Remembering the life and work of Philip Jones Griffiths
- Text by Niall Flynn
- Photography by Philip Jones Griffiths / Magnum Photos
On the 10-year anniversary of his death, a new exhibition is showcasing two of Philip Jones Griffiths’ most significant bodies of work: photos shot amid the conflict of the Vietnam War, and his pictures of Britain taken between 1950 – 1970.
Titled PJGX, the exhibition – presented by TJ Boulting and Trolley Books, in conjunction with Magnum Photos and the Philip Jones Griffiths Foundation – showcases the two works alongside one another, conveying an all-encompassing legacy of one of history’s finest photojournalists.
Mowing the Lawn, Northern Ireland, 1973 © Philip Jones Griffiths / Magnum Photos
South Vietnam, 1970 © Philip Jones Griffiths / Magnum Photos
“When starting to think about a show like this, any curator would be spoilt for choice,” says Fanny Ferrato, daughter of Philip and co-trustee of the foundation, along with her sister, Katherine Holden.
“Philip will always be known for his Vietnam work, however he hated being thought of as a war photographer. By showing the British work alongside Vietnam, it not only gives you a more rounded view of his life’s work, but also presents an interesting comparison, as most of the photographs in the show were taken in the same time period.”
His photos of Vietnamese conflict, first published in the acclaimed Vietnam INC (1971), were credited with helping shift public perception of the Vietnam war – particularly in the US. Speaking of the work years later, Noam Chomsky said: “If anybody in Washington had read that book, we wouldn’t have had these wars in Iraq or Afghanistan.”
Nannies Outside No.10, 1959 © Philip Jones Griffiths / Magnum Photos
Refugee from U.S. Bombing, Saigon, 1968 © Philip Jones Griffiths / Magnum Photos
Similarly, his shots of Britain – drawn from 2008 publication Recollections – demonstrate Griffiths’ unparalleled ability as a poignant documenter of place and time. While the two works displayed in PJGX are contrasting in their subject matter, they remain united through his unique curiosity in people and a belief in the power of visual storytelling.
“It has been said that in order to tell a great story you have to concentrate on the 5 ‘W’s: who, what, where, when and why. To Philip the first four were perfunctory and it’s the last one that really counted,” adds Holden.
“This focus and ability to get into the ‘why’ of certain situations certainly helps distinguish Philip as a unique storyteller. As well as this, he had a real empathy with his subjects – whether it be a child in Vietnam suffering the effects of Agent Orange, or an old lady trying to do her shopping in Northern Ireland among the soldiers and sandbags.”
U.S. Marine Sharing Cigarettes, 1967 © Philip Jones Griffiths / Magnum Photos
Oxford Street, London 1960 © Philip Jones Griffiths / Magnum Photos
Soldier with Bullet-proof Shield, Northern Ireland, 1973 © Philip Jones Griffiths / Magnum
Photos
The Beatles, 1963 © Philip Jones Griffiths / Magnum Photos
Saigon, South Vietnam, 1967 © Philip Jones Griffiths / Magnum Photos
PJGX: Philip Jones Griffiths – Ten Year Anniversary Exhibition is showing 19 March – 21 April, 2018 at London’s TJ Boulting Gallery. Philip Jones Griffiths: Icons is showing 5 June – 27 July, 2018 at Magnum Print Room.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Vintage photos of London street life at the turn of the millennium
London 1995-2005 — In her new photobook, Joan Piekny reflects on a decade shooting the styles and subcultures of the UK capital’s streets, just before technology .
Written by: Miss Rosen
Princess Julia: “I always state my age as I can’t believe I’m still around”
First lady — As the latest Artist-In-Residence of Huck 83, the London nightlife legend speaks to Josh Jones and provides a few recommendations and words of wisdom.
Written by: Josh Jones
A luminous portrait of Black life over six decades
Shared Memories — As staff photographer for The New York Times, Chester Higgins captured Black culture and spiritual connection like no other. A new exhibition celebrates his life and impact.
Written by: Miss Rosen
An intimate window into New York’s ’70s lesbian scene
We Others — An exhibition at The Photographer’s Gallery combines Donna Gottschalk’s unearthed photographs of LGBTQ+ activists and friends, along with Hélène Gianneccini’s written histories.
Written by: Miss Rosen
A tender portrait of life and ritual from Mexico City’s streets
Órale — For the last six years of his life, photographer, collector and designer Michel Hurst documented death rituals, street life and religious pageantry in contemporary Mexico. A new monograph showcases his work.
Written by: Roxana Diba
In photos: Washington DC’s Black communities facing up to gentrification
A Language We Share — A new exhibition featuring the work of Beverly Price and Gordon Parks preserves historically Black neighbourhoods in the USA, before development and economic forces made them disappear.
Written by: Miss Rosen
