How Hurricane Maria swept up and devastated Puerto Rico
- Text by HUCK HQ
- Photography by Erinn Springer
Earlier this year, Central America was hit by Hurricane Maria – a category five cyclone that swept up and devastated much of the northeastern Caribbean. In Guadeloupe and the Virgin Islands, trees were uprooted and roofs were ripped apart. In Dominica, the storm was deemed the worst natural disaster on record – killing 57 people and damaging 98 per cent of the local buildings.
It was Puerto Rico, though, that was forced to endure some of the biggest catastrophes. The hurricane sparked a major humanitarian crisis on the island, inflicting billions of pounds worth of damage and (according to San Juan Mayor Yulín Cruz) up to 500 deaths. Even now, six weeks after the storm struck, citizens are being forced to deal with a lack of electricity and unreliable phone and internet service.
In an effort to raise awareness of the devastation, North Wisconsin-born, New York-based photographer Erinn Springer headed to the island 22 days after the hurricane first hit. “The entire island was touched by the storm,” she tells Huck. “Around 90 per cent of the island was without power, and though some businesses and hotels had generators, almost everyone was in darkness. Many houses were built with tin roofs and we saw multiple homes with the upper levels completely torn away. Unless a building was protected by the natural barriers in the landscape, the storm pretty much picked up everything in its path.”
The trip resulted in an ethereal, visually captivating photo series called Day 22-29. Unlike typical photojournalism projects, Springer’s work is marked by an abstract quality – with mood and atmosphere taking priority over context and detail. She captures a Puerto Rico that, while physically damaged, remains unbroken in spirit.
“Everyone found solidarity in the absence of electricity,” she remembers. “People would gather in the streets for conversation, kids played games with their neighbours, and parents used flashlights as toys with their toddlers. If businesses didn’t have generators, they’d use flashlights or other power methods that allowed them to provide services. Despite everything, Puerto Rico was smiling. Sentiments of hope came in waves, but I was so amazed by the perspective of so many people I encountered. The island spirit was still alive.”
Given recent news that the island was still struggling to cope in the storm’s aftermath, does Springer – who is now back in New York – feel concerned for the future? “I can only hope that with time, people will return to the island and see it stronger than it was before,” she says.
“Images develop thoughts that, hopefully, inspire change through action. The best thing we can do as witnesses to events like this is to share our experience and use it as a tool to shape the way people think and react. If what we offer is art, let it be art that benefits the world.”
See more of Erinn Springer’s work on her official website, or follow her on Instagram.
You can donate to the Puerto Rico relief efforts via the British Red Cross.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
A stark, confronting window into the global cocaine trade
Sangre Blanca — Mads Nissen’s new book is a close-up look at various stages of the drug’s journey, from production to consumption, and the violence that follows wherever it goes.
Written by: Isaac Muk
“Like skating an amphitheatre”: 50 years of the South Bank skatepark, in photos
Skate 50 — A new exhibition celebrates half a century of British skateboarding’s spiritual centre. Noah Petersons traces the Undercroft’s history and enduring presence as one of the world’s most iconic spots.
Written by: Noah Petersons
“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams
Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.
Written by: Josh Jones
Free-spirited, otherworldly portraits of Mexico City’s queer youth
Birds — Pieter Henket’s new collaborative photobook creates a stage for CDMX’s LGBTQ+ community to express themselves without limitations, styling themselves with wild outfits that subvert gender and tradition.
Written by: Isaac Muk
The suave style and subtle codes of gay San Francisco in the ’70s
Seminal Works — Hal Fischer’s new photobook explores the photographer’s archive, in which he documented the street fashion and culture of the city post-Gay Liberation, and pre-AIDS pandemic.
Written by: Miss Rosen
The stripped, DIY experimentalism of SHOOT zine
Zine Scene — Conceived by photographer Paul Mpagi Sepuya in the ’00s, the publication’s photos injected vulnerability into gay portraiture, and provided a window into the characters of the Brooklyn arts scene. A new photobook collates work made across its seven issues.
Written by: Miss Rosen