Potent photos of racially segregated proms in Georgia
- Text by Miss Rosen
- Photography by Gillian Laub
It all began with a letter. Anna, a high school student living in Mount Vernon, Georgia, wrote to Spin magazine about how she couldn’t take her boyfriend to the prom because she was white, he was Black, and their proms were still segregated — in 2002.
Although it was too late to shoot prom, photographer Gillian Laub decided to cover homecoming, the school’s next segregated event, that fall. Her three-day visit to the town of around 2,500 residents was the start of Southern Rites – now a film, book, and exhibition, documenting race in 21st century America over a period of two decades.
“What was so unsettling was that it felt like a lovely idyllic suburban town that was not unlike my own,” Laub recalls. “The whole community coming together joyously celebrating football games reminded me of where I grew up, but what wasn’t familiar was seeing two queens – a Black queen and a white queen – waving from the homecoming float.”
Laub had never seen such an overt display of segregation coupled with the love students of both races had for one another. “I knew the proms were a symptom of something much larger and I needed to spend time and investigate,” she says.
Laub returned in 2008, on an assignment for The New York Times Magazine, just a couple of days before the white prom took place. She met Harley, a white girl on the prom planning committee, and Keyke, a Black girl, about to make history by attending the white prom — until her date cancelled the night before prom, saying his mother wasn’t comfortable with the arrangement.
While photographing Harley outside a hair salon on prom day, a white woman recognised Laub and started screaming: “I know what you’re here to do! Go back to where you came from!”
Things quickly went from bad to worse. “The next thing I knew, our tires were slashed,” Laub says. “The country sheriff came over and warned us to leave town, that people there were NRA members and they would take matters into their own hands. I was chased out of town.”
But Laub did not quit. She returned two weeks later to photograph the Black prom, where she was welcomed with open arms. The story was shelved until Laub went back the following year. After the New York Times article, A Prom Divided, was published, and the school was forced to integrate events.
Then in 2011, tragedy struck when a 62-year-old white man killed Justin Patterson – one of the Black teens Laub photographed in 2009 – after finding out Patterson had been in his home with his daughter.
“I witnessed injustice and felt I had a responsibility to do something. When I was filming Justin Patterson’s trial, it was not being covered in the media. At that point, Trayvon Martin had been killed and Justin’s mom said, ‘Look, people are starting to care and pay attention, but no one knows about my son — no one knows his name,’” Laub says.
“I felt her pain. That gave me more impetus to share Justin’s story. I realised Trayvon Martin was one person who represented so many others killed, and whose stories remain unknown.”
Gillian Laub: Southern Rites is currently streaming on HBO, and the book is out on Damiani now.
Follow Miss Rosen on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Why is the Met Police using EsDeeKid for ‘copaganda’?
Slop Enforcement — Among the AI slop and ragebait of late-stage social media, newsletter columnist Emma Garland has noticed a jarring trend – London’s police force appropriating criminalised subcultures for engagement purposes.
Written by: Emma Garland
A stark, confronting window into the global cocaine trade
Sangre Blanca — Mads Nissen’s new book is a close-up look at various stages of the drug’s journey, from production to consumption, and the violence that follows wherever it goes.
Written by: Isaac Muk
“Like skating an amphitheatre”: 50 years of the South Bank skatepark, in photos
Skate 50 — A new exhibition celebrates half a century of British skateboarding’s spiritual centre. Noah Petersons traces the Undercroft’s history and enduring presence as one of the world’s most iconic spots.
Written by: Noah Petersons
“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams
Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.
Written by: Josh Jones
Free-spirited, otherworldly portraits of Mexico City’s queer youth
Birds — Pieter Henket’s new collaborative photobook creates a stage for CDMX’s LGBTQ+ community to express themselves without limitations, styling themselves with wild outfits that subvert gender and tradition.
Written by: Isaac Muk
The suave style and subtle codes of gay San Francisco in the ’70s
Seminal Works — Hal Fischer’s new photobook explores the photographer’s archive, in which he documented the street fashion and culture of the city post-Gay Liberation, and pre-AIDS pandemic.
Written by: Miss Rosen