Palestinian immigrants reflect on life outside of the country

Home away from home — In a new photography project, Palestinian artist Taysir Batniji meets families who have left their homeland behind to start a new life in the US.

With some 69 million refugees living in the world today, immigration is an inescapable issue. But for Palestinian French artist Taysir Batniji, the subject is personal.

Born in Gaza in 1966, just a few months before the 1967 war and Israeli occupation, Batniji pursued an education in art against the will of his parents. In 1995, he moved to France to study art, and divided his time between his homeland and adopted nation until 2006, when it became impossible for him to return home.

No longer able to visit, Batniji began to reflect on the state of “between-ness” that has become a central feature in his life. We rarely think of the issues faced by those in the zero-generation, the first to arrive, whose birthright does not reflect their current situation. Batniji decided to explore the subjects of identity, exile, displacement, and mobility as experienced by six of his cousins who left Palestine for the United States.

In Home Away From Home (Aperture), Batniji travelled to Florida and California to see what everyday life was like for his American cousins and how they have adapted to a land and a culture so far from home. In a series of photography, interviews, and sketches from memory of the family homestead in Gaza, Batniji delves into the complex relationship between the present and the past, and the ways in which identity becomes an ever-evolving mechanism of self-preservation.

“Place is an element of an idea that occupies an important place in my work,” Batniji explains. “The collective experience of Palestinians has been marked by mass displacement of people.”

“I was always changing places – I didn’t stay in the same place for more than six years. I became a citizen in France, and now have a fixed place where I live and work. Even though I missed my country to pursue my studies and work as an artist, the idea was always there to go back. I tried three times but it is impossible to do this.”

“When you leave your homeland, you become homeless – even if you find a place somewhere else to start a new life. You still have a connection to home, but also this new situation, and you are in between two cultures. You cannot cut totally with your roots and you are not totally assimilated into the new place where you live.”

Home Away From Home presents the lives of Batniji’s cousins as they live today, showing very distinct sides of the nation. His cousin Ahmed Batniji arrived in the States in 1983, married a Moroccan woman, and had three children. They live in a gated community in West Palm Beach, and work in a deli grocery store in a mostly African American neighbourhood called North Tamarind.

His second cousin featured in the book, Dr. Kamal Batniji, married a Jordanian woman and arrived in the States in 1968. Together they have five children and live in a beautiful home in Newport Beach, California – the classic American immigrant success story. Yet in the house, there are unexpected displays, like framed photos of the couple with Barbara and George H.W. Bush, as well as a campaign hat for Reagan and Bush in 1984.

His third cousin, Dr. Sobhi Batniji, and his Palestinian wife, left Gaza in 1967 before arriving in California in 1981. They now live in Lagina Niguel, California, and are among the oldest people featured in Home Away From Home.

I was 12 years old when the ‘Palestinian Problem’ began,” Dr. Sobhi Batniji is quoted as saying in the book. “The effect of the Palestinian exodus, or Nakba, as they call it in the old country, affected my generation deeply: the horrors of the occupation and the displacement of the people and their suffering.”

His wife, Khadra, gave the book its name when she shared her story with Taysir. After the 1967 War, the Israelis occupied Gaza; they started to register people and opened the border so that people could leave.

“At that time, my husband sent me a visa; I had to leave with my children to Jordan,” Khadra recalls. “I will never forget that day; my father was so attached to my daughter, he was crying like a baby. I will never forget his face. He was crying so bad.” 

“We came to America many times before, but to stay for good, we came in July 1981. When I finally arrived here, I thought, my original home is Palestine. But this is a home away from home.”

All photos courtesy Taysir Batniji, from Home Away From Home (Aperture/Fondation d’entreprise Hermès, 2018)

Follow Miss Rosen on Twitter.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


You might like

Two men in recording studio with red and pink lighting. One operates equipment at mixing desk, other sits on white cube wearing dark jumper.
Culture

“Humanity’s big threat is our disconnect from nature”: Craig Richards and Chris Levine in conversation

Lighting up — With Houghton Festival collaborating with artist Chris Levine in its most recent edition, we sat down with the light artist and the festival’s creative director Craig Richards to chat about their new installations, and the role of art and music in tumultuous times.

Written by: Isaac Muk

Three musicians performing: man with glasses and acoustic guitar, woman in dark dress at microphone, person with large afro and yellow top.
Palestine

Line-up Announced for Palestine Benefit Concert at Wembley Arena

Together for Palestine: Greentea Peng, Jamie xx, Paloma Faith, Damon Albarn and more will join the major Gaza fundraiser at Wembley this September.

Written by: Ella Glossop

Two people in leather jackets on street, one carrying the other piggyback. Victorian terraced houses and vintage cars in background.
Music

Throwback portraits of the UK’s first punks

Punks 1978-1980 — While working as a photographer in the army, Wayne “Spike” Large would moonlight as a punk on the weekends. His new photobook revisits the characters that he captured from the genre’s heyday.

Written by: Miss Rosen

Woman with long dark hair in black dress and coral kimono standing before vibrant mural with orange dragons, pink shapes, and colourful abstract forms.
© Lady Pink
Culture

Meet Lady Pink, the ‘First Lady’ of graffiti

Miss Subway NYC — As a leading writer and artist in a man’s world, Sandra Fabara has long been a trailblazer for girls in underground art. Now, her new show touches on her legacy, while looking to the future.

Written by: Isaac Muk

Bald man with sunglasses in grey coat speaking at microphone on outdoor stage, ornate classical building with columns behind
Music

Brian Eno announces Palestine fundraiser concert at Wembley Arena

Together for Palestine — It will take place on September 17, with “every penny donated” going to humanitarian relief in Gaza via Choose Love.

Written by: Ella Glossop

Illustration with grey brick wall, white "NO ENTRY" tape, yellow text reading "BEHIND THE WALL OF SLEEP", black and white figures below with VPN and age rating symbols.
Culture

Will internet age verification actually work?

VPN Summer — With the Online Safety Act coming into force over the weekend, the UK woke up to find pornography, but also any content deemed “harmful” hidden behind an ID wall. But young people are far too tech savvy to be deterred, explains newsletter columnist Emma Garland, who also warns of the dangers of mass data harvesting.

Written by: Emma Garland

Huck is supported by our readers, subscribers and Club Huck members. It is also made possible by sponsorship from:

Signup to our newsletter

Sign up to our newsletter to informed with the cutting edge of sport, music and counterculture, featuring personal takes on the state of media and pop culture from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...