Getting off the grid in Argentina
- Text by Cian Traynor
- Photography by Alice Zoo
Last year, photographer Alice Zoo left London feeling disillusioned. There were anxieties about jobs, rent and money – “the usual stuff” – so she decided to move to Argentina in search of a different lifestyle.
“I wanted to spend some time on a farm to take myself out of my head a little, work with my hands instead of my brain,” says the 25-year-old.
“Argentina struck me as being free of visual clichés. It’s easy to conjure up a mental image of the US or the UK, for example, as there’s such a long history of photographic work coming out of them. But Argentina felt more of an unknown quantity, so it was a chance to be a little freer with my work aesthetically.”

Hasta el Cielo, the title of Zoo’s project, documents the winter months she spent working on a self-sustaining fruit-and-veg farm near Mendoza, close to the Chilean border and beneath the Andes.

The photos aimed to capture her back-to-nature existence for three months: the cycles of labour, the subordination to the elements, the coming together of people, plants and animals.

Zoo’s choice to shoot in black-and-white was to illustrate “the rawness of the experience” as closely as she could. There was no internet, no central heating and no farm machinery: everything was done by hand.

“The rosy brightness of colour wouldn’t have done justice to the way it felt to be there,” she says. “It was almost like a kind of time travel – being subject to the whims of the elements, having no idea what was happening in the rest of the world, relying on traditional processes for the farm work.”

“The black-and-white for me came to act as an abstraction of the way it felt to be there, having completely changed my lifestyle from back in London. I also wanted to get away from whimsical notions of natural beauty, cherry blossom and idealised rural life.”

“Living in this way can be tough and I think black-and-white demonstrates something of that grit.”

Check out Alice Zoo’s online portfolio or follow her on Instagram @alice.zoo.
You might like
How Japan revolutionised art & photography in the ’60s and ’70s
From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.
Written by: Miss Rosen
Artifaxing: “We’ve become so addicted to these supercomputers in our hands”
Framing the future — Predominantly publishing on Instagram and X, the account is one of social media’s most prominent archiving pages. We caught up with the mysterious figure behind it to chat about the internet’s past, present and future, finding inspiration and art in the age of AI.
Written by: Isaac Muk
The lacerating catharsis of body suspension in Hong Kong
Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.
Written by: Sophie Liu
What we’re excited for at SXSW 2026
Austin 40 — For the festival’s 40th anniversary edition, we are heading to Texas to join one of the biggest global meetups of the year. We’ve selected a few things to highlight on your schedules.
Written by: Huck
In photos: The boys of the Bibby Stockholm
Bibby Boys — A new exhibition by Theo McInnes and Thomas Ralph documents the men who lived on the three-story barge in Dorset, giving them the chance to control their own narrative.
Written by: Thomas Ralph
Huck’s 20th Anniversary Issue, Wu-Tang Clan is here
Life is a Journey — Fronted by the legendary Wu-Tang Clan’s spiritual leader RZA, we explore the space in between beginnings and endings, and the things we learn along the way.
Written by: Huck