Joy, sweat and tears at Fall Out Boy's intimate UK shows
- Text by Emma Garland
- Photography by Aiyush Pachnanda
It’s not often that, in 2023, you get to see a legacy band in a venue the size they would have played 20 years ago. The mainstream emo resurgence that has brought reunions, revivals and general ramped-up activity from My Chemical Romance to Paramore has, so far, mostly unfolded in vast £10-a-pint arenas, football stadiums and festival grounds – fun, yes, but a far cry from the low ceilings and cheap thrills of their formative years. So it wasn’t surprising that, when Fall Out Boy announced two intimate shows in Manchester and London this week, tickets sold out faster than a 90s punk band (allegedly!!!).
The London show saw the band grace Heaven, one of the city’s most historic and influential LGBTQ+ venues, where fans of all ages gathered to sing, scream and occasionally weep along to songs pulled largely from their early catalogue – Infinity on High, Take This to Your Grave and From Under the Cork Tree. This comes ahead of the arena tour Fall Out Boy will be doing in October in support of their upcoming eighth album So Much (for) Stardust. With everyone tightly packed into Heaven’s stone archways and dark corners, the band played a set that felt as nostalgic as did vital; a gift to fans who have been along for the ride longer than Patrick Stump’s hat collection.
Thankfully, Huck was there to capture it all.
Follow Aiyush on Instagram.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
A stark, confronting window into the global cocaine trade
Sangre Blanca — Mads Nissen’s new book is a close-up look at various stages of the drug’s journey, from production to consumption, and the violence that follows wherever it goes.
Written by: Isaac Muk
“Like skating an amphitheatre”: 50 years of the South Bank skatepark, in photos
Skate 50 — A new exhibition celebrates half a century of British skateboarding’s spiritual centre. Noah Petersons traces the Undercroft’s history and enduring presence as one of the world’s most iconic spots.
Written by: Noah Petersons
The utopic vision of Black liberation in ’60s & ’70s jazz
Freedom, Rhythm & Sound — As Pan-African optimism spread across the world in the postcolonial era, Black-led record labels gave artists space to express themselves away from the mainstream. A new book collates 500 groundbreaking albums and their covers.
Written by: Miss Rosen
“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams
Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.
Written by: Josh Jones
Analogue Appreciation: Wesley Joseph
Forever Ends Someday — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, visual and sonic shapeshifter Wesley Joseph.
Written by: Wesley Joseph
Free-spirited, otherworldly portraits of Mexico City’s queer youth
Birds — Pieter Henket’s new collaborative photobook creates a stage for CDMX’s LGBTQ+ community to express themselves without limitations, styling themselves with wild outfits that subvert gender and tradition.
Written by: Isaac Muk
