Intimate portraits of rock ‘n’ roll icons on and off stage

From David Bowie to Dolly Parton, photographer Terry O’Neill captured music luminaries at the height of their fame.

The date 19 November marks the second anniversary of British photographer Terry O’Neill’s death at age of 81. And, now, a new book of his work celebrates his life and legacy. Terry O’Neill’s Rock ‘N’ Roll Album (ACC Art Books) delves into the artist’s archive to unearth images of luminaries like David Bowie, Amy Winehouse, Janis Joplin, the Rolling Stones, and Diana Ross made on stage and behind the scenes. 

“Terry was everywhere in the ’60s – he knew everything and everyone that was happening,” Keith Richards said of O’Neill 50 years behind the lens. O’Neill made some of the earliest known pictures of the Beatles, and spent more than three decades photographing Frank Sinatra, forging lifelong relationships with the greatest musicians of the 20th century.

Dolly Parton

“Terry was very humble about his work,” says Carrie Kaina, Terry O’Neill’s longtime agent and friend who first met the photographer in 2009. Working at the Creative Director at Iconic Images, the company that owns and manages O’Neill’s archive, Kaina is now steward of his singular legacy. 

“I think the real beauty of Terry’s archive is how amazingly vast it is,” Kaina says. “No other photographer captured the history of fame at such a high level for such a long time as Terry. From screen stars to musicians, models, business leaders, athletes, politicians, and royals, Terry met and worked with them all.”

“I never really felt like a rock singer or a rock star or whatever,” David Bowie said about his Ziggy Stardust period

Diana Ross, early 1970s

O’Neill’s gift for portraiture lay in his charm, transforming the photo shoot into a joyous affair for all. “Terry was charming, quick to laugh, engaging and would happily speak to anyone,” says Kaina, who has spoken with many of O’Neill’s former assistants who were present during the making of these photographs.

“I was always left with the impression that for Terry, it wasn’t the technical side that made the photos what they were — it was Terry himself. The camera was just the device in the middle,” Kaina says.  “He was fun to be around. He made the person in front of the camera feel comfortable, and when he was working on sets, film, or stages, he told me the trick was to be invisible.”

Shirley Bassey

“I grabbed this chair owned by the studio on it was written ‘Not To Be Taken Away’. I sat Keith Moon on it,” says Terry. “It was a terrible irony. Three weeks later Keith was dead.”

O’Neill’s inimitable ability to move with grace and élan allowed him to establish lasting bonds with stars like Elton John, who he first heard on the radio in 1970. “He immediately thought, ‘This guy has what it takes.’ The media would often call him and ask, ‘Who’s going to be the next, big thing?’ Terry felt Elton was the one,” Kaina says.

“After Terry arranged a photo session, the two of them just hit it off. I would imagine it was a combination of a love of music and the love of football, the two had a lot of passions in common. Terry worked with Elton frequently and they were very much in touch up until the day Terry passed away in 2019.”

British singer Elton John in Hollywood, November 1974.

Alice Cooper, playing up for the camera at home in Los Angeles, circa 1974

Tina Turner

Barbra Streisand at home in Los Angeles, 1977

Terry O’Neill’s Rock ‘N’ Roll Album is out now on ACC Art Books.

Enjoyed this article? Follow Huck on Twitter and Instagram


Ad

Latest on Huck

Red shop frontage with "Open Out" branding and appointment-only signage.
Activism

Meet the trans-led hairdressers providing London with gender-affirming trims

Open Out — Since being founded in 2011, the Hoxton salon has become a crucial space the city’s LGBTQ+ community. Hannah Bentley caught up with co-founder Greygory Vass to hear about its growth, breaking down barbering binaries, and the recent Supreme Court ruling.

Written by: Hannah Bentley

Cyclists racing past Palestinian flag, yellow barriers, and spectators.
Sport

Gazan amputees secure Para-Cycling World Championships qualification

Gaza Sunbirds — Alaa al-Dali and Mohamed Asfour earned Palestine’s first-ever top-20 finish at the Para-Cycling World Cup in Belgium over the weekend.

Written by: Isaac Muk

Crowded festival site with tents, stalls and an illuminated red double-decker bus. Groups of people, including children, milling about on the muddy ground.
© Alan Tash Lodge
Music

New documentary revisits the radical history of UK free rave culture

Free Party: A Folk History — Directed by Aaron Trinder, it features first-hand stories from key crews including DiY, Spiral Tribe, Bedlam and Circus Warp, with public streaming available from May 30.

Written by: Isaac Muk

Weathered wooden building with a tall spire, person on horseback in foreground.
Culture

Rahim Fortune’s dreamlike vision of the Black American South

Reflections — In the Texas native’s debut solo show, he weaves familial history and documentary photography to challenge the region’s visual tropes.

Written by: Miss Rosen

A collage depicting a giant flup for mankind, with an image of the Earth surrounded by planets and people in sci-fi costumes.
Culture

Why Katy Perry’s space flight was one giant flop for mankind

Galactic girlbossing — In a widely-panned, 11-minute trip to the edge of the earth’s atmosphere, the ‘Women’s World’ singer joined an all-female space crew in an expensive vanity advert for Jeff Bezos’ Blue Origin. Newsletter columnist Emma Garland explains its apocalypse indicating signs.

Written by: Emma Garland

Three orange book covers with the title "Foreign Fruit" against a dark background.
Culture

Katie Goh: “I want people to engage with the politics of oranges”

Foreign Fruit — In her new book, the Edinburgh-based writer traces her personal history through the citrus fruit’s global spread, from a village in China to Californian groves. Angela Hui caught up with her to find out more.

Written by: Katie Goh

Huck is supported by our readers, subscribers and Club Huck members. It is also made possible by sponsorship from:

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.