Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

Photos of New York’s streets before the rise of crack

Jamel Shabazz’s photos honour those who were lost and those who survived one of the most brutal eras in recent history.

Photographer Jamel Shabazz began working as a New York City Correction Officer in 1983 around the same time that crack made landfall and the movie Scarface premiered. “The timing was a perfect recipe for disaster,” he remembers.

Shabazz’s first assignment was in ARDC, popularly known as C74, a housing facility for pretrial detainees between the ages of 16 to 20. “The average inmate count was well over 3,200 on any given day,” he says. “But once crack hit and the war on drugs was in full swing, the count nearly doubled and new facilities had to be built to accommodate the influx in population.”

Fly Girls. Midtown. Circa 1985

Inside the jail, Shabazz was disturbed to see so many people he knew personally from the communities he had been documenting. “Some who were once highly respected had succumbed to crack,” he recalls. “They would see me and try to hide, as they were ashamed and had become mere shells of the men they once were.”

Shabazz describes witnessing “a prey and predatory mindset that caused young men to brutalise each other over nonsense”. Violence escalated, with stabbings, slashing and vicious beatings taking place every single day. “Those who could not bear that type of atmosphere looked to suicide as a form of escape,” he says.

Picture Man, NYC. 1983

Lawrence and Tee, East Flatbush, Brooklyn, 1984

To make matters worse, the administration screened Scarface in the jail’s makeshift theatre every day. “That one movie sowed seeds of suggestions into the minds of those young men, who set up crack operations in their respective neighbourhoods after being released,” Shabazz says. “A number of them would be murdered or rearrested and hit with maximum sentences.”

At the same time, addicts were arrested en masse for possession, many first time offenders and given no treatment or help. Shabazz saw firsthand how the  crack epidemic and the war on drugs devastated Black and brown communities during the ‘80s and ‘90s. “Families were uprooted, properties were lost, and innocent children were placed in foster care,” he says. 

Trev. Crown Heights, Brooklyn. 1982

Growing up in the 1960s, Shabazz knew there was another way – one rooted in family, community, and collectivity. Inspired by the photography of James Van Der Zee, he set forth to create portraits of dignity and honour that would stand the test of history. “I wanted a visual diary of my personal journey so that when I got older I could look back on my life and the various encounters I had,” he says.

Shabazz returned to his archive to create a powerful and poignant revised edition of the 2005 classic, A Time Before Crack (powerHouse Books). Each portrait has been hand selected to honour those who were lost and those who survived one of the most brutal eras in recent history. Shabazz also brings in Wu-Tang Clans Masta Killa, poet Liza Jessie Peterson, and personal testimonies from former addicts to give voice to the era, sharing their memories and insights.  

With the passage of time, Shabazz’s work has taken on greater resonance, as many of his portraits are the last known photographs of those who posed for his camera. Over their years, their children and family members have reached out to Shabazz, forging new bonds through his photographs. As Shabazz puts it: “This experience has given my life a whole new meaning.”

The Red Hook crew. 1981

House of Pain. Rikers Island, 1985

The Brothers. Harlem, 1982

A Time Before Crack is out now on powerHouse Books.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter and Instagram


You might like

© Mitsutoshi Hanaga. Courtesy of Mitsutoshi Hanaga Project Committee
Culture

How Japan revolutionised art & photography in the ’60s and ’70s

From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.

Written by: Miss Rosen

Culture

Artifaxing: “We’ve become so addicted to these supercomputers in our hands”

Framing the future — Predominantly publishing on Instagram and X, the account is one of social media’s most prominent archiving pages. We caught up with the mysterious figure behind it to chat about the internet’s past, present and future, finding inspiration and art in the age of AI.

Written by: Isaac Muk

Culture

The lacerating catharsis of body suspension in Hong Kong

Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.

Written by: Sophie Liu

Culture

What we’re excited for at SXSW 2026

Austin 40 — For the festival’s 40th anniversary edition, we are heading to Texas to join one of the biggest global meetups of the year. We’ve selected a few things to highlight on your schedules.

Written by: Huck

Activism

In photos: The boys of the Bibby Stockholm

Bibby Boys — A new exhibition by Theo McInnes and Thomas Ralph documents the men who lived on the three-story barge in Dorset, giving them the chance to control their own narrative. 

Written by: Thomas Ralph

Huck 83: Life Is A Journey Issue

Huck’s 20th Anniversary Issue, Wu-Tang Clan is here

Life is a Journey — Fronted by the legendary Wu-Tang Clan’s spiritual leader RZA, we explore the space in between beginnings and endings, and the things we learn along the way.

Written by: Huck

Huck is supported by our readers, subscribers and Club Huck members.

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.