Along with the Mennonites and the Amish, the Hutterites – founded in the 16th century – are one of three major Christian Anabaptist sectarian groups surviving today. Their 50,000 members almost all live in Western Canada and the upper Great Plains of the United States, and they remain – to different degrees dependent on the colony – distanced from mainstream life and society.
Growing up in Canada, photographer Tim Smith was aware of the Hutterite community from a young age, but knew very little about their culture. His first encounter with the community took place in 2009, when Smith stumbled on some Hutterite women wearing the traditional long apron dresses and head coverings, and asked if he could take their photo.

Children play tag on a pyramid of straw bales, Spring Valley Colony, 2010
“I started building connections, getting to know people, and building relationships, so that I could come back and take more photos,” he explains. Now, over 12 years later, Smith’s project documenting the Hutterites is still ongoing. Last month, the series appeared in Coming of Age, a group show held as part of Belfast Photo Festival.
According to Smith, while there have been some attempts to document this community before, only a handful of photographers have been successful. How much access Smith was given depended on the colony: “Some are weary of photography, but for the most part, people have been very welcoming. Or at the very least, just kind of indifferent,” he explains. “The Hutterites don’t shy away from telling me what they think. They’re very outspoken.”

Portrait of Justin Hofer after butchering egg-laying chickens at Deerboine Hutterite Colony, November, 2015
There’s a good reason as to why Hutterites are careful about who they allow to photograph them. “Hutterites are very aware of and sensitive to stereotypes about their communities, which are often derogatory and dismissive,” he says. “They’re looking for representations in the outside world that don’t further these stereotypes and don’t present them simplistically.”
There is, indeed, a tendency to see Hutterites as a relic from the past, or as somehow ‘backwards’. However, as Smith points out, “this overlooks the complexity and breadth of colony culture”. The assumption that Hutterites shun all forms of technology is one such mischaracterisation, particularly over more recent years, as the community has been forced to keep up with innovations in farming. Decisions over technology will depend on the individual colony, and in certain colonies, a lot of Hutterites have social media, and while they used to not own TVs, many now watch via their smartphone.

Deerboine Colony, 2009
Smith explains: “Hutterite colonies work to balance the traditions that they have developed throughout their 500 year history with the need to be flexible and adapt to aspects of the modern world to stay competitive and viable.”
This need to stay competitive makes sense, given that the Hutterites are a key cog in Canada’s food chain, with colonies operating industrial grade farms that produce grains, eggs, meat and vegetables, which are sold to large distributors and at local farmer’s markets. The colonies are often economically and culturally self-sufficient. As Smith points out: “They’re by far the most successful communal culture in Western society.”

Nevada Waldner at Maple Grove Colony, 2016
It’s this communal culture that Smith thinks people on the outside could learn from. Because colonies are kept to around 200 people, it fosters connections in a way that has perhaps been lost today: “I think we’re so busy, we’re so tied to technology,” says Smith. “Especially after going through this pandemic, there’s a lot of reflecting we could do on the importance of community, physical connection and simply being outdoors in the world around us.”
But importantly, as well, Smith wants audiences who see his photographs to notice similarities, saying: “I hope people can see connections between this community and their own lives.”

Colony kids swimming on a hot August evening, Pine Creek Colony, 2020

Picking corn on a warm September morning, Deerboine Colony, 2017

Portraits of Chantel Hofer in her wedding dress, Deerboine Colony, 2018

After dinner prayer at the essenschul (eating school) in Deerboine Colony, 2017

Planting watermelons and cucumbers in light rain followed by heavy rain and thunderstorm, Deerboine Colony, 2019

Jack Hofer sprints back to his truck to grab his knife after shooting a male bison, Deerboine Colony, 2018
Follow Tim Smith on Instagram.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Behind the curtain at Alternative Miss World 1981
Olympia glamour — Running a subversive take on the traditional beauty pageant, the Andrew Logan organised event prioritised underground creativity and invention. Photographer David Corio went behind the scenes at its biggest edition.
Written by: Miss Rosen
What life on the Strait of Hormuz is really like
Southern Winds — Bandar Abbas based photographer Morteza Niknahad has been capturing the diverse communities and stories of his local region since he first picked up a camera. His new series highlights the human impact of war.
Written by: Isaac Muk
Nick Haymes’s intimate portrait of his family’s life
Chronograph — Over 25 years, the photographer documented his son’s lives as they grew into adults. The resulting photobook is an exploration of the passage of time, as well as the optimism of youth.
Written by: Miss Rosen
Kristina Rozhkova’s scatty, confronting portrait of captivity
Gut Feeling — The Russian artist’s 2024 arrest and subsequent detention opened her eye towards the omnipresent dynamics of power and control. Her new photobook is a stark exploration of being trapped.
Written by: Isaac Muk
UK’s first ever Latino film festival is coming to London
LoLaFF — Taking place between October 2-6, it will feature 55 filmmakers from Latin America, with an opening night at the Barbican.
Written by: Isaac Muk
Shawn Walker’s layered, psychedelic vision of Harlem’s streets
From BeBop to Illusion — Using glass as a means to illuminate the city’s different layers, the longtime photographer and filmmaker is publishing his first monograph at the age of 86.
Written by: Miss Rosen