years of operation.
Written by: Miss Rosen
Sophie Green’s maximalist, technicolour vision of Britain’s fringes
Tangerine Dreams — The photographer has spent over a decade documenting the rituals, subcultures and social gatherings that form the collaged fabric of the UK’s society. A new exhibition at the Martin Parr Foundation celebrates her work and the communities she captures.
Written by: Roxana Diba
When the Chelsea Hotel was New York’s countercultural epicentre
Closed doors, open minds — Albert Scopin’s new photobook collects photographs that were once thought to be lost, documenting the city’s creative scene that gathered during the building’s 1969 to 1971 heyday.
Written by: Miss Rosen
Glasgow’s Calabash is the restaurant the African diaspora call home
Home Cooking — Having been open in the heart of the city for 15 years, the Kenyan rooted eatery has become a community staple for migrants and Scottish-born locals alike.
Written by: Lisa Maru
Andrea Modica’s 40 year long Italian Story
Storia — The Italian American photographer first ventured to her ancestral country in 1987, beginning a decades long exploration and documentation of it.
Written by: Miss Rosen